Denne artikel bygger på nogle personlige erfaringer med at arbejde i artistområdet, og mine forsøg på at skabe en teori, der kunne understøtte og udfordre praksis. Det første jeg måtte erkende var, ...at teaterdramaturgens teori ikke slog til her, og det næste at jeg kunne benytte den som et afsæt til at skitsere en parallel teori for artistnummerets dramaturgi og tilnogle antegninger om æstetikken.
Im letzten Drittel des 19. Jahrhunderts bildet sich eine visuelle Kultur heraus, konstituiert durch heterogene Bildmedien und Institutionen visueller Unterhaltung. Dieses Buch liefert einen Überblick ...über die visuelle Kultur in Deutschland und setzt Theater als »Leitmedium« jener Zeit zu ihr in Bezug. In enger Arbeit an historischen Quellenmaterialien werden Bildmedien und Institutionen visueller Kultur vorgestellt und die Ästhetik sowie Ökonomie (populärer) Theaterformen in den Blick gerückt, die von der Theatergeschichtsschreibung bislang nur marginal beachtet wurden. Anhand zahlreicher Beispiele werden die Austauschprozesse zwischen Theater und visueller Kultur diskutiert und begrifflich gefasst. Methodisch verbindet diese Studie in origineller Weise Ansätze der Visual Culture-Forschung mit einer kritischen Theater-Historiographie. Die zahlreichen historischen Text- und Bildquellen sowie die differenzierte Auflistung Berliner Spiel- und Schaustätten im Anhang machen dieses Buch gleichzeitig zu einem grundlegenden Forschungsbeitrag zum deutschen Theater im 19. Jahrhundert.
Abstract
The present article suggests that the brief history of Western television news dramaturgy can be expounded as three major waves: from the early days of the talking heads in the studio, over ...the narrativization of the field report to a (re-)current studio- and field-based talking heads format. In order to analyze the latest development entering the third wave, we propose a theoretically based dramaturgical model for the television news item. The analysis concludes that, with the current ‘return’ of the talking heads format, the pre-produced and pre-packaged bulletin program about past events is dissolving and transforming into an evaluative present- and future-oriented update format that resembles the 24-hour newsonly channels. Production time merges with broadcast time so that the uncertainty of live spreads to the dramaturgy.
A great movie's first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach ...that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. InCinematic Overtures,Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique.From Joe Gillis's voice-over inSunset Boulevardas he lies dead in a swimming pool to the hallucinatory opening ofApocalypse Now, from the stream-of-consciousness montage as found inHiroshima, mon amourto the slowly unfolding beginning ofSchindler's List,Cinematic Overturesanalyzes opening shots from a range of Hollywood as well as international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. Including dozens of frame enlargements that illustrate the strategies of opening scenes, Insdorf also examines how films explore and sometimes critique the power of the camera's gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films by some of the leading directors of the past seventy-five years. Erudite but accessible,Cinematic Overtureswill lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments.
Fra et praksisperspektiv som producent, anmelder og projektleder argumenterer dette essay for, at det er kombinationen af musikalsk muskulatur, kontraktskompetencer og produktionsdramaturgiske ...kompetencer, som gør dramaturger i stand til at arbejde effektivt som fundraisere og producenter på teatre og som udviklingskonsulenter i andre brancher.
Jeg forsøger mig i dette essay med tre postulater: Det første er, at dramaturgi kan forstås som en videnskab om kommunikation af kommunikation. Det andet er, at et kunstfag bør være forligtet på at ...kunne forklare, hvordan kunst kommunikerer mening. Det tredje er at dramaturgien bæres af en historisk og aktuel viden om, hvordan figurer på scenen udtrykker værdier.
Ertløv Hansen rethinks the classic narrative terms of ‘syuzhet’ and ‘fabula’, as understood in film theory, into the domain of computer games and accounts for the ways in which the terms can lead to ...a deepened understanding of the interplay between game and gamer.
This book discusses disciplinary struggles in education from three perspectives. The chapters in the first section analyse the disciplinary character of educational practice and institutions. The ...second section focuses on justification of educational knowledge in transmission between theory and practice. The contributions of the third section problematise the aims and functions of educational practice and theory, which are critical for understanding the implications of disciplinary struggles in education for the future. Although the chapters focus on certain historical periods, forms and contexts of education, they provide insights, which are useful and relevant for a wider discussion in the eclectic and diverse theories and practices of education.
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