Provider: - Institution: - Data provided by Europeana Collections- Izročilo govori o stiku navadnih ljudi z bajnimi bitji, z nezemeljskim, ki se zopet odvija prek jame, ki velja v tradicijski kulturi ...za posrednika z onostranstvom. Po izročilu o obeh jamah, tako Cikovi kot Fukovi, si fanta, ki sta vsak po svoje doživela stik z »nadnaravnim«, nista nikoli več opomogla od izkušnje.Skulptura: “Kamniti krog. Prostor v prostoru. Sedem pokončnih kamnitih kosov orisuje, zamejuje posvečen prostor pred Fukovo jamo. Krog kot simbol neskončnosti. Začetek in konec se izmenjujeta, ni začetka in konca. Sedem monolitov, sedem pokončnih kosov kamna postavljenih v krog.Kamniti kosi, naravno lomljena površina kot tista prava oblika in koža kamna in brušena površina, kot prikrita, skrita koža oblike v kamnu….oblike ki hoče zapeljati, oblike ki nagovarja, vzbudi željo, da se je dotaknemo, božamo z roko, pogledom. Zapeljive oblike, ki jih ne moremo zaobjeti z enim pogledom, oblike, ki se prikazujejo in izginjajo, oblike, ki vzbudijo hrepenenje. Ni začetka in konca, je le ples življenja. V zapeljivi krog življenja je vstopil Tonček.” (Mitski 2020, 54)Skulpturo Krog je izdelal akademski kipar Damjan Švara. - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- V ljudskem izročilu kače nastopajo kot ambivalentna bitja, posebno v krščanstvu pa nastopajo kot negativna bitja. Človeku se lahko ...ovijejo okrog vratu in ga skušajo zadušiti. Kača z Robide-zakleta kraljična, naj bi živela v ruševinah srednjeveške utrdbe na bližnjem Taboru, ki so še danes vidne.Skulptura: “Blok peščenjaka ima na zgornji površini izklesano lepo belo kačo s krono (zakleto kraljično). Kača je postavljena na vogal kamna, zavita je sama okrog sebe – počiva, se sonči. Njen rep se čez vogal nadaljuje iz osnovne površine proti tlom. Površina kače je sekana z dletom, zgornja površina kamna je finejše obdelana in zato temnejše barve, s čimer pridobimo na kontrastu med ‘belo’ kačo in temno površino kamna.” (Mitski, 2020, 50)Oblikovalka kamnitih skulptur za projekt je Špela Šedivy. Skulpturo Zakleta kraljična je izdelala Špela Šedivy. Nahaja se na lokaciji Robida na Taboru.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Zeleni gozdni mož in kmet Tijek iz pripovedke “Zlati krompir”- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Kmet na vragovem kozlu iz pripovedke “Vrag in njegov kozel”- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Kočar z zlato gosko iz pripovedke “Zlata goska”- All metadata published by Europeana are available free of restriction under the ...Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Vitez s krono gadje kraljice iz pripovedke “Gadja kraljica”- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Deklica in Viher iz pripovedke “Prekletstvo zaklete deklice”- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Visočnik in njegova žena iz pripovedke “Obilna letina fižola”- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Kmetica – čarovnica in hlapec, spremenjen v konja, iz pripovedke “Podkovana čarovnica”- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
