Communism of Spirits Friedrich, Hölderlin; Albernaz, Joseph; Brazil, David
The Germanic review,
20/1/2/, Letnik:
97, Številka:
1
Journal Article
Recenzirano
Friedrich Hölderlin’s prose fragments entitled Communismus der Geister (Communism of Spirits) is presented in an English translation by Joseph Albernaz and David Brazil.
"Friedrich Hölderlin’s only novel, Hyperion (1797–99), is a fictional epistolary autobiography that juxtaposes narration with critical reflection. Returning to Greece after German exile, following ...his part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation. Though Hölderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. In this skilful translation, Gaskill conveys the beautiful music and rhythms of Hölderlin’s language to an English-speaking reader."
Friedrich Hölderlin’s only novel, Hyperion (1797–99), is a fictional epistolary autobiography that juxtaposes narration with critical reflection. Returning to Greece after German exile, following his ...part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation. Though Hölderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. In this skilful translation, Gaskill conveys the beautiful music and rhythms of Hölderlin’s language to an English-speaking reader.
Hölderlins Gedicht ,,Hälfte des Lebens" von 1803 fordert mit seiner bestürzenden Aktualität die Leser und Übersetzer immer neu heraus. Im vielfachen Echo seiner französischen und englischen ...Übertragungen, die hier erstmals dokumentiert und analysiert werden, erscheinen neue Facetten des Originals. Peter Utz zeigt in dem vorliegenden Band, wie Hölderlins Bildsprache die Übersetzer herausfordert, vom ,,heilignüchternen Wasser" bis zu den ,,klirrenden Fahnen". Doch das Gedicht enthält auch schon in sich eine Poetik des Übersetzens. In seinen vielfachen fremden Lesarten erscheint das Verhältnis von Original und Übersetzung - im Licht von Walter Benjamins Übersetzer-aufsatz - als dynamisch und komplementär: Die Übersetzungen realisieren die implizite ,,Übersetzbarkeit" des Originals und zeigen sich so als seine ,,Nachreife", seine andere, ver-borgene ,,Hälfte".
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