Toward the end of the eighteenth century, a radical change occurred in notions of self and personal identity. This was a sudden transformation, says Dror Wahrman, and nothing short of a revolution in ...the understanding of selfhood and of identity categories including race, gender, and class. In this pathbreaking book, he offers a fundamentally new interpretation of this critical turning point in Western history.Wahrman demonstrates this transformation with a fascinating variety of cultural evidence from eighteenth-century England, from theater to beekeeping, fashion to philosophy, art to travel and translations of the classics. He discusses notions of self in the earlier 1700s-what he terms the ancien regime of identity-that seem bizarre, even incomprehensible, to present-day readers. He then examines how this peculiar world came to an abrupt end, and the far-reaching consequences of that change. This unrecognized cultural revolution, the author argues, set the scene for the array of new departures that signaled the onset of Western modernity.
A synthesis of eighteenth-century intellectual and cultural developments that offers an original explanation of how Enlightenment thought grappled with the problem of divine agency. Why is the world ...orderly, and how does this order come to be? Human beings inhabit a multitude of apparently ordered systems—natural, social, political, economic, cognitive, and others—whose origins and purposes are often obscure. In the eighteenth century, older certainties about such orders, rooted in either divine providence or the mechanical operations of nature, began to fall away. In their place arose a new appreciation for the complexity of things, a new recognition of the world's disorder and randomness, new doubts about simple relations of cause and effect—but with them also a new ability to imagine the world's orders, whether natural or manmade, as self-organizing. If large systems are left to their own devices, eighteenth-century Europeans increasingly came to believe, order will emerge on its own without any need for external design or direction.In Invisible Hands, Jonathan Sheehan and Dror Wahrman trace the many appearances of the language of self-organization in the eighteenth-century West. Across an array of domains, including religion, society, philosophy, science, politics, economy, and law, they show how and why this way of thinking came into the public view, then grew in prominence and arrived at the threshold of the nineteenth century in versatile, multifarious, and often surprising forms. Offering a new synthesis of intellectual and cultural developments, Invisible Hands is a landmark contribution to the history of the Enlightenment and eighteenth-century culture.
In this wide-ranging consideration of intellectual diasporas, historian Peter Burke questions what distinctive contribution to knowledge exiles and expatriates have made. The answer may be summed up ...in one word: deprovincialization. Historically, the encounter between scholars from different cultures was an education for both parties, exposing them to research opportunities and alternative ways of thinking. Deprovincialization was in part the result of mediation, as many émigrés informed people in their "hostland" about the culture of the native land, and vice versa. The detachment of the exiles, who sometimes viewed both homeland and hostland through foreign eyes, allowed them to notice what scholars in both countries had missed. Yet at the same time, the engagement between two styles of thought, one associated with the exiles and the other with their hosts, sometimes resulted in creative hybridization, for example, between German theory and Anglo-American empiricism. This timely appraisal is brimming with anecdotes and fascinating findings about the intellectual assets that exiles and immigrants bring to their new country, even in the shadow of personal loss.
This essay is a methodological evaluation of the procedures and presuppositions informing the social and cultural history of gender, as exemplified in recent scholarship about the transformations of ...sex and gender in Britain from the early modern period through the long eighteenth century. It suggests answers to two questions: how can we write the cultural history of gender while maintaining both rigour in the enterprise and an awareness of its limits? And where might we go when these limits suddenly appear to undermine the very foundational presuppositions on which the whole cultural‐historical project is built?
Uncovers an artistic puzzle in the illusionist paintings by Edward Collier, a Dutch-British still-life painter who moved to London at the end of the seventeenth century and encoded a sophisticated ...critique of the information revolution that ushered in the modern information age.
More than European empires, it was the explosion of European settlement-that is, the massive creation of neo-Europes in non-European lands-that was the most dramatic nineteenth-century development of ...unprecedented scale, and that had the greatest global consequences. ... this development was Anglo-centric.