Prispevek predstavi, kako je nastanek konceptov estetike grdega (Rosenkranz) in ‘nove lepote’ (Baudelaire) vplival na spremembo vloge demoničnega v poeziji iz obdobja moderne (tj. dekadence, ...simbolizma in nove romantike). V slovenskem kontekstu se je demonizem v starejših verznih besedilih pojavljal z namenom svarjenja pred Satanom, Peklom in posmrtno kaznijo zaradi nekrepostnega življenja, ki ne sledi božjim zapovedim in višji Resnici, medtem ko se je v obdobju fin-de-siècla pod vplivi nemške in francoske filozofske misli njegova vloga spremenila in od strahu pred padlim angelom Luciferjem prešla k čaščenju demonične muze. Lirski subjekt, ki je v romantiki še verjel v duhovno čistost in odrešenje, je v moderni postal žrtev črne magije in se uročen od zavajajoče lepote čarovnice soočil z (duhovnim) propadom.
Tako za elektroakustično glasbo kot za zvočno umetnost velja, da v slovenski muzikološki vedi še nista prejeli celovite obravnave. Zato se pojavlja potreba po osnovni raziskavi obeh področij in ...hkrati po razmisleku samega predmeta. Zdi se namreč, da diskurz o obeh pojmih – zlasti o elektroakustični glasbi – pomembno zaznamujejo določeni interpretacijski vzorci, ki pa se ne zdijo dovolj utemeljeni.
Similar to the language of the Qur’an, the terminology will imply pleasure before ideological submission. This study explores several hypotheses regarding the pleasure-related aspects of the Qur’anic ...text, particularly in the context of the oral Qur’an. It is because achieving an aesthetic experience through the mouth is one way. Some of these issues have been addressed by the concepts of work and text (teks), as well as Roland Barthes’ aesthetics of textual pleasure (The Pleasure of the Text). The use of Barthes concepts is made to carry on semiotics’ work in the study of how to read the Qur’an and incorporate the Barthesian text theory into the same study. In comparison to the findings of this qualitative research, the Qur’an as an authoritative holy book is a work that has absolute and complete truth and completeness, which does not allow any textual changes. Muslims who reject this idea are also rejecting their faith in Almighty Allah. Since the Qur’an is so full of meaning, which is limitless and can never be fully understood, it is also a text. In light of this, the Qur’an will give its readers ample room to create new texts (read: tafsir). This is consistent with the principle, s}ah}ih likulli zaman wa makn, that the Qur’an will always be relevant to the world and its events. The Qur’an, which is mostly read by Muslims, will also make its readers happy at the same time.
Estetika Antologi Puisi-Puisi Pujangga Baru Pertiwi, Afrilia Wahyuni Eka; Madinah, Fahira Zhazha; Wulandari, Ririn
Gondang : Jurnal Seni dan Budaya (Online),
06/2018, Letnik:
2, Številka:
1
Journal Article
Recenzirano
Odprti dostop
Penelitian ini bertujuan mengkaji (1) bentuk estetika pada kumpulan puisi pujangga baru. (2) fungsi estetika dalam kumpulan puisi pujangga baru. Penelitian ini menggunakan pendekatan estetika ...filosofis teori Alexander Baumgartenn. Sumber data penelitian ini kumpulan puisi pujangga baru dengan beberapa objek yaitu; puisi Aku karya Chairil Anwar, puisi Bahasa, Bangsa karya Moh. Yamin, dan puisi Do’a karya Amir Hamzah. Data diperoleh dengan teknik baca dan catat. Teknik pengumpulan data dengan cara membaca dan memahami bait puisi. Teknik analisis data yang digunakan model analisis isi. Keabsahan data menggunakan teknik triangulasi teori. Metode yang di dapatkan melalui buku dan jurnal, serta diskusi teman sejawat. Sumber data dan data berwujud bait puisi kumpulan puisi pujangga baru. Hasil penelitian diklasifikasikan menjadi; (1) bentuk estetika puisi Aku karya Chairil Anwar menggunakan diksi, sehingga menghasilkan bentuk bebas, bentuk estetika dalam sajak puisi Bahasa, Bangsa ditunjukan dalam pemakaian majas personifikasi. Bentuk estetika dalam sajak Do’a, yaitu penggunaan bentuk ekspresi syair panjang. (2) fungsi estetika kumpulan puisi pujangga baru dalam setiap objeknya yaitu: Puisi Aku memiliki fungsi estetika menggambarkan semangat perjuangan dengan bentuk yang menarik, puisi Bahasa, Bangsa memiliki fungsi estetika sebagai imajinasi pembaca dalam suatu bangsa dan puisi Do’a memiliki fungsi estetika dalam pemilihan kata yang indah.
The main objective of this study is to introduce the Czech reader to the hitherto unexplored phenomenon of cuteness (kawaii) in Japanese culture and society. The term kawaii, which is used to ...describe cute objects (toddlers, animals, mascots, toys), represents one of the most culturally persuasive aesthetics of the new millennium and is a significant economic driver of Japan’s cultural industry (manga, anime, fashion, music). In other words, kawaii is not a temporary fashion trend – it is virtually a ‘standard aesthetic’ that has permeated all areas of Japanese everyday life. In this study, I focus on three thematic units, namely psychology, aesthetics, and history of cuteness. Within psychology, I analyze kawaii as an intense emotional response to some significant stimulus that triggers a ‘maternal’ desire. Within aesthetics, I firstly focus on the stylized Japanese script, which started the kawaii fever in 1970s. Secondly, I point out the main specifics of Japanese product design with kawaii features and explain how kawaii aesthetics permeated the field of Japanese fashion. Thirdly, I focus on various mascots and animal characters that represent the main platform of kawaii aesthetics today, and demonstrate how Japanese authorities and institutions utilize this aesthetic to maintain the status quo. Finally, I offer a brief history of Japanese cuteness, which began in court literature of the 10th century and culminated in the second half of the 20th century.
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