Andrew McRae examines the relation between literature and politics at a pivotal moment in English history. He argues that the most influential and incisive political satire in this period may be ...found in manuscript libels, scurrilous pamphlets and a range of other material written and circulated under the threat of censorship. These are the unauthorised texts of early Stuart England. From his analysis of these texts, McRae argues that satire, as the pre-eminent literary mode of discrimination and stigmatisation, helped people make sense of the confusing political conditions of the early Stuart era. It did so partly through personal attacks and partly also through sophisticated interventions into ongoing political and ideological debates. In such forms satire provided resources through which contemporary writers could define new models of political identity and construct new discourses of dissent. This book wil be of interest to political and literary historians alike.
This volume, from an innovative scholar of Latin Literature and Greek Old Comedy, distills the modern corpus of scholarship on Roman Satire, presenting the genre in particular through the themes of ...literary ambition, self-fashioning, and poetic afterlife.
Authoritarian Laughter
explores the political history of the satire and humor
magazine Broom published in Soviet Lithuania. Artists,
writers, and journalists were required to create state-sponsored
...Soviet humor and serve the Communist Party after Lithuania was
incorporated into the Soviet Union in 1940. Neringa Klumbytė
investigates official attempts to shape citizens into Soviet
subjects and engage them through a culture of popular humor.
Broom was multidirectional-it both facilitated
Communist Party agendas and expressed opposition toward the Soviet
regime. Official satire and humor in Soviet Lithuania increasingly
created dystopian visions of Soviet modernity and were a forum for
critical ideas and nationalist sentiments that were mobilized in
anti-Soviet revolutionary laughter in the late 1980s and early
1990s.
Authoritarian Laughter illustrates that Soviet Western
peripheries were unstable and their governance was limited. While
authoritarian states engage in a statecraft of the everyday and
seek to engineer intimate lives, authoritarianism is defied not
only in revolutions, but in the many stories people tell each other
about themselves in jokes, cartoons, and satires.
The smile of truth Tomarken, Annette H; Tomarken, Annette H
2014., 20140701, 2014, 1990, Letnik:
1074
eBook
To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic ...posture within their mock encomia in order to refer the reader beyond the realm of the literary structure. In this book Annette Tomarken reconstructs the history of the classical satirical eulogy as it was revived, expanded, and finally adapted to new purposes in Renaissance literature. Tracing the development of this type of paradox from its classic roots through the Neo-Latin, Italian, and French mock encomia, Tomarken examines its various forms in the Renaissance, including the Pliade "hymne-blason," the mock epitaph, and the stage "harangue." Her book provides a new context for such works as In Praise of Folly and for such literary passages as Rabelais's praise of debts and Falstaff's denunciation of honor. Dividing the eulogies into three groups--praises of vices, disease, and animals and insects--Tomarken brings humor as well as close textual analysis to her study. She finds that the practitioners of the form were aware of its history and that such self-awareness became an integral part of the works themselves. An increased sensitivity to the literary structure and history of the paradoxical encomium, Tomarken stresses, first requires and then enriches our understanding of the genre's relationship to the extra-literary domain.
Originally published in 1990.
ThePrinceton Legacy Libraryuses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Bossy broads, lustful virgins, and pseudo-scholarly ladies can be found everywhere in early modern satiric writings. By taking up misogynist traditions/tropes, they prove to have been a significant ...transgeneric phenomenon of German literature and cultural history during the European querelle des sexes. By looking at how discursive structures function, this volume is the first to systematically address literary constructions of "deviant women."
Vituperation, disparagement, and debasement seem to have become part of the mainstream discourse in contemporary US-American media culture. Zooming in on a distinct televisual comedy genre, Katja ...Schulze explores the formal principles, media-specific realizations, and the cultural work of disparagement in contemporary female-led situation comedies. Subsequently, larger patterns of (gender-based) invective strategies and conventions that define the dynamism of this comedic genre come into view. Her study outlines case studies of popular sitcoms, like Parks and Recreation, Mike & Molly, and the revival of hit-sitcom Roseanne, thereby unearthing how the shows are able to stage humor as mass-mediated deprecation - a signifying practice with its own poetics and politics.
This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both ...graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether.
The laughter of the saints Giles, Ryan D
The laughter of the saints,
c2009, 20091031, 2009, 2009-10-31, 2009-01-01
eBook
The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as ...Don Quixote.
