نلبي في عدد اليوم رغبة أحد مشاهدينا في التعرف على إقليم توسكانا. ويشتهر هذا الإقليم بمنتجعاته السياحية ومياهه المعدنية وكذلك الكبريتية. ويستقطب الإقليم عددا كبيراً من السياح من كافة أنحاء العالم. في ...عدد اليوم سنتعرف عن كثيب على أهم المعالم السياحية في توسكانا.
In today's issue, we meet the desire of one of our viewers to get to know tuscany. The territory is famous for its tourist resorts, mineral waters as well as sulphur. The territory attracts a large number of tourists from all over the world. In today's issue, we'll learn about the most important sights in Tuscany.
Die Villa Bellavista - bestehend aus Villa, Kapelle und Fattoria - stellt eines der bemerkenswertesten Bau- und Ausstattungsvorhaben im Groherzogtum Toskana um 1700 dar. Sie hebt sich nicht nur ...aufgrund ihrer Groe von anderen Florentiner Villen der Zeit ab, sondern auch durch ihre anspruchsvolle Architektur und Ausstattung. Der Marchese Fabio Feroni verpflichtete namhafte Kunstler, die seinerzeit fur die Medici, die fuhrende Adelsschicht und die einflussreichsten Orden in Florenz und der Toskana tatig waren. Die Autorin analysiert erstmals umfassend das Ensemble der Bauten und verortet es innerhalb der Kunstpatronage der Auftraggeber-Familie sowie im zeitgenossischen Kontext.
Marino Vidra u Toskani u jesen 1565. godine Trška, Tanja
Anali Zavoda za povijesne znanosti Hrvatske akademije znanosti i umjetnosti u Dubrovniku,
12/2021, Letnik:
59, Številka:
59
Journal Article, Paper
Recenzirano
Odprti dostop
U radu se predstavlja ranije nezamijećen spomen Marina Držića u korespondenciji dubrovačkog nadbiskupa Lodovica Beccadellija iz prosinca 1565. godine. Kontekstualizacijom tog podatka u okviru ...posljednjih godina Držićeva života te analizom odnosa između književnika i korespondenata, Lodovica Beccadellija i plemića Ivana Marinova Gondole, razlaže se njegova trostruka važnost. Taj je spomen: potvrda izravnoga kontakta, odnosno poznanstva između Beccadellija i Držića; svjedočanstvo o Držićevu boravku u Toskani 1565, godinu prije pokušaja urote protiv dubrovačkih vlasti; pisani dokaz uporabe nadimka Vidra iz vremena piščeva života.
Il volume si propone di affrontare la tematica del tradurre medievale – dal latino al volgare e viceversa, ma anche da un volgare a un altro – secondo un approccio interdisciplinare, accompagnando ...allo scavo filologico un'analisi sociale e culturale del fenomeno. Accomuna i diversi saggi l'intenzione di indagare la pratica del tradurre nella sua complessità culturale (in quanto attività di (re)interpretazione dei testi di partenza), e di analizzarne i risvolti sociali all'interno di un più ampio quadro di circolazione e di distribuzione dei saperi. In questo senso, assume un ruolo centrale lo studio dei volgarizzamenti delle opere cosiddette "moderne", che pongono dei problemi diversi rispetto ai volgarizzamenti dei classici, e permettono di tracciare un quadro più esaustivo in termini di rappresentatività, affiancando alla letteratura laica quella religiosa. Apre il volume una ampia introduzione sulla pratica del tradurre in Toscana, seguita da cinque sezioni, incentrate rispettivamente sulla tradizione provenzale e francese, sul rapporto tra canone e volgarizzamenti, sulla storia sociale del volgarizzare, sulla distribuzione dei saperi e delle lingue, e, infine, sul periodo umanistico e la lingua del potere, tra Roma e Firenze.
A new history explores how one of Renaissance Italy's leading cities maintained its influence in an era of global exploration, trade, and empire. The Grand Duchy of Tuscany was not an imperial power, ...but it did harbor global ambitions. After abortive attempts at overseas colonization and direct commercial expansion, as Brian Brege shows, Tuscany followed a different path, one that allowed it to participate in Europe's new age of empire without establishing an empire of its own. The first history of its kind, Tuscany in the Age of Empire offers a fresh appraisal of one of the foremost cities of the Italian Renaissance, as it sought knowledge, fortune, and power throughout Asia, the Americas, and beyond.How did Tuscany, which could not compete directly with the growing empires of other European states, establish a global presence? First, Brege shows, Tuscany partnered with larger European powers. The duchy sought to obtain trade rights within their empires and even manage portions of other states' overseas territories. Second, Tuscans invested in cultural, intellectual, and commercial institutions at home, which attracted the knowledge and wealth generated by Europe's imperial expansions. Finally, Tuscans built effective coalitions with other regional powers in the Mediterranean and the Islamic world, which secured the duchy's access to global products and empowered the Tuscan monarchy in foreign affairs.These strategies allowed Tuscany to punch well above its weight in a world where power was equated with the sort of imperial possessions it lacked. By finding areas of common interest with stronger neighbors and forming alliances with other marginal polities, a small state was able to protect its own security while carving out a space as a diplomatic and intellectual hub in a globalizing Europe.
The contributions gathered in this volume discuss the complex topic of translating in medieval itay from an interdisciplinary perspective, combining the philological approach with a detailed social ...and cultural analysis. The authors discuss, among other topics, translations of ‘classical’ and particularly so-called ‘modern’ texts, the distribution of knowledge and languages, and the social history of translating.
Giulia is a maiden abandoned at the birth in Florence of Francesco I dei Medici and Bianca Cappello, who has already been the subject of historical research and some re-elaboration in literary and ...cinematographic terms. Thanks to the richness of the sources now found, a completely new and exhaustive biography of this 16th century woman is presented, with an unpublished version of her personality and history. Florence, the Casentino and the Valdinievole are the places of her life, which fully reflects the condition of women in her era, faced by Giulia with courage and determination. The discourse develops on two intertwined planes, that of historical analysis and that of its narrative integration, with the hypothetical reconstruction of the areas left in the shadows. This book enters by right into historiographical traditions now widely codified and into a literary tradition defined by Giacomo Debenedetti as 'historiography of interiority'.
The iconological analysis of Crespi’s paintings for Grand Prince Ferdinando de’Medici reveals shared ideas rooted in Seneca’s philosophy, basis of their taste for genre and pastoral scenes. Crespi ...was a leading figure of the prince’s artistic view, according to which arts and sciences guide to wisdom and virtue. Their appreciation for bizarre iconographies and Venetian style painting is clarified by ideas inspired by Seneca on ingenuity and picturesque frenzy. The characteristics of conciseness, brilliance, coexistence of archaism and innovation associate Ferdinando’s artistic and musical patronage, influencing his favourite artists and composers and perhaps Handel’s art collection.