Hollywood has a growing fascination with America’s past. This is evidenced in the release of a rash of films of this genre in the past 25 years. This book offers an analysis of how and why ...contemporary Hollywood films have sought to mediate American history. It is the first book to explore, comprehensively, the post-Cold War period of film-making, and to consider whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods. It also considers why such films are becoming increasingly integral to the ambitions of a globally-focused American film industry. The relationship between film and history - the way in which film mediates history and vice versa - is a complex one. In this book, the authors work from two main assumptions. First, that films revision events to challenge or, perhaps more typically, to reaffirm traditional historical interpretations. Second, that this process can only be understood in the context of contemporary debates about identity politics, America’s role in world affairs, and the globalisation of the American film business.
Ten years after the terrorist attacks on New York and Washington DC on September 11, 2001, the United States remains embroiled in a long-term struggle with what George W. Bush termed the existential ...threat of international terrorism. On the campaign trail, his successor as US President, Barack Obama, promised to reboot the 'war on terror'. He claimed that his new administration would step back from the rhetoric and much of the Bush administration policy, conducting a counterterrorism campaign that would be more morally acceptable, more focused and more effective—smarter, better, nimbler, stronger. This article demonstrates, however, that those expecting wholesale changes to US counterterrorism policy misread Obama's intentions. It argues that Obama always intended to deepen Bush's commitment to counterterrorism while at the same time ending the 'distraction' of the Iraq War. Rather than being trapped by Bush's institutionalized construction of a global war on terror, the continuities in counterterrorism can be explained by Obama's shared conception of the imperative of reducing the terrorist threat to the US. The article assesses whether Obama has pursued a more effective counterterrorism policy than his predecessor and explores how his rhetoric has been reconstituted as the actions of his policy have unfolded. By addressing his policies toward Afghanistan and Pakistan, Guantánamo Bay and torture, the uses of unmanned drone attacks and domestic wire-tapping, this article argues that Obama's 'war' against terrorism is not only in keeping with the assumptions and priorities of the last ten years but also that it is just as problematic as that of his predecessor.
The use of unmanned drones by the US military is examined. Most of the attacks have been launched against Pakistan by the Bush and Obama administrations.
This article looks to answer the question of why the James Bond novels and films should matter to scholars of intelligence and national security. We argue that Bond is important because, rightly or ...wrongly, and not without inaccuracy, it has filled a public knowledge vacuum about intelligence agencies and security threats. On another level, this article explores the unexpected yet important interactions between Bond and the actual world of intelligence. We contend that the orthodoxy dictating that Bond and spying are diametric opposites-one is the stuff of fantasy, the other is reality-is problematic, for the worlds of Bond and real intelligence collide, overlap and intermesh in fascinating and significant ways. In short, Bond is important for scholars because he is an international cultural icon that continues to operate at the borders of fiction and reality, framing and constructing not only public perceptions but also to some degree intelligence practices. Core narratives of intelligence among not only the public but also policymakers and intelligence officers are imagined, sustained, deepened, produced and reproduced through and by Bond. We conclude that Bond and intelligence should be thought of as co-constitutive; the series shapes representations and perceptions of intelligence, but it also performs a productive role, influencing the behaviours of intelligence agencies themselves.
Since taking office, United States President Barack Obama has attempted to refocus and revitalize the US war against terrorism. The centrepiece of this effort has been an increased emphasis on the ...war in Afghanistan, which he has characterized as the real frontline of the war on terror—as opposed to the 'distraction' of the Iraq war. After years of fighting under the Bush administration, Obama has had to 'sell' to the US public the renewed effort in Afghanistan and bordering Pakistan in order to maintain support for his policy. In speeches and other public pronouncements, Obama has drawn heavily on the idea of 'sacrifice' to justify the deepening of the commitment to the war, arguing that the costs of the war are necessary in order to keep the US safe from further terrorist attacks. This article explores this symbolic engagement with the sacrifices being made in the name of keeping the United States 'safe' from terrorism. It considers whether this approach resonates with public and elite opinion; it also considers the sustainability of underlying public support for the war and analyses how Obama has adapted his approach in order to fulfil his goal of drawing the US intervention to a close. While Obama appears to have judged well the price that the US public is willing to pay to defend against terrorism, it is argued that there are major risks involved in using the central principle of sacrifice when justifying the war. Obama has risked creating a 'sacrifice trap' whereby the more emphasis is placed on the sacrifices being made, the more necessary it becomes to demonstrate outcomes that make those sacrifices worthwhile. Obama's ultimate objective of withdrawing US forces from Afghanistan may yet be undermined, therefore, by the justifications he has given for the continued importance of the commitment.
