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Začetnik slovenskega jazza je bil skladatelj in dirigent Bojan Adamič, ki je v tridesetih letih prejšnjega ...stoletja ustanovil prvi slovenski jazz ansambel. Leta 1960 je bil prvi jugoslovanski jazz festival na Bledu. Leta 1967 se je zaradi mednarodnega povpraševanja preselil v Ljubljano in preimenoval v Mednarodni festival jazza. V pogovoru Draga Pečka in Aleksandra Skaleta, nam Aleksander Skale razkrije predvsem finančne zagate, ki se pojavljajo v zadnjih letih in pomen tradicije, ki jo že s 13. Mednarodnim jazz festivalom želijo nadaljevati.
Bojan Adamič was Slovenian jazz pioneer, composer and conductor, who founded the first Slovenian jazz ensemble in the late thirties of the last century. In 1960 the first Yugoslav jazz festival was held in Bled. In 1967, due to international demand it moved to Ljubljana and was renamed the International Festival of Jazz. Aleksander Skale talking about the fact of how come Slovenia is one of the few, but well known organizers of such events, even though Slovenian people were not so familiarized with jazz music at that time.- Information:- The present clip presents the 13th International Jazz Festival at Križanke in Ljubljana.- Original language summary:
Posnetek predstavlja XIII. mednarodni jazz festival v Križankah v Ljubljani.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Amandus Ivanschiz (in Slovenian literature “Ivančič”) belongs to a group of today little known 18th-century composers. He was, however, in his own time all over Central Europe well known and largely ...copied monastic composer. Around 200 compositions survived to this date in various copies now preserved in Slovenian, Croatian, Austrian, Czech, etc. archives. However, only a few of his compositions are available to modern performers. In volume 3 of the Monumenta artis musicae Sloveniae series are published three “Simphoniae” for two violins and bass, i.e. triosonatas, typical for Viennese musical circles of the 1750s and 1760s. The music is accompanied by an introductory presentation of the composer’s works and Revision Report by Danilo Pokorn (1984).The digitized version of the edition (2020) includes a New Introduction as well as Corrigenda by Maciej Jochymczyk bringing to the reader’s attention new information on father Amandus and corrigenda of the earlier edition.
Amandus Ivanschiz (in Slovenian literature “Ivančič”), due to his surname thought to be of South-Slave origin, belongs to a group of today little known 18th-century composers, but was in his own time ...all over Central Europe well known and largely copied monastic composer. Around 100 compositions survived to this date in various copies now preserved in Slovenian, Croatian, Austrian, Czech, etc. archives. However, only a few of his compositions are available to modern performers. Volume 1 of the Monumenta artis musicae Sloveniae series comprises five trio sonatas which are accompanied by an introductory presentation of the composer and his works and Revision Report by Damilo Pokorn (1983).The digitized version of the edition (2020) includes a New Introduction as well as Corrigenda by Maciej Jochymczyk bringing to the reader’s attention new information on father Amandus and corrigenda of the earlier edition.
Provider: - Institution: - Data provided by Europeana Collections- Godba igra ob odprtju 1. Ljubljanskega festivala 4. julija 1953. Prizorišče: pri Domu JLA, to je nasproti glavne železniške ...postaje. - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- V tej številki Novih akordov so predstavljena dela skladateljev: Julija Juneka (Romanca), Benjamina Ipavca (Ciganka Marija), Emila ...Adamiča (“Ko bi rosica bila …”, Kazen), Viktorja Parme (Projekt), Gojmira Kreka (Polka mazurka). Vsebina posameznih številk glasbene revije Novi akordi je dostopna na Digitalni knjižnici Slovenije, revijo v fizični obliki hrani tudi Slovanska knjižnica.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- V 4. številki Novih akordov so predstavljena dela Josipa Prochazke (Barcarola in Nokturno II), Antona Foersterja (Povejte, ve ...planine!), Gojmirja Kreka (Prošnja in Idila), Ignacija Hladnika (Fuga), Frana Koruna (Potrkali na okno …), Oskarja Deva (Mak) in Kara Jeraja (Lepa Vida). - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Italijanski duhovnik in amaterski plemiški skladatelj Francesco Antonio Bonporti je leta 1703 ponatis svoje inštrumentalne zbirke Sonate da camera a tre, opus 2, posvetil ljubljanskemu knezoškofu ...Ferdinandu grofu Kuenburgu (na tem položaju med 1701 in 1711). Kuenburg je bil znan podpornik italijanske umetnosti v svoji škofiji in kranjski prestolnici. Bonportijeve trio sonate sodijo v inštrumentalno glasbeno zvrst, ki je bila še posebno uporabna, saj je bila primerna tako za povsem razvedrilne namene kot tudi pedagoške in duhovne. Trio sonate so bile priljubljene zlasti med plemiškimi glasbenimi amaterji in v Ljubljani je bilo prav v času Bonportijevega posvetila knezoškofu Kuenburgu na vrhuncu svojega razcveta glasbeno združenje Academia philharmonicorum labacensium, katerega člani so zato zelo verjetno igrali tudi njegove trio sonate.
Ignac Attems (1714–1762) je na kavalirskem potovanju po Evropi preživel štiri leta. Iz rodnega Gradca je odšel oktobra 1734, vrnil pa se je prav tako v oktobru leta 1738. Ohranjenih je 32 pisem, ki ...jih je s potovanja pisal očetu. V njih omenja tudi dogodke, povezane z glasbo. Mladi Ignac se ni zadovoljil zgolj z enkratnim užitkom, temveč je s seboj domov prinesel tudi nekaj trajnejših spominov, med katerimi je bilo vsaj 35 glasbenih rokopisov. Ti lepo dopolnjujejo sliko o tem, kakšna je bil glasba na nemških dvorih okrog leta 1735 in kaj so bili glasbeni hiti leta 1738.
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