This controversial book is a survey of how relationships between indigenous peoples and the archaeological establishment have got into difficulty, and a crucial pointer to how to move forward from ...this point.
With lucid appraisals of key debates such as NAGPRA, Kennewick and the repatriation of Tasmanian artefacts, Laurajane Smith dissects the nature and consequences of this clash of cultures.
Smith explores how indigenous communities in the USA and Australia have confronted the pre-eminence of archaeological theory and discourse in the way the material remains of their past are cared for and controlled, and how this has challenged traditional archaeological thought and practice.
Essential reading for all those concerned with developing a just and equal dialogue between the two parties, and the role of archaeology in the research and management of their heritage.
1. Introduction 2 . The Cultural Politics of Identity: Defining the Problem 3. Archaeological Theory and the 'Politics' of the Past 4. Archaeology and the Context of Governance: Expertise and the State 5. Archaeological Stewardship: The Rise of Cultural Resource Management and the 'Scientific Professional' arcHaeologist 6. Significance Concepts and the Embedding of Processual Discourse in Cultural Resource Management 7. The Role of Legislation in the Governance of Material Culture in America and Australia 8. NAGPRA and Kennewick: Contesting Archaeological Govrnance in America 9. The 'Death of Archaeology': Contesting Archaeological Covernance in Australia 10. Conclusion
Laurajane Smith is Lecturer in cultural heritage studies and archaeology at the University of York, UK. She previously taught Indigenous Studies at the University of New South Wales, Sydney and worked as a cultural heritage consultant for many years. Her research interests include heritage and the construction and negotiation of cultural and social identities, and public policy and heritage management, archaeological theory and politics, feminist archaeology.
'Essential reading ... Well-written and easy to follow ... a useful companion volume.' - Rodney Harrison, The Australian National University
'Laurajane Smith has produced a significant work that will hopefully stimulate archaeological departments in South African universities to pay more attention to educating future CRM practitioners. This book is compulsory reading for CRM practitioners, archaeology students and their professors alike.' – South African Archaeological Bulletin
Cultural policy is changing. Traditionally, cultural policies have been concerned with providing financial support for the arts, for cultural heritage and for institutions such as museums and ...galleries. In recent years, around the world, interest has grown in the creative industries as a source of innovation and economic dynamism. This book argues that an understanding of the nature of both the economic and the cultural value created by the cultural sector is essential to good policy-making. The book is the first comprehensive account of the application of economic theory and analysis to the broad field of cultural policy. It deals with general principles of policy-making in the cultural arena as seen from an economic point of view, and goes on to examine a range of specific cultural policy areas, including the arts, heritage, the cultural industries, urban development, tourism, education, trade, cultural diversity, economic development, intellectual property and cultural statistics.
This paper compares creative (content) industries policies in the UK and South Korea, highlighting the coevality in their development. Seeing them as 'industrial policies', it focuses on how state ...intervention is justified and why a certain set of policy options have been chosen. The UK policy-makers prefer passive and decentralised roles of the state that addresses market failures via generic and horizontal policies. Meanwhile, Koreans have consistently believed in the strong, resourceful and ambitious state in developing centralised, sector-specific policies for cultural industries. While demonstrating two contrasting approaches to the nation state's management of cultural turn in the economy, both cases seem to present a 'paradox'. Despite its neoliberal undertone, the horizontal and fused approach taken by the UK's creative industries policy engenders some space for 'cultural' policy. On the contrary, the non-liberal and state-driven content industries policy in Korea has shown a stronger tendency of cultural commodification.
La culture a toujours été le parent pauvre des domaines d'intervention de l'Europe communautaire. Pour comprendre cet état de fait contre lequel protestent rituellement les milieux culturels ...européens, il faut invoquer deux ordres d'explication. Le premier tient à la manière dont a été conçue et construite l'Europe communautaire. Le second est la volonté des États, et donc des peuples, de maintenir leurs prérogatives dans le domaine culturel contre tout empiètement de Bruxelles.
