Podlaga za raziskavo je bila skupina 329 povedi iz del Ivana Cankarja, ki vsebujejo kompaktne izraze oči so gledale, so gledale oči, kakor tudi povedi, ki vsebujejo te tri besede, ločene z drugimi ...besedami. Take povedi je Ivan Cankar uporabljal za opis moških in ženskih literarnih oseb. Pojavljanje takih povedi v delih, njihov razpored v romanih in njihova dolžina so raziskani s kvantitativno metodo. Klasifikacija skupine je izvedena glede na uporabo prislovov ob glagolu »gledati«.
The article analyzes the various concepts of space in Cankar's drama: the place of writing and its echoes in dramatic texts, theatrical space and the conventions of dramatic writing connected with ...it, and the structure of dramatic space as regards the interpretation of individual dramatic texts. Cankar rejected closet dramas intended only to be read; an analysis of dramatic texts shows he envisioned theatre's visual, spatial dimension.
In this article, I present a new strategy for researching stage speech based upon a specific protocol of steps. Developed through a comprehensive study of stage speech investigating breakthrough ...stagings of Ivan Cankar's drama Hlapci (Eng. The Bondsmen or The Servants) during the last fifty years, the strategy approaches the research of stage speech in a way that is objective (using a combination of audio perception and computer-assisted phonetic analysis) and interdisciplinary (including theatre studies, sociology, and other fields alongside phonetics), while considering the integration of stage speech into directorial concept and its integration with other staging factors (e.g., scenography, mise-en-scene, costumes, music, movement).
Do druge svetovne vojne so v srbščino večinoma prevajali Cankarjevo kratko pripovedno prozo. Prvi prevajalci Cankarjevih del so bili študenti profesorja jugoslovanske književnosti na beograjski ...univerzi Pavla Popovića: Miloš Ivković, Uroš Džonić, Ljubica Janković in Božidar Kovačević. Avtorji srbskih prevodov so bili tudi Slovenci (Vladislav Fabjančič, Tone Potokar) in Hrvat Niko Bartulović. Profesorja Pavla Popoviča in njegove študente je s Cankarjem povezovala težnja po združitvi jugoslovanskih narodov. Srbi so začeli prevajati Cankarjeva dela še v času njegovega življenja, tako da je število njegovih prevedenih del in ponatisov veliko. V literaturi je malo podatkov o zgodnejših srbskih prevodih (Vučenov 1977: 270) in o prvih prevajalcih.
Iz proznih Cankarevih i Andrićevih dela izdvojeni su primeri upotrebe imenice »senka« u ulozi etalona poreðenja u kao (kakor)-konstrukcijama. Težeći potpunom obuhvatu naðen je 71 takav primer u ...Cankarevom delu i 47 u Andrićevom. Primenjena su dva načina klasifikacije primera. Prema prvom načinu primeri su rasporeðeni u četiri klase imajući u vidu osobine senke na kojim poreðenje počiva. Prema dugom načinu klasifikacije izdvojeni su primeri u kojim su pisci uz imenicu »senka« postavljali pridev, zamenicu ili broj podešavajući tako etalon poreðenja. Izabrani načini klasifikacije odrazili su sličnost upotrebe etalona senka u poreðenjima u proznim delima dva pisca.
This article focuses on Cankar's novel Gospa Judit, exploring the connection between the text's main innovations and its inherent fragments of Nietzschean philosophy. These innovations-i.e., ...syncretism of genres, essayisation (discursivity), interweaving of two first-person narrators, a female protagonist, as well as an evaluative criterion or satirical polemic, and autobiography as the main poetical principle-were examined from the perspective of the nuclei of Nietzsche's philosophy: morality, will to power, individuality, autobiographicality, and yearning. A Nietzschean approach of adopting a moral framework is analysed as a critique of the nation's morality, while the will to power is perceived as a trait of a distinct individuality or autobiography. Finally, the work is analysed as the mirror of society.
Martin Kačur Cankar, Ivan; Cox, John K
03/2009
eBook
The novel Martin Kačur, which dates from 1907, tells the engrossing story of a young schoolteacher who moves from one provincial Slovene town to the next, trying to enlighten his countrymen and ...countrywomen but instead receiving only the mistrust and scorn of the traditional-minded and petty population. The novel is ruthless in its analysis and self-analysis of the failure of this abstract idealist.
This brief essay presents, in the light of textual material, some of the strategies and procedures implemented by individual translators to bring the best-known work by Ivan Cankar, Hlapec Jernej in ...njegovapravica (1907), to the Italian reading public. The three versions available to date cover the period ranging from 1925 to 1978 and bear witness to the interest this story has aroused at home and abroad since its publication, but at the same time a more detailed analysis of the texts only serves to highlight how the efforts by Italian translators, albeit creditable, do not render full justice to a short story that has a special place in the literary and cultural history of Slovenia.
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