The historic art nouveau building of the former high school in Žilina - Zsolnai Állami Főreáliskola - is nowadays one of the University of Žilina buildings. Empty, awaiting much needed renovation is ...school building a subject of the various researches of its art-historical and architectural features. Paper deals with wall painting as a one type decoration among preserved ones in this building. Lack of funds during its initial building and decoration works created rather limited amount motifs and simple technologies. If the whole scope of architectural works of Orth and Somló architectural studio (and the whole set of art nouveau buildings in Žilina) is taken into account, even these simple, but elegant painting in well thought palette of colours could be valuable basis for renovation.
Archaeologies of Art Sanz, Ines Domingo; Fiore, Danae; May, Sally K
2008, 20160701, 2016-07-01, Letnik:
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eBook
This international volume draws together key research that examines visual arts of the past and contemporary indigenous societies. Placing each art style in its temporal and geographic context, the ...contributors show how depictions represent social mechanisms of identity construction, and how stylistic differences in product and process serve to reinforce cultural identity. Examples stretch from the Paleolithic to contemporary world and include rock art, body art, and portable arts. Ethnographic studies of contemporary art production and use, such as among contemporary Aboriginal groups, are included to help illuminate artistic practices and meanings in the past. The volume reflects the diversity of approaches used by archaeologists to incorporate visual arts into their analysis of past cultures and should be of great value to archaeologists, anthropologists, and art historians. Sponsored by the World Archaeological Congress.
Double Desire challenges the tendency by critics to perpetuate an aesthetic apartheid between Indigenous and Western art. The double desire explored in this book is that of the divided but also ...amplified attractions that occur between cultural traditions in places where both indigenous and colonial legacies are strong. The result, it is argued, produces imaginative transcultural practices that resist the assimilation or acculturation of Indigenous perspectives into the dominant Western mode and open contemporary art beyond its conventional limited Western trajectory. The essays, by fourteen experts in the field, discuss Indigenous contemporary art practices and their artworld reception in different locales in Australia, America and Africa, from metropolitan centres to regional and remote communities. The main frames of this discussion are postcolonial theories of transculturation, globalism and relational art practices that galvanize current theories of contemporary art. Ian McLean introduces key terms and tropes in the histories of Indigenous contemporary art. He also contributes two essays that examine indigenousness as a key concept in Western art, and the challenges facing Indigenous contemporary art in mainstream artworld discourses of postcolonialism, globalism and diaspora. Double Desire's remaining thirteen essays are case studies that explore specific examples of transculturation in Indigenous contemporary art in three different areas. "Relational Agencies" scrutinizes four different types of exchanges between Indigenous and Western ways of thinking in collaborations between Indigenous artists and non-Indigenous artists, art managers and anthropologists. "Postcolonial Histories" examines individual Indigenous artists who have directly engaged with Western art traditions and colonial histories in transcultural ways that develop an
Indigenous contemporaneity, either from within the institutions of the Western artworld or on its margins. "Artworlds" investigates the recent artworld reception of Indigenous contemporary art across three continents by both Indigenous and non-Indigenous critics and curators.
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