Los bailarines y las bailarinas de danza clásica entrenan rigurosamente para alcanzar el mayor grado técnico y artístico de calidad en sus ejercicios. Entre los que conforman sus entrenamientos están ...los de barra, siendo los battement jeté en sus diferentes formas de ejecución, los encargados del movimiento de acción de los pies-piemas. El objetivo del estudio es crear y validar una herramienta de observación ad hoc que permita evaluar el ejercicio del battement jeté; en su diseño se utilizó una combinación de formato de campo y sistemas de categorías exhaustivas y mutuamente excluyentes (E/ME). El instrumento se compone de 5 criterios y un total de 66 categorías distribuidas de la siguiente forma: 31 en tren inferior, 8 en tren superior, 13 para cabeza/mirada, 5 en dirección espacial y 9 para las cuentas musicales. La muestra del estudio estuvo conformada por 10 bailarines/as, ocho mujeres y dos hombres, todos con estudios profesionales en danza clásica finalizados. Se llevó a cabo un análisis de Calidad del Dato y un análisis de Generalizabilidad con los programas HOISAN y SAGT vl.O respectivamente. La fiabilidad de los observadores se obtuvo mediante el cálculo de los coeficientes de correlación Pearson, Spearman y Tau b de Kendall; y mediante el índice de concordancia Kappa de Cohen y concordancia canónica de Krippendorf. Los resultados mostraron índices adecuados de correlación, así como excelentes resultados de la Generalizabilidad con un valor G relativo y G absoluto de 1.00 en el acuerdo interobservador y 1.00 para el acuerdo intraobservador, demostrando que la herramienta de observación para el ejercicio del battement jeté en la danza clásica presenta una adecuada precisión, fiabilidad y validez. Se hace un análisis de invarianza y no se evidencian diferencias significativas en los resultados por razón de sexo en el uso de la herramienta de observación.
Dance and philosophy Rebecca L. Farinas, Farinas; Julie Van Camp, Camp
01/2021
eBook
An innovative examination of the ways in which dance and philosophy inform each other, Dance and Philosophy brings together authorities from a variety of disciplines to expand our understanding of ...dance and dance scholarship. Featuring an eclectic mix of materials from exposes to dance therapy sessions to demonstrations, Dance and Philosophy addresses centuries of scholarship, dance practice, the impacts of technological and social change, politics, cultural diversity and performance. Structured thematically to draw out the connection between different perspectives, this books covers: - Philosophy practice and how it corresponds to dance - Movement, embodiment and temporality - Philosophy and dance traditions in everyday life - The intersection between dance and technology - Critical reflections on dance Offering important contributions to our understanding of dance as well as expanding the study of philosophy, this book is key to sparking new conversations concerning the philosophy of dance.
Doris by Sarah Jacoby (review) Berglind, Natalie
Bulletin of the Center for Children's Books,
09/2023, Letnik:
77, Številka:
1
Journal Article, Book Review
Based on extensive ethnographic fieldwork in New York and Dakar, this book explores the Senegalese dance-rhythms Sabar from the research position of a dance student. It features a comparative ...analysis of the pedagogical techniques used in dance classes in New York and Dakar, which in turn shed light on different aesthetics and understandings of dance, as well as different ways of learning, in each context. Pointing to a loose network of teachers and students who travel between New York and Dakar around the practice of West African dance forms, the author discusses how this movement is maintained, what role the imagination plays in mobilizing participants and how the 'cultural flow' of the dances is 'punctuated' by national borders and socio-economic relationships. She explores the different meanings articulated around Sabar's transatlantic movement and examines how the dance floor provides the grounds for contested understandings, socio-economic relationships and broader discourses to be re-choreographed in each setting.
Moving together Lindgren, Allana C; Stolar, Batia Boe; Sacchetti, Clara
Moving together,
2021, 2021, 2021-05-11
eBook
"Moving Together: Pluralism and Dance in Canada explores how dance intersects with the shifting concerns of pluralism in a variety of racial and ethnic communities across Canada. Focusing on the ...twentieth and twenty-first centuries, contributors examine a broad range of dance styles used to promote diversity and intercultural collaborations. Examples include Fijian dance in Vancouver; Japanese dance in Lethbridge; Danish, Chinese, Kathak, and Flamenco dance in Toronto; African and European contemporary dance styles in Montréal; and Ukrainian dance in Cape Breton. Interviews with Indigenous and Middle Eastern dance artists along with an artist statement by a Bharata Natyam and contemporary dance choreographer provide valuable artist perspectives. Contributors offer strategies to decolonize dance education and also challenge longstanding critiques of multiculturalism. Moving Together demonstrates that dance is at the cutting edge of rethinking the contours of race and ethnicity in Canada and is necessary reading for scholars, students, dance artists and audiences, and everyone interested in thinking about the future of racial and ethnic pluralism in Canada."--
El battement tendu, en sus diferentes formas de ejecución y cada una de ellas con su propio objetivo de trabajo, se hace indispensable desde los primeros cursos de formación en la danza académica, ya ...que proporciona la base para el aprendizaje de los bailarines y las bailarinas. El presente estudio muestra una herramienta de observación diseñada ad hoc para este ejercicio, compuesta por una combinación de formato de campo y sistemas de categorías, exhaustivas y mutuamente excluyentes (E/ME), con el objetivo de poder validar, codificar y evaluar dicho ejercicio de danza clásica en una barra de ballet. El instrumento se compone de 5 criterios y un total de 54 categorías distribuidas de la siguiente forma: 23 en tren inferior, 9 en tren superior, 10 para cabeza/mirada, 3 en dirección espacial y 9 para las cuentas musicales. La muestra seleccionada en el estudio estaba formaba por 10 bailarines/as, ocho mujeres y dos hombres, todos con un nivel profesional en danza clásica. Se realizó un análisis de Calidad del Dato y un análisis de Generalizabilidad con los programas HOISAN y SAGT vl.O respectivamente. La fiabilidad de los observadores se llevó a cabo mediante el cálculo de los coeficientes de correlación Pearson, Spearman y Tau b de Kendall; y mediante el índice de concordancia Kappa de Cohen y concordancia canónica de Krippendorf. Los resultados mostraron adecuados coeficientes de correlación e índices concordancia, así como excelentes resultados de la Generalizabilidad con un valor G relativo y G absoluto de .99 en el acuerdo interobservador y 1.00 para el acuerdo intraobservador, revelando que la herramienta de observación para el ejercicio del battement tendu en la danza clásica presenta una óptima precisión, fiabilidad y validez.
With the installation of the COVID19 pandemic in our lives, already for a year, dance, an art mostly viewed live, on different stages and in theaters, has moved its activity online. It tried to adapt ...to the new requirements, managing to survive in these conditions. Most of the theaters started to post often on social networks, hoping that through this increased activity, they would still keep their audience. The purpose of this writing is to pre-sent the advantages and disadvantages of passing choreographic performances in the online environment. Was this compelling to stop the physical meeting a barrier from all points of view, or did it also bring positive parts in the choreographic field? Has it increased or restricted the imagination? What will happen to choreographic art in the next period? In the future, will the audience want to watch live choreographic performances or will they prefer the online environment?
Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the ...postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space.
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