I. Historischer Abriss
Zadar ist eine kroatische Stadt an der dalmatinischen Küste. Die Siedlung wurde im 4. Jahrhundert v. Chr. von den Illyriern gegründet. Als römische Kolonie war sie im 2. Jahr...
Urban settlement’s gastronomy is a very common topic in the context of tourist supply and demand, and an important factor for gastronomic identity and attractiveness of tourist destinations. Some ...recent studies show that there is research gap in spatial analysis of settlement’s gastronomic facilities. The main aim of this work is spatial analysis of gastronomic facilities in urban area of the city of Zadar based on GIS technology and application of accessibility, distribution and population densities criteria. A methodology for this work is divided into four topical phases inclusive of spatial data collection, processing, analysis and visualisation. Based on performed GIS analyses it has been found that spatial distribution of Zadar’s gastronomic facilities supply is satisfactory. More then ¾ of Zadar’s residents live within 5 minutes walking distance from the closest gastromic facility. Also, a distribution of gastro facilities in general, and restaurants and take aways in particular is not dependant on housing locations, but rather on location of places of work or tourist land marks. Proposed methodology serves as starting point in developing a theoretical concept of gastrocity.
U radu se temeljem arhivskih
izvora analizira obnova samostana i crkve sv. Marije u Zadru.
Samostan i crkva su tijekom
angloameričkog bombardiranja Zadra porušeni 1943./1944., a
ondašnje vlasti su ...1945. nisu
uspjele u svom naumu da svu imovinu i kompleks samostana sv.
Marije stave pod privremenu državnu
upravu. Od 1948. godine uz pomoć i inicijativu tadašnjeg
vodstva Jugoslavenske akademije
znanosti i umjetnosti započete su pripreme za obnovu. Crkva
sv. Marije je do 1959. uglavnom
obnovljena, ali samostan nije pa su 1960. sestre benediktinke
uputile molbu za obnovom. Obnovu
su priječile gradske vlasti pod izgovorom da je prema novom
urbanističkom planu na tom
mjestu planirana gradnja muzeja. Nakon godina pregovora s
gradskim i republičkim organima
dozvola za obnovu je ipak dobivena 1968. godine. Gradnja
obnove samostana trajala je do 1970.
godine kada su se benediktinke nakon dvadeset šest godina
vratile u svoj samostan. U
kompleksu sv. Marije na njihovu zemljištu 1972. izgrađena je
zgrada
u kojoj je smješten muzej crkvene umjetnosti u Zadru, službeno otvoren 1976.
godine.
Benedictine nunnery and church
of St Mary in Zadar were among the last historical and cultural monuments that
were renovated after the bombing of Zadar in the Second World War. Based on the
archival documents, the author analyses the renovation of the nunnery and church of St
Mary in Zadar. Immediately after the ending of the War, in 1945 new communist regime
did not succeed to expropriate all the possessions and nunnery of St Mary, and
putting them under provisional state management. Since 1948 the management of the Yugoslav
(Croatian) academy of sciences and arts started preparations for the renovation
of the nunnery and church, this renovation was completed by 1959, and mostly
financed by funds from the Academy. In 1960 Benedictine nuns wrote an appeal to the National Committee of the municipality of Zadar, but the answer was
negative since according to the urbanistic plan this location was prevised for the building of four new museums. Because of this, Benedictine nuns, together with
the Diocesan Ordinariate, represented by – at that time young – auxiliary
bishop Msgr Marijan Oblak, started long negotiations with municipal and republic authorities in
order to achieve a compromise solution regarding the renovation of the nunnery.
Unfortunately, negotiation with the municipal authorities was not successful,
so this question of the Benedictine nunnery renovation had to be further discussed
at the highest level between ecclesiastical institutions (Episcopal Conference and
Episcopate of the Social Federative Republic of Yugoslavia) and republic
institutions (Executive Council of the Socialistic Republic of Croatia). Moreover,
even the Vatican diplomacy, that is pope Paul VI, had to intervene to stimulate
these processes. After years of negotiations with municipal and republic
authorities, with constant intermediation of the Academy and its Institute in
Zadar, the situation regarding the renovation improved and the final agreement was
settled in 1965 (i.e., 1967). This agreement regarding the renovation of the
nunnery included the establishment of a permanent exhibition of the sacral art
within the monastery complex. Nuns returned to the renovated nunnery in 1970, that
is after 26 years of “exile”. Finally, the building of the museum for the
permanent exhibition of sacral art was finished in 1972, and the exhibition was opened for the public in 1976.
