Attraverso lo studio della stampa quotidiana degli anni Ottanta del XIX secolo si intende analizzare la formazione delle idee patriottiche all’interno della società Ottomana e il ruolo chiave svolto ...dal Sultano e dalla sua corte come promotore e ideatore dei simboli e della nuova identità ottomana “inventata” dalle élites con il fine di salvare e rilanciare l’Impero.
Written in accessible language, Law and the Wearing of Religious Symbols is a comprehensive analysis of a topical subject that is being widely debated across Europe. The book provides an overview of ...emerging case law from the European Court of Human Rights as well as from national courts and equality bodies in European countries on the wearing of religious symbols in educational settings. The author persuasively argues that bans on the wearing of religious symbols in educational institutions in Europe constitutes a breach of an individual's human rights and contravenes existing anti-discrimination legislation. The book offers a discussion of developments in Europe, including the French ban on Islamic head scarves which came into force in April 2011. In addition to an in depth examination of recent bans, the book also assess the arguments used for imposing them as well as the legal claims that can potentially be made to challenge their validity. In doing this, the book will go beyond merely analysing the bans in place to suggest ways in which educational institutions can most fairly respond to requests for accommodation of the wearing of religious symbols and whether perhaps the adoption of other provisions or measures are necessary in order to improve the present situation. This book will be of particular interest to students and academics in the disciplines of law, human rights, political science, sociology and education, but will also be of considerable value to policy makers and educators as well.
Rad se bavi psihoanalitičkom dimenzijom propitkivanja bitnih odrednica u pripovijetke Sirov okus mesa autora Dubravka Jelačića Bužimskoga. Iz spomenute se vizure nastoje osvijetliti psihološki ...okidači u svijesti i podsvijesti glavnoga protagonista, koji ga dovode do bizarnih postupaka u odnosu kako s vlastitom majkom tako i ostalim ženskim i muškim figurama. Budući da djelo pripada žanru fantastične proze, referiramo se i na dihotomiju čudnoga i čudesnoga, što je unutar samoga tekstualnoga tkiva intenzivirano specifičnim opisima, a zatvoreni mikrokozmos generira istaknuti sloj fikcije. Sve navedeno emanira nominalno apsurd, a potom i ravnodušnost, koja rezultira krajnjom agresivnošću i na koncu smrću.
Comparative approaches to political rituals and ceremonies in Byzantium and other court cultures of the Mediterranean basin form the subject of this collective volume, which examines related topics ...from the viewpoint of transformation, succession, appropriation, and representation in art and literature.
Strip Venecijanska bajka naizgled je jednostavna priča o pustolovini Corta Maltesea u potrazi za izgubljenim smaragdom po tome prekrasnom gradu. Međutim, analizom simbola i ličnosti na crtežima i u ...tekstualnome dijelu stripa može se zaključiti kako je to, ustvari, priča o Mediteranu kao prostoru gdje su različite kulture geografski i kulturno povezane stoljećima. U tome neprestanom dodiru one se miješaju i mijenjaju, utječu jedna na drugu, ali ipak uspijevaju zadržati autentičnost. Iako su dio kulturnoga naslijeđa cijeloga Mediterana, spomenuti simboli, legende i osobe u ovome se stripu vežu prvenstveno za Veneciju kako bi se tek jednom šetnjom gradom čitatelju mogla s lakoćom dočarati povijest cijeloga prostora. U radu smo pokušali dokazati kako Pratt ne dopušta pasivno čitanje stripa, nego od čitatelja traži aktivno istraživanje svega onog što spominje u Bajci.
U radu se istražuje percepcija simbola triju totalitarnih režima, odnosno ideologija 20. stoljeća (fašizma, nacizma i komunizma) u svjetlu marketinških spoznaja o procesu brendiranja. Simboli ...totalitarizma bili su ponajprije oruđe snažne propagande i indoktrinacije, a razlike u dubini (i širini) nametanja totalitarnih ideologija spoznaju se iz međuodnosa stranačkih i državnih simbola. Nametanje ideologije i postupci totalitarnih režima utječu na promjenu izvornog značenja simbola koje su koristili. Simboli totalitarnih režima danas se zato uglavnom ne sagledavaju kroz izvorno značenje. Simboli fašizma i nacizma zabranjeni su ili nepoželjni u većini zemalja, a oni komunizma još se slobodno ističu u nizu zemalja. Tek su u rijetkim zemljama zabranjeni. To je zato što su zločini jednih javno osuđeni, a drugih nisu. Osuda postupaka učinjenih pod nekim simbolom utječe i na percepciju tog simbola u javnosti.
The article examines the manner in which the symbols of the three totalitarian regimes, or rather ideologies of the 20th century (Fascism, Nazism and Communism) are perceived in light of marketing insights concerning the branding process. The symbols of totalitarianism have primarily been powerful propaganda and indoctrination tools, while the imposition of totalitarian ideologies can be discerned in its depth (and breadth) through the interrelationship between party and state symbols. The actions of totalitarian regimes and ideology enforcement practices affect a change in the original meaning of the symbols which they use. The symbols of totalitarian regimes today are therefore not viewed in light of their original meaning. Symbols of Fascism and Nazism are banned or are deemed undesireable in the majority of countries, while those of Communism are freely displayed in many lands. They are banned only rarely, the reason being that the crimes of some are publicly denounced, while those of others are not. Condemnation of actions committed under a particular symbol affects also its public perception.
A seguito di una breve esperienza costituzionale, il sultano ottomano Abdülhamid II inaugurò una nuova fase di potere autoritario, legittimato e rafforzato da un’ideologia imperiale. La struttura di ...questa ricalcò i nazionalismi ufficiali promossi da altre dinastie europee, nella comune speranza di disinnescare le forze centrifughe interne ai rispettivi imperi. Parallelamente ad un pan-islamismo difensivo, si assistette al recupero del titolo di califfo ed alla ripresa di pratiche e simboli, gradualmente ritualizzati, divenuti ricorrenti nella vita quotidiana ottomana, con l’intento di evocare il potere e l’onnipresenza del sultano. Ad emergere è l’immagine di un impero per nulla passivo ed inerme di fronte alle sfide della modernità, nonché la figura di un sultano il cui operato, a lungo sottostimato dalla storiografia occidentale, ha saputo contraddistinguersi per capacità innovativa.
Drawing on numismatic, diplomatic, liturgical, and iconographic evidence, this book offers a comprehensive view of political signs, images, and fixed formulas in the Carolingian period and of their ...use in the indirect communication of royal/imperial authority.
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