Soočenje temeljnih modelov interpretacije v zgodnjih delih Jacquesa Derridaja je analizirano kot pomembna točka za prihodnje oblikovanje »postmoderne literarne teorije«. Kot pokažejo že francoski ...avtorji s terminom »French Theory«, je razvidna neločljiva povezanost tega koncepta s francoskim posredovanjem evropske humanistične tradicije v okviru recepcije strukturalizma v ZDA.
Članek obravnava Bahtinovo dialoškost in Ducrotovo polifonično teorijo izjavljanja kot možni teoretski izhodišči za rekonstrukcijo pojma lirski subjekt. V prvem delu predstavi Bahtinove teze o ...monološkosti poezije in jih ovrže s koncepti Bahtinove metalingvistike. V drugem delu predstavi Ducrotov prenos Bahtinove polifonije v lingvistiko in njegovo polifonično teorijo izjavljanja primerjalno osvetli z nekaterimi koncepti Benvenistove teorije diskurza.
The implied author is not a uniform concept because of the variety of its definitions. The article examines the use of the term implied author introduced by Wayne C. Booth and his subsequent ...reconceptualizations in Slovenia. The paper includes an original synthesis of the theories of the implied author focusing on the key older and modern theories, which shows their differences. The author highlights the problematic areas of each type of the concepts. She sheds light on understanding of the implied author as a reader-generated construct, which is seen as the most reasonable view and it is prevalent in contemporary debates.
Študija išče in analizira lastnosti glavnih literarnih oseb z uporabo kvantitativne metode, povzete po referenčni raziskavi Jonathana Gottschalla, objavljeni v knjigi Literature, Science, and the New ...Humanities. Metodo prilagajamo glede na zahteve korpusa, ki je izbran na od raziskovalcev neodvisen način. Namen raziskave je ugotoviti, kakšne so literarne osebe v izbranem korpusu glede na njihov spol in s spolom povezane lastnosti. Sekundarni namen raziskave je primerjava z rezultati Gottschallove raziskave in preverjanje njegovih sklepov o ustreznosti evolucijsko-teoretskih in feminističnih tez o vzrokih za morebitne različne reprezentacije spolov v obravnavanih literarnih delih in literaturi nasploh. Nazadnje ugotovitve postavimo v kontekst dosedanjih raziskav spola v slovenskem pripovedništvu.
This collective volume is the first monographic and interdisciplinary study of autobiography in Slovenia. Nineteen authors are discussing the issues of its development, combining the methods of ...literary scholarship with the philosophical, historiographical, ethnological, sociological and other perspectives. Theoretical insights are complemented by a series of case studies on the history of autobiographical discourse in Slovenian cultural space and beyond it from the end of the 18th century to the present.
In the last few decades, comparative literature has spread even to those parts of the world that it had not reached before. However, at the same time it has faced a crisis in its traditional centers ...across Europe and North America, which has shaken its conceptual premises, theoretical foundations, and methodological structure, affected its inclusion in university and scholarly institutions, and jeopardized its social status. The discipline responded to this fundamental change through increased self-awareness and a true flourishing of relevant production directed towards fundamental reflections on its identity, the current situation, its genesis, and possible future paths.
Using the approaches of semiotics and text linguistics, Žerjal-Pavlin’s monograph deals with Slovenian lyrical cycles from romanticism to postmodernism. They are understood as secondary texts ...composed of primary texts with the intention of expanding the horizons of the textual world and, within them, further intertextually supplementing the meanings of individual texts, thereby generating a new semantic potential of the cyclic whole. Due to the intersubjectivity of textual criteria and dynamic conventions of the literary system, the lyrical cycle cannot be defined with precision. Several variables are in play: intra- and intertextual coherence, the title and the outer form, and literary conventions (such as poetry collections). Two types of the cyclic composition are distinguished: the syntagmatic and paradigmatic, the former tending towards the epical. In the first variety, the elements are arranged either in a narrative manner or they treat the theme thorugh causal relationships between the poems. The cycles of the paradigmatic type use variation to express the same theme or motive in different perspectives or contexts. The monograph also addresses problems in distinguishing the lyric cycle from the lyric poem, the sonnet wreath, and similar supra-textual compositions.