U radu se na temelju arhivskoga gradiva benediktinskoga samostana sv. Marije u Zadru i arhivskoga gradiva mletačke magistrature Sopraintendenti alle decime del clero iz Državnoga arhiva u Veneciji te ...dosad objavljene znanstvene literature razmatra stanje posjeda zadarskih benediktinki u Zadru tijekom 18. stoljeća. Osim samostanskih posjeda benediktinki sv. Marije razmotrit će se stanje posjeda benediktinskih samostana sv. Katarine u Zadru te ženskoga benediktinskoga samostana sv. Margarite u Pagu. Analizom dostupnih podataka utvrdit će se ekonomsko stanje navedenih ženskih benediktinskih samostana, kao i ekonomske (ne)prilike s kojima su se susretale redovnice tijekom 18. stoljeća.
On the basis of the archival material of the Benedictine monastery of St. Mary in Zadar and archival materials of the Venetian magistracy Sopraintendenti alle Decime del Clero from the State Archives in Venice, as well as on the basis of published scientific literature, this paper examines the state of the properties of the Zadar Benedictine nuns in Zadar during the 18th century. Apart from the monastery properties of the Benedictine nuns of St. Mary, we will consider the state of possessions of the Benedictine monasteries of St. Katarina in Zadar and the women’s Benedictine monastery of St. Margarita in Pag. By analysing the available data, we will determine the economic condition of the mentioned female Benedictine monasteries, as well as the economic (dis)opportunities faced by the nuns during the 18th century.
Nakon uvodne rasprave o osnutku i povijesti izgradnje Gradskog groblja u Zadru, u radu se analizira bista zadarskog posjednika, trgovca i dobrotvora Paška Bakmaza (1820. – 1887.) postavljena
u ...obiteljskoj kapeli koja se istovremeno valorizira kao vrijedno djelo neostilske grobišne arhitekture. Umjetnički vrijednu bistu Paška Bakmaza izradio je poznati tršćanski kipar Giovanni Depaul (1825. – 1919.) pa je ona važan doprinos boljem poznavanju i valorizaciji skulptore na zadarskom groblju. Objavljuju se i arhivski podatci o dogradnjama i proširenju Gradskog groblja između dva svjetska rata, kao i o podatci iz biografje Paška Bakmaza i drugih članova obitelji Bakmaz koji su pokopani u istoj obiteljskoj kapeli.
Tema rada je odnos društveno-političkih organizacija (točnije, njihovih tijela za pitanja religijei vjerskih zajednica) prema Zadarskoj nadbiskupiji tijekom prve polovice 1980-ih, gdje se ...složenostodnosa ogleda u pojedinim slučajevima lokalne sredine unutar zakonski postavljenog okvira odnosa Katoličke crkve i Države. Rad se temelji na analizi izvornih dokumenata.
In a paper on the nuns compelled to enter monastic life in the Venetian Republic, published in the Sixteenth Century Journal, Anne Jacobson Schutte cited, among others, the case of the Zadar nun ...Cattarina Marchi. Zadar archival sources offer new insights about the Zadar nun, provide answers to the questions posed by Schutte and shed new light on Marchi's petition for the annulment of monastic vows. The analysis and synthesis of archival sources in Zadar, as well as other archival sources, have changed the entire narrative surrounding the nun Marchi, justifying the doubt about the authenticity of the story (true story) regarding her forced entry into the monastery. It will be shown that her case must be considered in the context of economic, social and religious relations between the Zadar nobility and its middle class in the 16th-18th century, especially from the point of view of inalienable inheritance rights, known as fedecommesso.
U radu koji je Anne Jacobson Schutte objavila u časopisu Sixteenth Century Journal o časnim sestrama koje su u Mletačkoj Republici prisiljavali na redovnički život, navodi se, između ostalih, slučaj zadarske opatice Cattarine Marchi. Zadarski arhivski izvori donose nove spoznaje o tom slučaju, daju odgovore na pitanja koja je postavila Jacobson Schutte i bacaju novo svjetlo na zamolbu redovnice Marchi da joj se poništi redovnički zavjet. Analiza i sinteza arhivskih izvora u Zadru, kao i drugih arhivskih izvora, promijenili su cijeli narativ oko časne sestre Marchi, opravdavajući sumnju u autentičnost priče (istinite priče) o njezinu prisilnom odlasku u samostan. Pokazat će se da njezin slučaj treba promatrati u kontekstu gospodarskih, društvenih i vjerskih odnosa zadarskog plemstva i građanstva u razdoblju od 16. do 18. stoljeća, posebice s obzirom na neotuđiva nasljedna prava, poznata kao fedecommesso.
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