Provider: - Institution: Deutsches Dokumentationszentrum für Kunstgeschichte - Bildarchiv Foto Marburg - Data provided by Europeana Collections- Inschrift: Inschrift- All metadata published by ...Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Bark unter Leesegeln Kalkreuth, Patrick von (Herstellung), 1900- (Maler)
1900 (Herstellung)
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Provider: - Institution: Deutsches Dokumentationszentrum für Kunstgeschichte - Bildarchiv Foto Marburg - Data provided by Europeana Collections- All metadata published by Europeana are available free ...of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Deutsches Dokumentationszentrum für Kunstgeschichte - Bildarchiv Foto Marburg - Data provided by Europeana Collections- All metadata published by Europeana are available free ...of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Deutsches Dokumentationszentrum für Kunstgeschichte - Bildarchiv Foto Marburg - Data provided by Europeana Collections- All metadata published by Europeana are available free ...of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Non-fiction producers who find themselves with a ratings hit are faced with a licensing market more welcoming than ever before. This is partly due to TV's ability to launch a brand. As Kenton Selvey, ...VP of international licensing for Discovery Consumer Products explains, "Industry wide, more licensees are interested in television than movie properties because it's a long-term business, not a Hollywood hit or miss." Also, a recent string of hot factual properties has caused interest in non-fiction fare to spike among licensees hoping to attach their merchandise to a recognized brand. Grahame Grassby reports ABC is experiencing increased support for branded merchandise from retailers, with the most interest centering on home- related lifestyle categories such as gardening, renovation and cooking. ABC's food licensing program extends from TV to video and DVDs, books, CDs, cookware and apparel. The Gardening program also branches out from A/V products and books, to plants and tools as well as a kids gardening line. Grassby says there's also opportunities in other categories: "Natural history, especially for older kids, is a growing business." Rachel Barke says exploiting Faking It's unique premise was key to creating a successful licensing initiative: "The show's core creative proposition needs to be the driving force behind every decision." So, she cooked up a competition that aligned the brands and was marketed at point-of-sale, a lucrative spot in the retail environment. Executed in Tesco grocery stores in the UK, the contest gave consumers a chance to 'fake it' as a surfer, musician, actor or fashion photographer. Just like in the show, expert guidance was part of the winners' package, in this case at locations around the world: Hawaii (surfer), London (musician), Hollywood (actor) and Paris (shutterbug). The flyer for the draw, which ran in February, also assigned a Smirnoff cocktail recipe for each profession.
Provider: - Institution: - Data provided by Europeana Collections- Bangkok. Königliche Barke Subanahongsa auf dem Fluss Chao Phraya mit dem Großen Palast im Hintergrund, 1911/1913- Diapositiv aus ...Glas in schwarzweiß, quer- DFG-Projekt: Weltsichten (2015-2017), Datensatz-Urheber: Deutsche Fotothek / SLUB Dresden (Förderung)- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Razglednica je bila poslana, datum na poštni štampiljki se ne vidi, vidno je le ime pošte: Pola (Pula). Na razglednici je motiv iz ...Izole: stavbe ob mandraču, v ozadju je zvonik cerkve sv. Mavra, v pristanišču so ena zraven druge privezane jadrnice. V večji stavbi desno je verjetno gostilna, saj ima nad oknom spuščeno platneno streho. Ob hišah so drevesa.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
M2 PRESSWIRE-6 July 2000-IfYouTravel: IfYouTravel lands scuba expert for launch of dive portal (C)1994-2000 M2 COMMUNICATIONS LTD IfYouTravel is initially rolling out four specialist travel sites - ...IfYouSki.com, IfYouGolf.com, IfYouDive.com and IfYouAdventure.com - in four key European territories (UK, France, Germany and Scandinavia), in addition to the IfYouTravel.com portal site. Funding of GBP3 million for this expansion was secured from Europatweb. Aspect Internet, a leading UK technology consultancy that holds a small equity interest in IfYouTravel, contributed initial start-up assistance and continues to provide technical expertise. "The IfYouTravel team's commercial dynamism and genuine passion for sport convinced me that IfYouDive would offer the excitement and the challenge that I was looking for," explains Tim Barke. "As with the other sites in the IfYou... family, our aim with IfYouDive.com is to become the benchmark against which all other sites will be measured, and we have an aggressive roll-out plan to help us achieve this."
In seeking to be at once invisible and present, the documentarists were destined to fail. They could not be simultaneously present and absent, any more than they could be objective witnesses of ...subjective scenes. The contradictions inherent in the documentary movement as a whole were encapsulated by Mass-Observation, which was unable to succeed on its own terms. Its aims were at once surrealist and anthropological, poetic and scientific. Jennings, Harrisson and Madge wanted to survey the masses empirically at the same time as they wanted to get to know them as individuals, creating a democracy of witnessing in which everyone could be an observer. They intended to analyse mass behaviour, using it to explain or even decode society, and to allow the voices of their subjects to speak for themselves.The documentary writers and filmmakers, though generally less all-encompassing in their demands, were equally unsure about their relationship with their subjects and about the desirability of analysis within their work. The middle-class documentarists were unclear about whether they wanted to mingle with the workers or to observe them unseen. Part of the hope of the decade lay in thinking that it might be possible to join the working class. But even before Orwell chastised them for their boy scout idealism, Auden, Isherwood and Spender were ruefully aware of their privileged vantage point.
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