Who is Balthasar Hacquet (1739-1815)? A universal man and Enlightenment figure, Balthasar Hacquet was a physician, surgeon, geologist, mineralogist, botanist, fascinated by plants and animals, ...chemist, karstologist, palaeontologist, as well as ethnographer, ethnologist and anthropologist.The present study is prompted by the fact that between 1788 and 1789, Hacquet travelled through Bukovina, recently occupied by the Austrians, recording facts and giving testimonies on locals and settlers alike. The first part of the study analyzes the way Hacquet is published and received in Romania, between 1895 and 2007, from G. Bogdan-Duică (1895) to Nicolae Iorga, Leca Morariu, Radu Grigorovici, Leonte Ivanov. With insignificant exceptions, the most common opinion among Romanians is that Hacquet is unfair to the locals, conveying an unfavourable image of the Romanian-speaking population.Considering such an assessment inadequate, the author proposes in the second part of the study a re-reading of Hacquet's travel notes from an imagological perspective. The proposed analysis does not aim at reprimanding Hacquet for his views, nor at correcting them. Instead it aims at problematizing his perspective as the consequence of all sorts of contexts. Consequently, the ideas conveyed by Hacquet take on complex meanings that go beyond the limits of a divide between cultures.Finally, through the rereading it proposes, the study responds to its main objective, which is to dive into Hacquet's writing in order to reconstruct multiple aspects of life in Bukovina between 1788 and 1789.
Balthasar Hacquet de la Motte was a French natural scientist and physician who spent many years of his life in Slovenia, then in Lvov, Krakow, and Vienna. From his original interests relating to ...natural science, he moved his attention to specific features of folk culture in the countries of Central, Southern and South-Eastern Europe, and especially to folk dress. He probably painted some illustrations in his publications by himself and these served as a model for other authors (Andreas Johann Herrlein), at some other time he used the service of a professional painter (Georg Vogel). As resulting from the comparison of his topographic works, he also made depictions from his older works available (Jacob Adam, Franz Seraph Christoph Reider), namely as a sketch for new aquarelles (Christian Gottfried Heinrich Geißler) that could later serve as a model for other authors (Vincenz Georg Kininger, Jean-Pierre Norblin). This is demonstrated by noticeable identical details on dress and its accessories. The sketched connections confirm the well-established way of taking-over and exploring older works as models, which survived as late as until the 19th century.
