The article discloses the peculiarities of the nature and residential environment in the first garden cities in Galicia: "Salwator" in Krakow and "Novyi Svit" in Lviv. The topicality of the issue is ...predetermined by the need for supplementing and developing available scientific researches related to the study of the garden city concept as well as for analyzing profoundly and comparing the architectural and town-planning structures of the garden cities in Galicia at the early stages of their development. Both general scientific methods (historical, comparative, structural analysis), and special field observations have been used. This comprehensive approach has enabled us to point out the special features (planning, functional) of the garden cities as exemplified by Lviv and Krakow. It has been proven that the development of the architecture and town planning of the above cities in the early XXth century corresponds to the general European trends, while the concept of garden cities was implemented in a fragmented way, that is in the form of gardens-on-the-outskirts. Key words: "garden city", nature, residential environment, Galicia, "Salwator", "Novyi Svit".
Prispevek predstavi primerjalno analizo literarnega opusa Brine Švigelj Merat (Brine Svit) in romana Eve Hoffman Lost in Translation: Življenje v drugem jeziku s temeljnim poudarkom na jezikovni ...identiteti, ki se v delih obeh literarnih ustvarjalk zelo izrazito pojavlja in je ključno povezana tudi z njuno avtobiografsko izkušnjo migracije ter z jezikovnim, s kulturnim in z družbenim vživljanjem v novo okolje. Literarni ustvarjalki se v svojih delih ob vprašanjih jezikovne identitete dotikata tudi osebnostne gradnje literarnih protagonistov in protagonistk v novem življenjskem okolju po izkušnji migracije.
Kinect have been used as a revolutionary sensor for recent human activity recognition research, mainly due to its ready skeletal joint information that facilitates activity analysis. However, the ...sensor's unstable and imprecise measurement may impair the analysis results. To alleviate this impact due to the unavoidable noisy measurement, this paper presents a recognition approach based on the relative positional relationship among measured joints data. Relative positional relationship between two joints refers to the relation either one joint's position in the x, y, z coordinates is to the left or right, above or below, in front or behind the other. Capturing these relative positional relationship among all measured joints data as a {-1, 0, 1} sequence throughout the time span of an activity, or more succinctly represented by a summary of the change frequency of these relationship, proves to be an effective feature for comparison and classification. In doing so, measured joint data are first pre-processed by SVIT (skeleton-based viewpoint invariant transformation) to eliminate viewpoint variation. Then, as the first feature, change frequencies of relative positional relationship among joints are constructed. As a complimentary feature, a HOG3D-like feature that summarizes the joints spatial distribution throughout an activity is also constructed. Classification credibility of feature is then applied to fuse the two features with ELM as machine learning for activity classification. The proposed approach with its efficient implementation has been applied to MSRDailyActivity3D and demonstrated favorable performance than results from literature.
This dissertation examines aesthetics of in-betweenness and identity in the works of contemporary authors who migrated to France from non-francophone regions and chose to adopt French for literary ...expression: Vassilis Alexakis (Greece), Brina Svit (Slovenia), and Andreï Makine (Russia). Common approaches to translingualism tend to focus on the material interaction between languages in the text (plurilingual practices) or on authors’ impressions of changing tongues. This dissertation contributes to scholarship by accounting for aesthetic forms of in-betweenness that have been overshadowed by the bilingual lens. Throughout its three case studies, it argues that the original tension between native and adopted languages is explored under new poetic guises that are not limited to the thematization of bilingualism and migration. This project is informed by the reception and marketization of translingual literature in France. Specifically, it examines how the authors respond to the nation-state’s conditional hospitality and engage with reception in their own texts.The first chapter argues that in Vassilis Alexakis' autobiographic Paris-Athènes (1989), the text’s polyphonic character resides in the narrator’s ability to act as the creator and critic of his own text, rather than in the interaction between Greek and French languages. The second chapter on Brina Svit’s novel Coco Dias ou la Porte Dorée (2007) demonstrates that, by structurally imitating Argentine tango in writing, the tension typically found between native and adopted languages is transformed into an intermedial dialogue between literature and dance. Rereading autobiographic Moreno in light of Coco Dias brings to the fore an intersubjective dimension of Svit’s translingualism as being beyond traditional communities and conventional affiliations. The third chapter argues that Andreï Makine’s Le Testament français and Alternaissance (2011)–the latter written under his heteronymic identity Gabriel Osmonde–share an aesthetic quest for a poetic language of in-betweenness, despite the absence of the habitual Franco-Russian paradigm in the second novel.My dissertation reveals a tendency to convert linguistic displacement into an aesthetic position of in-betweenness that–rather than being reconciled–is recreated to assert linguistic freedom and test the limits of language by acting on its perception. Collectively, these three case studies call attention to the malleability and instability of translingual postures that challenge the writers’ status as “assimilationist” figures in reception.
