The micro-history of resistance and collaboration, as the subtitle could read of Gestrin’s study on the life in the villages at the base of Mt. Krim in 1941–1945, is the author’s attempt at ...reconstructing the most traumatic period in Slovenian history. Gestrin’s history of death and hope is not just another descriptive statistics of combat units, but rather a cross-section of a violent daily routine that divided former neighbors into members of the resistance and collaborators with the occupying forces. These are brought back to life in the central chapters of the book, also by revealing nearly every aspect of their existence: what kind of families they came from, what they did for a living, the extent to which were they (if at all) active in the Communist Party or a trade union organization before the war. To what extent were they (if at all) torn between work in the nearby Ljubljana and chores on their farms, how did they experience the occupation, why did they join the Partisan and MVAC units, respectively, and, finally, why were they forced or otherwise compelled to switch sides and what implications did that have for their families…
To stand up against Nazi ideas of biologized “ethnicity” and antisemitism required a heroic disposition in individuals who did not allow themselves to have their basic humanity destroyed by such ...ideologies, even as the latter were backed by formidable political and religious power and sweepingly popular beliefs. The men and women presented in the first part of the book have already been recognised as Righteous Among Nations for their brave humanitarian acts during WWII, a title bestowed by the Yad Vashem World Center for Holocaust Research, Education, Documentation and Commemoration. Part Two brings the stories about people who were also saving Jews that were not recognised as Righteous yet, but some among them are candidates.
To stand up against Nazi ideas of biologized “ethnicity” and antisemitism required a heroic disposition in individuals who did not allow themselves to have their basic humanity destroyed by such ...ideologies, even as the latter were backed by formidable political and religious power and sweepingly popular beliefs. The men and women presented in the first part of the book have already been recognised as Righteous Among Nations for their brave humanitarian acts during WWII, a title bestowed by the Yad Vashem World Center for Holocaust Research, Education, Documentation and Commemoration. Part Two brings the stories about people who were also saving Jews that were not recognised as Righteous yet, but some among them are candidates.
Dežela senc Luthar, Oto; Pogačar, Martin
2015
eBook
Odprti dostop
The Land of Shadows was first conceived as a complementary resource for History classes in Slovenian high schools. It served to complement to the patchy Holocaust teaching resources. It consists of ...two parts: the first part features a historical overview of anti-Semitism and eventually the Holocaust in Europe, which is followed by an account of the situation in Slovenia. The authors relied on the life-story of Mrs Erika Fürst, one of the Holocaust survivors from Prekmurje, Slovenia. In creating a compelling and touching narrative, the authors used visual material from the archives and from various publications depicting the period and the problematic, notably excerpts from two graphic novels: Art Speigelman’s Maus, Jason Lutes’ Berlin.
The book Glasba, politika, afekt: novo življenje partizanskih pesmi v Sloveniji ('Music, Politics, Affect: New Lives of Partisan Songs in Slovenia') explores the potentialities of music in imagining ...alternatives and establishing alliances, which introduce new senses of belonging and solidarity in global neoliberal capitalism. It examines the reactualization of partisan songs in post-Yugoslav Slovenia with an emphasis on the collective spirit, its rebelliousness and emancipatory potential. In researching the “new lives” of partisan songs, the book focuses on the self-organized female choir Kombinat, an emblematic example of thinking about the partisan art in Slovenia today. Just a part of Kombinat repertoire, partisan songs are discursively, sonically, spatially, ideologically and symbolically reloaded, challenging thus the various boundaries in thinking about this legacy in Slovenian context. Using theoretical framework of affect theory, and particularly theories of music materialism and sonic affect, the book provides an alternative perspective to our understanding of political capacity of music. It addresses four main issues: the role of music and sound in political mobilization and participation, the potentials of musical alliances and musical self-organization and self-education, referencing musical past as a way of political engagement, and finally, revitalization and reactualization of socialist ideas and values in the current moment of global transition.
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