Abstract
With its 2018 Nuclear Posture Review, the Trump administration expanded the scope of US nuclear deterrence, re-emphasizing the importance of non-strategic nuclear weapons, perceptively ...lowering the threshold for nuclear use and casting doubt on the future of arms control. The authors argue that these changes are consistent with the administration's wider ‘peace through strength’ approach that draws on traditional Republican thinking on security policy. While designed to demonstrate credibility and resolve to both allies and adversaries, however, this assertive approach to security policy and specifically nuclear policy as a necessary precursor to renewed engagement in strategic negotiations may have unintended consequences. This article focuses on European reactions to the strategy and argues that the Trump administration's nuclear posture challenges common European understandings in three principal areas. First, changes to US declaratory policy contest European assumptions on the role of nuclear weapons in defending NATO. Second, US modernization plans and their implications for intra-alliance relations risk accentuating controversial debates about the US commitment to Europe. Third, the apparent US rejection of arms control widens the scope for discord with European leaders. If European leaders assert a clear and credible alternative vision advocating nuclear restraint, risk reduction and arms control they could rebuild trust and confidence between the United States, NATO and Russia, demonstrating real strength and ultimately leading to more genuine opportunities for peace and sustainable European security.
Reeling from the revelations about its operations in the 1970s, the CIA set up an Office of Public Affairs to improve its public image. Among its activities was greater engagement with television ...producers, but it largely failed to lead to more US drama series portraying the CIA in a better light. This article, however, analyses those few TV dramas that did characterize the CIA in the 1980s and 1990s – Scarecrow and Mrs King, The Equalizer and The X-Files. Each series gave a critique of the CIA and its practices while offering alternative pathways to redeeming the organization so that it could better serve US security and domestic safety. They are examples of how television dramas can ask questions, engage with critical issues in contemporary society, and push the boundaries of what we expect to see in our televisual entertainment. They may not have offered very much insight into what the CIA was actually doing globally, but their storylines did confront the public image of the CIA, question its ethos and its methods, and offer some alternative viewpoints on how the Agency might develop its role and approach. Each series attempted to push beyond stereotypes of the CIA and its agents, upset the usual balance between gender roles and refused to give the kind of closed, unambiguous viewpoints that so many US television dramas offered their audiences during the period. They contributed significantly to the cultural representation of the CIA as the Cold War drew to a close.
NATO: from Cold War to Ukraine Messmer, Marion; von Hlatky, Stéfanie; Sen, Somdeep ...
International affairs (London),
07/2024, Letnik:
100, Številka:
4
Journal Article
This article explores the fascinating interactions and experiences of James Bond creator, Ian Fleming, with the real world of intelligence. It has long been known that Fleming worked in Naval ...Intelligence during the Second World War. However, accounts of his time there tend to portray him as a lowly and slightly eccentric administrator. Drawing on newly discovered archival materials, plus memoirs and histories, it is argued here that Fleming was a respected and influential figure in the great game of espionage for some three decades. During the war, he was a central cog in the machinery of naval intelligence, planning operations, working with partners in American intelligence and liaising with secret Whitehall departments, including the Government Code and Cypher School at Bletchley Park. Before and after the war, he was involved in a range of intelligence networks, often using journalistic cover to hide his clandestine connections. Throughout his life, his social circle was a 'who's who' of spies and saboteurs, including CIA Director Allen Dulles. In short, he straddled the state-private divide. Taken together, these dealings with real intelligence paved the way for and gave veracity to his fiction, which continues to shape public perceptions of intelligence to this day.
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