U naslovljenom radu autor će predložiti novo čitanje Heideggerova promišljanja tehnike utemeljenog na kritici kibernetike Gilberta Simondona kao glavnog oponenta filozofiji Norberta Wienera, čiji je ...misaoni projekt gotovo samostalno uspostavio znanost upravljanja informacijskim sustavima kao krovnu disciplinu moderne znanosti uopće. Simondon predlaže zasnivanje tehno-kulture otvorenih mašina u kojem se čovjek pronalazi kao tehničar i mehanolog novog društvenog sklopa. No za takav projekt potrebno je ponajprije razviti radikalno disruptivan odnos prema svakodnevnom jeziku koji u sebi krije sredstva za novo osmišljavanje našeg odnosa prema svakodnevnim izazovima tehno-znanstvenog ovladavanja svijetom.
In this paper, the author will propose a new reading of Heidegger’s reflections on technology based on Gilbert Simondon’s critique of cybernetics as a major opponent of Norbert Wiener’s philosophy, whose thought project almost single-handedly established the science of information systems management as the grounding discipline of modern science. Simondon proposes the establishment of a techno-culture of open machines in which man finds himself as a technician and mechanologist of a new social nexus. But for such a project, it is first necessary to develop a radically disruptive attitude towards everyday language, which hides in itself the means to rethink our attitudes towards the everyday challenges of techno-scientific enframing of the world.
Nietzsche Kaufmann, Walter A; Nehamas, Alexander
10/2013, Letnik:
3
eBook
This classic is the benchmark against which all modern books about Nietzsche are measured. When Walter Kaufmann wrote it in the immediate aftermath of World War II, most scholars outside Germany ...viewed Nietzsche as part madman, part proto-Nazi, and almost wholly unphilosophical. Kaufmann rehabilitated Nietzsche nearly single-handedly, presenting his works as one of the great achievements of Western philosophy.
Responding to the powerful myths and countermyths that had sprung up around Nietzsche, Kaufmann offered a patient, evenhanded account of his life and works, and of the uses and abuses to which subsequent generations had put his ideas. Without ignoring or downplaying the ugliness of many of Nietzsche's proclamations, he set them in the context of his work as a whole and of the counterexamples yielded by a responsible reading of his books. More positively, he presented Nietzsche's ideas about power as one of the great accomplishments of modern philosophy, arguing that his conception of the "will to power" was not a crude apology for ruthless self-assertion but must be linked to Nietzsche's equally profound ideas about sublimation. He also presented Nietzsche as a pioneer of modern psychology and argued that a key to understanding his overall philosophy is to see it as a reaction against Christianity.
Many scholars in the past half century have taken issue with some of Kaufmann's interpretations, but the book ranks as one of the most influential accounts ever written of any major Western thinker. Featuring a new foreword by Alexander Nehamas, this Princeton Classics edition of Nietzsche introduces a new generation of readers to one the most influential accounts ever written of any major Western thinker.
Soočenje temeljnih modelov interpretacije v zgodnjih delih Jacquesa Derridaja je analizirano kot pomembna točka za prihodnje oblikovanje »postmoderne literarne teorije«. Kot pokažejo že francoski ...avtorji s terminom »French Theory«, je razvidna neločljiva povezanost tega koncepta s francoskim posredovanjem evropske humanistične tradicije v okviru recepcije strukturalizma v ZDA.
Svaka ozbiljna rasprava o prozi Vjenceslava Novaka uzima činjenicu nemogućnosti njezina smještanja u unaprijed zadani diskurzivni okvir kao normu. Od Frangeša do Nemeca, književna će kritika i ...teorija u Novakovim djelima s pravom uočavati elemente koji istovremeno potvrđuju i potiru nazore epohe. Ovaj će se rad, na primjeru ambivalentnoga tretmana lika Lucije Stipančić u romanu Posljednji Stipančići, baviti analizom upravo tih elemenata. Nema sumnje kako se kroz Lucijin lik prelamaju proturječni individualni i
društveni motivi. Ono što izaziva pozornost jest točka prijeloma: kritika postaje moguća tek u trenutku kada njezina realizacija više nije moguća.
Koristeći epistemološke uvide Foucaulta, Bachelarda i nazore performativne feminističke kritike (Butler), ali i Novakove estetske preokupacije (Čemu se uči teorija glazbe), u radu će se pokušati odgovoriti na pitanje u kojoj je mjeri moguće govoriti o umjetnički svjesnom činu subvertiranja epohalnoga jezika, a u kojoj je mjeri riječ tek o simptomatičnim ideološkim i diskurzivnim impulsima inherentno nazočnima u svakom
jezičnom iskazu.
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