Provider: - Institution: - Data provided by Europeana Collections- Broadcasting of the City Television of Keszthely 91/ 7 season 25 trimester, cut version- A Keszthelyi Városi Televízió 1991. 7. ...évfolyam 25. adásának rövidített, vágott változata- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Original language summary:
Pátrání po příčinách nedostatku kvalitní obuvi na československém trhu.- Extended description:
Jsme v ...Gottwaldově, kde je velkoobchod s obuví. Odtud se distribuuje obuv do všech prodejen. S jeho ředitelem hovoříme o problémech, které pociťují zákazníci, když si jdou vybrat pro sebe obuv. Jak se u nich vypořádávají s tím, aby v obchodech bylo dostatek kvalitní obuvi ve všech velikostech a typech, které zákazníci požadují.
Potom se zajedeme podívat do výrobního závodu Svit, kde opět hovoříme s jeho ředitelem na stejné téma. Dotkneme se i problému módní obuvi, která na trh přichází se zpožděním. Závěrem se podíváme na módní přehlídku nových druhů obuvi, která přijde na náš trh.
We are in Gottwaldov, where the footwear wholesale resides. From here are shoes distributed at all the stores. We have a talk with its director about problems that customers experience when they want to get quality footwear. He explains how they in the wholesale dealt with customers' demands on sufficient amount of quality shoes in all sizes and types.
Then we look at the Svit manufacturing plant, where we talk again with its director on the same topic. We also touch the problem of fashionable footwear coming to market with delay. Finally, we look at a fashion show of new types of footwear coming to our market.
Popis celého pořadu:
Úvodem záběry z Domu obuvi, zákaznice a fronty, s komentářem -jsme velmoc mezi výrobci obuví, přesto máme některé problémy. Na 2.45 anketa redaktora Bouze mezi zákaznicemi, nedostatky velikostí, sortimentu... Na 5.22 hovoří Bouz s ředitelem Trampotou a pracovníkem Domu obuvi Šandou - pravidelně si dělají průzkum spokojenosti zákazníků a vědí, kde mají problémy, např. chybějí boty na nízkém podpatku pro starší zákaznice, velikostní sortiment je úzký, ale celkově prodají tak 20 miliónů párů obuvi ročně. 9.00 návštěva Gottwaldova, ředitel Velkoobchodu obuví Mazel hovoří o tom, že průzkumy prodeje jsou základem jejich práce, hodlají věnovat patřičnou pozornost sortimentu. Popisuje proces- už před sezónou dělají kontrakty na zboží, jejich zbožíznalci musejí být odborníky, jejich úkolem je dobře odhadnout spotřebu. Velikostní sortiment je celosvětový problém. Co by pomohlo - zlepšit organizaci řízení. 13.32 Výrobce Svit Gottwaldov - záběry z továrny a rozhovor s ředitele Němcem o tom, co může udělat výroba pro zlepšení stavu. Máme dostatek obuvi, i když někdy něco chybí...Nedostatkové až nedostupné bývá módní zboží. Obměna luxusní obuvi je jednou za 6 měsíců, uvádí příklad, kdy se dostane do výroby nová polobotka, která získala cenu na Libereckých výstavních trzích. V čem lze vylepšit vztahy mezi prodejci, výrobci a zákazníkem? Výrobci musí umět pohotově reagovat na požadavky obchodu. Závěrem módní přehlídka obuvi na jaro a léto 1974 (19.55-21.10) Hovořili: ing.Zdeněk Trampota -ředitel Domu obuvi v Praze Bohuslav Šanda -vedoucí obchodně provozního úseku Domu obuvi v Praze Jan Mazel -ředitel Velkoobchodu obuví v Gottwaldově dr.Ladislav Němec -podnikový ředitel n.p.Svit Gottwaldov.- Information:- The search for causes of the lack of quality footwear on the Czechoslovak market.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Ett rum på Stadshotellet i den större storleken på en bild från 1933.- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- =Népszabadság(1962. július 24.)p. 2- All metadata published by Europeana are available free of restriction under the Creative ...Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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