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zadetkov: 174
11.
  • Res Papirea: Mantegna's Pap... Res Papirea: Mantegna's Paper Things
    Fowler, Caroline O. The Art bulletin (New York, N.Y.), 03/2017, Letnik: 99, Številka: 1
    Journal Article
    Recenzirano

    A close study of Mantegna's Entombment engraving reveals how Mantegna inscribed into the facture of his engravings their ephemerality and destruction. Mantegna's prints introduced a new paper form of ...
Celotno besedilo
12.
  • The Griffin's Gaze and the ... The Griffin's Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna's Trial of St James
    Hauser, Andreas Art history, April 2014, Letnik: 37, Številka: 2
    Journal Article
    Recenzirano

    When art historians and the cultural industry join forces to monumentalize an artist, sceptical minds may question whether the work retains any intellectual interest for the present day. This essay ...
Celotno besedilo
13.
  • Mantegna's Camera Picta: Vi... Mantegna's Camera Picta: Visuality and Pathos
    Campbell, Stephen J. Art history, April 2014, Letnik: 37, Številka: 2
    Journal Article
    Recenzirano

    If early viewers were aware of the elaborate political or philosophical meanings now usually assigned to the Camera Picta (Plate 1) in art history, they did not say so1 Artists in the following ...
Celotno besedilo
14.
  • Bibliography
    Alambritis, Maria 19: interdisciplinary studies in the long nineteenth century, 01/2019 28
    Journal Article
    Recenzirano
    Odprti dostop

    This bibliography aims to provide an up-to-date resource of both primary and secondary literature in the field of nineteenth-century British women art writers. The first section, ‘Selected ...
Celotno besedilo

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15.
  • Sanguineti, Mantegna, e l'e... Sanguineti, Mantegna, e l'ekphrasis tra omaggio e dissacrazione
    Mirabile, Andrea MLN, 01/2020, Letnik: 135, Številka: 1
    Journal Article
    Recenzirano

    Several twentieth-century writers, including Pound, Eliot, Gadda, Pasolini, Arbasino, and many others were interested in the paintings of Andrea Mantegna. From the Avant-Garde of the 1910s to the New ...
Celotno besedilo

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16.
  • In his father's workshop: G... In his father's workshop: Giovanni Bellini's paintings for the Scuola di S. Giovanni Evangelista, Venice
    Mazzotta, Antonio Burlington magazine, 04/2018, Letnik: 160, Številka: 1381
    Journal Article

    Giovanni Bellini's paintings depicting the life of Christ and of the Virgin Mary, installed in the Scuola di S. Giovanni Evangelist in Venice Italy c. 1453 is discussed. Although the cycle is ...
Celotno besedilo
17.
  • Signing Mantegna Signing Mantegna
    Arasse, Daniel Art history, April 2014, Letnik: 37, Številka: 2
    Journal Article
    Recenzirano

    Without constituting what might properly be called a system, the body of Andrea Mantegna's signed works progressively elaborates a veritable apparatus (dispositif), attesting that at the very moment ...
Celotno besedilo
18.
  • The Lyric Poem and Aestheti... The Lyric Poem and Aestheticism: Forms of Modernity
    Saville, Julia F Victorian Studies, 06/2017, Letnik: 59, Številka: 4
    Book Review, Journal Article
    Recenzirano

    Thain frames "Space" with the theories ofJohn Stuart Mill and Maurice MerleauPonty, identifying in the process two pressing lyric problems: one, memorably explored by Mill, entails the potential in ...
Celotno besedilo
19.
  • Artifice and Stability in L... Artifice and Stability in Late Mantegna
    Bolland, Andrea Art history, April 2014, Letnik: 37, Številka: 2
    Journal Article
    Recenzirano
    Odprti dostop

    In Andrea Mantegna's late Saint Sebastian (Plate 1), a warning is affixed to the candle at the lower right: N IL NISI DIVINUM STABILE EST CAETERA FUMUS (Nothing but the divine is stable, the rest is ...
Celotno besedilo
20.
  • Andrea Mantegna: Painting's... Andrea Mantegna: Painting's Mediality
    Kruger, Klaus Art history, April 2014, Letnik: 37, Številka: 2
    Journal Article
    Recenzirano

    A painting of the Virgin dated around 1460-70, which originated in the circle of Andrea Mantegna and which today is usually attributed to Lazzaro Bastiani (Berlin, Gemäldegalerie), supplies a telling ...
Celotno besedilo
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