This text about the ambivalence of fieldwork, rituals, actors, and stories thematizes the relationship between the researcher and his informants and interlocutors (usually also the performers of a ...cultural practice), and it reveals dynamic processes at the same time. In the chapter “Texts and Realities” the author uses the carnival tradition known as škoromatija to decode a palimpsest structure and syncretic understanding of reality. The second chapter focuses on the production of local identity: a motif that is characteristic for today’s production of ritual practices and cultural heritage. The chapter “Illusions of Harmony” thematizes discourse on the relationship between the views and conceptions of the researcher and performer, whereby the author especially problematizes the search for and repeated discovery of golden eras. “The Timing of Verbalization” is a narrative about time as one of the most important categories of structuring a narrative. The researcher problematizes the perception of time and the horizon, compares different timing of the past for himself and his interlocutor, and teases out caesurae in the structuring of time. In the last and partly self-ethnographic chapter on the ambivalence of fieldwork, the writer focuses on stories of “capturing” the reality, and stories about changing the approach to fieldwork and about the changed configurations of relations among actors.
The kitchen is the core~it is the heart of the home. A major part of our daily routine takes place in the kitchen. In addition to being a place for food preparation, the kitchen also defines our ...lifestyle and social status. In the 20th century, the kitchen, its practices and representations were changing. The form, use and purpose of the kitchen were connected to general and specific (micro-)regional economic, social, demographic, cultural and ideological circumstances, and after all also socio-economic conditions of the household. This book ('From the main place to dwell to a working cell: Development of the kitchen in the Vipava Valley') presents the formal development of the kitchen in the Vipava Valley in the 20th century regarding the changes in kitchen practices and the image of the kitchen.
Provider: - Institution: - Data provided by Europeana Collections- Nuotrauka daryta vestuvių dieną. Ant suolelio sėdi jaunoji ir pamergės. Moteris, sėdinti pirma iš dešinės laiko rankinuką. Antroje ...nuotraukos pusėje įrašas pieštuku "1960 m. liepos mėn. Janinos Paplauskaitės - Šeštokienės (1938-2015) vestuvėse Sasnavoje. Su rankinuku jos sesuo Albina Paplauskaitė - Abelaitienė (1926 - 1990). Šia nuotrauka iliustruojama aprangos ir aksesuarų nešiojimo mada 1960 m.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Juosta tautinė, pinta namuose. Pinimas milinis, kryžinis. Juostos spalvos susideda kryžiškai. Pusvilniai siūlai žalios , rudos ir ...smėlio spalvų.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Palaidinė, balta, pasiūta iš lininės medžiagos. Palaidinė plati, lygi, rankovės plačios, nedidelė apykaklė, puošta siuvinėtu, ...siauru, raudonos spalvos ornamentu. Tokiu pat siauru ornamentu išsiuvinėti petukai. Rankogaliai taip pat išsiuvinėti plačiu, raudonos spalvos ornamentu.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Prijuostė. Balti medvilniniai metmenys austi baltu linu. Žičkai medvilniniai raudoni. Prijuostė dvipalė keturkampė, ties juosmeniu ...paraukta.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Moteriška liemenė. Keturnyčiai dviejų dalių dimai. Dominuojančios spalvos: violetinė, ruda, gelsva. Su raudonu raišteliu. Pasiuvimas ...- durtu liemeniu ir klostelėmis apačioje.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Buteliukas permatomo stiklo, apvalus, į viršų kiek siaurėjantis. Su metaliniu užsukamu dangteliu. „Fialka“ - žibuoklė.- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Portsigaras stačiakampio formos, su atlenkiamu dangteliu. Ant dangtelio iškiliai pavaizduotas raitelis ir užrašas rusų kalba ...„ПОЛОЦК“. Viduje yra pertvarėlės, padarytos iš gumos juostelių.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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