En el presente estudio ofrecemos líneas que fundamentarán la edición crítica de Sociedades americanas en 1828, la obra maestra inconclusa del pensador radical latinoamericano Simón Rodríguez. Para ...ello reconstruimos el plan general diseñado por Rodríguez para la edición de Sociedades americanas en 1828 y caracterizamos los diferentes fragmentos que Rodríguez alcanzó a publicar de esta obra y su lugar en el proyecto general.
Sohrab Sepehri and William Wordsworth’s poems, have repeatedly been compared as they both reflect Pantheism and Emerson’s Over-Soul, yet they have never been studied in the light of Ibn Arabi’s ...Philosophy. The theory of Constant Immanence or renewal of creation expressed by Ibn Arabi can be regarded as an umbrella term to read the selected poems of Sepehri and Wordsworth and detect the similarities between these poets of two distinct milieu. Ibn Arabi’s innovative ideas of constantly renewing creation of the cosmos, the relationship between Man and Nature, Perfect Man and the love of religion have been depicted impressively centuries later in Sepehri’s and Wordsworth’s works. There is a wide tendency to compare the poems of these two poets of different milieu due to their special outlook to nature and their very individualistic worlds and their wide acceptance by both elite and common readers of poetry.
In June 1887, a man known as General Husayn, a manumitted slave turned dignitary in the Ottoman province of Tunis, passed away in Florence after a life crossing empires. As a youth, Husayn was ...brought from Circassia to Turkey, where he was sold as a slave. In Tunis, he ascended to the rank of general before French conquest forced his exile to the northern shores of the Mediterranean. His death was followed by wrangling over his estate that spanned a surprising array of actors: Ottoman Sultan Abdülhamid II and his viziers; the Tunisian, French, and Italian governments; and representatives of Muslim and Jewish diasporic communities. A Slave Between Empires investigates Husayn's transimperial life and the posthumous battle over his fortune to recover the transnational dimensions of North African history. M'hamed Oualdi places Husayn within the international context of the struggle between Ottoman and French forces for control of the Mediterranean amid social and intellectual ferment that crossed empires. Oualdi considers this part of the world not as a colonial borderland but as a central space where overlapping imperial ambitions transformed dynamic societies. He explores how the transition between Ottoman rule and European colonial domination was felt in the daily lives of North African Muslims, Christians, and Jews and how North Africans conceived of and acted upon this shift. Drawing on a wide range of Arabic, French, Italian, and English sources,A Slave Between Empires is a groundbreaking transimperial microhistory that demands a major analytical shift in the conceptualization of North African history.
Traditionally, a profit a prendre (hereinafter referred to as a 'profit') is the 'right to take something off the land of another person' and 'to take some profit of the soil, or a portion of the ...soil itself ... for the use of the owner of the right'. The kind of commodities which were conventionally the subject matter of a profit included wild animals, vegetation and any part of the soil such as stone, sand and minerals. Like an easement, a profit was and remains a proprietary interest in land which can be assigned, but generally unlike an easement it can exist 'in gross', that is unconnected to a specified dominant tenement. A profit was and remains exercisable in common with one or more persons or it may be exclusive or a right in severalty.
Traditionally, a profit a prendre (hereinafter referred to as a 'profit') is the 'right to take something off the land of another person' and 'to take some profit of the soil, or a portion of the ...soil itself... for the use of the owner of the right'. The kind of commodities which were conventionally the subject matter of a profit included wild animals, vegetation and any part of the soil such as stone, sand and minerals. Like an easement, a profit was and remains a proprietary interest in land which can be assigned, but generally unlike an easement it can exist 'in gross', that is unconnected to a specified dominant tenement. A profit was and remains exercisable in common with one or more persons or it may be exclusive or a right in severalty., Traditionally, a profit a prendre (hereinafter referred to as a 'profit') is the 'right to take something off the land of another person' and 'to take some profit of the soil, or a portion of the soil itself ... for the use of the owner of the right'. The kind of commodities which were conventionally the subject matter of a profit included wild animals, vegetation and any part of the soil such as stone, sand and minerals. Like an easement, a profit was and remains a proprietary interest in land which can be assigned, but generally unlike an easement it can exist 'in gross', that is unconnected to a specified dominant tenement. A profit was and remains exercisable in common with one or more persons or it may be exclusive or a right in severalty.
Traditionally, a profit a prendre (hereinafter referred to as a 'profit') is the 'right to take something off the land of another person' and 'to take some profit of the soil, or a portion of the ...soil itself ... for the use of the owner of the right'. The kind of commodities which were conventionally the subject matter of a profit included wild animals, vegetation and any part of the soil such as stone, sand and minerals. Like an easement, a profit was and remains a proprietary interest in land which can be assigned, but generally unlike an easement it can exist 'in gross', that is unconnected to a specified dominant tenement. A profit was and remains exercisable in common with one or more persons or it may be exclusive or a right in severalty.
Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar... in questions of musical meaning... Both how he approaches musical ...works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." -Patrick McCreless
This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style.
Musical Meaning and Interpretation-Robert S. Hatten, editor
VLBI Imagings of a Kilo-Parsec Knot in 3C 380 Koyama, Shoko; Kino, Motoki; Nagai, Hiroshi ...
Publications of the Astronomical Society of Japan,
04/2013, Letnik:
65, Številka:
2
Journal Article
Recenzirano
Odprti dostop
We investigated observational properties of a kilo-parsec scale knot in the radio-loud quasar 3C 380 by using two epoch archival data obtained by Very Long Baseline Interferometry (VLBI) at 5 GHz on ...1998 July and 2001 April. We succeed to obtain the highest spatial resolution image of the bright knot K1 located at 732 mas, or
$ \geqq$
20 kpc de-projected, downstream from the nucleus three-times better than the previously obtained highest-resolution image by Papageorgiou et al. (2006, MNRAS, 373, 449). Our images reveal, with new clarity, an ``inverted bow-shock'' structure in K1 facing the nucleus; its morphology resembles a conical shock wave. By comparing the two epoch images directly, we explored the kinematics of K1, and obtained the upper limit of the apparent velocity, 0.25 mas yr
$ ^{-1}$
or 9.8
$ c$
of K1 for the first time. The upper limit of the apparent velocity is marginally smaller than superluminal motions seen in the core region. Further new epoch VLBI observations are necessary to measure the proper motion at K1.
PDF