There has been much written on the new creative economy, but most work focuses on the so-called 'creative class,' with lifestyle preferences that favor trendy new restaurants, mountain biking, and ...late night clubbing. This 'creative class,' flagship cultural destinations, and other forms of commodity-driven cultural production, now occupy a relatively uncritical place in the revitalization schemes of most cities up and down the urban hierarchy. In contrast, this book focuses on small- to medium-size post-industrial cities in the US, Canada, and Europe that are trying to redress the effects of deindustrialization and economic decline through cultural economic regeneration.
Distant Stage Fillion, Eric
2022, 2022-11-04, Letnik:
13
eBook
Distant Stage examines the neglected histories of Canada-Brazil relations and the role culture played in Canada's pursuit of an international identity. French-Canadian artists, intellectuals, and ...diplomats are at the heart of both. Eric Fillion shows how Brazil served as a distant stage where Canadian identity politics and aspirations could play out.
Communities and Museums in the 21st Century brings together innovative, multidisciplinary perspectives on contemporary museology and participatory museum practice that contribute to wider debates on ...museum communities, heritage, and sustainability. Set within the context of globalisation and decolonisation, this book draws upon bi-regional research that will enrich our understanding of the complex relationships between Europe, Latin America and the Caribbean through museum studies and practice. Chapters reflect upon the role of museums in defining community identities; the importance of young people’s participation and intergenerational work for sustainability; the role of museums in local development; and community-based museums and climate change. Contributors examine these issues through the lens of museum partnerships and practices, as well as testing the continued relevance of the notion of ‘integral museum’ and its relatives in the form of ecomuseums. With its focus on regional museums in Latin America and Caribbean, this book highlights how the case studies promote greater intercultural dialogue, global understanding and social cohesion. It also demonstrates how the methodology can be adapted to other communities who are facing the perils of climate change and unsustainable forms of development. Communities and Museums in the 21st Century proposes creative and sustainable strategies relevant to a globalised future. With its focus on global societal challenges, this book will appeal to museologists and museum practitioners, as well as those working in heritage studies, cultural studies, memory studies, art history, gender studies, and sustainable development.
Sammendrag Politiske satsinger rettet mot kunst- og kulturbedrifter, såkalt kreativ næring, som i løpet av de siste tiårene er initiert i norsk og nordisk kultur- og næringspolitikk, forstås gjerne ...som et tydelig uttrykk for en økonomisk orientert instrumentalisme. Men kan alle politiske strategier og retorikk som behandler kunst og kultur som næring forstås som et utslag av økonomisk instrumentalisme? Målet med artikkelen er å problematisere etablerte forståelser av instrumentell kulturpolitikk, gjennom å utforske hvordan kreativ næring omtales og begrunnes i kommunal kultursektor og offentlig næringsarbeid. Vi undersøker hvordan fenomenet kreativ næring tematiseres og diskuteres i offentlig kulturarbeid og næringsutviklingsarbeid på lokalt nivå, der en stor del av det politiske og praktiske arbeidet knyttet til utvikling av kultur- og næringsliv utføres i Norge. Gjennom dokumentstudier av kommunale planer samt kvalitative intervjuer med kulturbyråkrater og næringsutviklere, undersøker vi om det ligger ulike begrunnelser til grunn for å innta et næringsperspektiv i kunst- og kulturpolitikken. I diskusjonen av det empiriske materialet tar vi i bruk ulike analytiske perspektiver på kulturpolitiske begrunnelser og instrumentalisme. Vi argumenterer for at tendensen til å samle alle politiske strategier og all politisk retorikk om kreativ næring i én generell kategori – instrumentell kulturpolitikk – bidrar til en tilsløring av vesentlige nyanser.
This Open Access edited collection calls for a greater understanding of ‘the local’ within the ways the arts, culture and creative practices are governed, promoted, regulated, resourced and valued. ...Cultural policy studies tends to privilege the national (and international) as the primary site at which cultural policy is enacted, and focuses on the ‘local’ as a case study of practice, rather than a site of policy in its own right. While this may make global policy transfer manageable for national policy agencies, it ignores the contingent relationships, diverse geographies and distinct identities of localities. This volume addresses this gap and is structured around three themes: disciplining the local, which examines key concepts from different academic fields of study; managing the local, which identifies policy approaches that engage with the idea of ‘the local’ in different ways; and practising the local, which offers case studies of how ‘local’ cultural policies are being enacted in places of differing scale and geography.
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