All papers published in this volume of IOP Conference Series: Materials Science and Engineering have been peer reviewed through processes administered by the Editors. Reviews were conducted by expert ...referees to the professional and scientific standards expected of a proceedings journal published by IOP Publishing. • Type of peer review: Double-blind • Conference submission management system: e-mail • Number of submissions received: 9 • Number of submissions sent for review: 7 • Number of submissions accepted: 7 • Acceptance Rate (Number of Submissions Accepted / Number of Submissions Received X 100): 78% • Average number of reviews per paper: 2 • Total number of reviewers involved: 12 • Any additional info on review process: The form of the review was a “double – blind review process”. Each article was addressed to two reviewers. The reviewers were asked to evaluate the article in accordance with the below mentioned criteria: Does the issue of the article fit into the scope of THE IMTECH (INNOVATIVE MINING TECHNOLOGIES) CONFERENCE? Does the problem being presented in the article is significant for science? Is the aim of article clearly specified and realized? Is the paper an original study (it means, it is not the compilation of former known publications)? Articles that were approved for publication received a comment: The article is worth publishing in author’s version. or The article is worth publishing after corrections suggested by the reviewer. The reviewers wrote their comments on the review form (“REVIEWER’S COMMENTS”) or directly on the received version of the article (without names), and the authors were obliged to make corrections. • Contact person for queries: mmalec@komag.eu
Orthodox by Design, a groundbreaking exploration of religion and media, examines ArtScroll, the world's largest Orthodox Jewish publishing house, purveyor of handsomely designed editions of sacred ...texts and a major cultural force in contemporary Jewish public life. In the first in-depth study of the ArtScroll revolution, Jeremy Stolow traces the ubiquity of ArtScroll books in local retail markets, synagogues, libraries, and the lives of ordinary users. Synthesizing field research conducted in three local Jewish scenes where ArtScroll books have had an impact-Toronto, London, and New York-along with close readings of key ArtScroll texts, promotional materials, and the Jewish blogosphere, he shows how the use of these books reflects a broader cultural shift in the authority and public influence of Orthodox Judaism. Playing with the concept of design, Stolow's study also outlines a fresh theoretical approach to print culture and illuminates how evolving technologies, material forms, and styles of mediated communication contribute to new patterns of religious identification, practice, and power. Finalist for the National Jewish Book Award in the scholarship category, Jewish Book Council
The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and ...sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades.In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s.American Literature and the Culture of Reprinting, 1834-1853delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.
The late eighteenth century witnessed an explosion of intellectual activity in Scotland by such luminaries as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and ...Robert Burns. And the books written by these seminal thinkers made a significant mark during their time in almost every field of polite literature and higher learning throughout Britain, Europe, and the Americas. In this magisterial history, Richard B. Sher breaks new ground for our understanding of the Enlightenment and the forgotten role of publishing during that period. The Enlightenment and the Book seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were written by authors who eyed their publishers as minor functionaries in their profession. To the contrary, Sher shows how the process of bookmaking during the late eighteenth-century involved a deeply complex partnership between authors and their publishers, one in which writers saw the book industry not only as pivotal in the dissemination of their ideas, but also as crucial to their dreams of fame and monetary gain. Similarly, Sher demonstrates that publishers were involved in the project of bookmaking in order to advance human knowledge as well as to accumulate profits. The Enlightenment and the Book explores this tension between creativity and commerce that still exists in scholarly publishing today. Lavishly illustrated and elegantly conceived, it will be must reading for anyone interested in the history of the book or the production and diffusion of Enlightenment thought.
Early Modern Media and the News in Europe includes fifteen chapters, all written by Joop W. Koopmans, which are focused on the early news industry in relation to politics and society, particularly ...from the Dutch perspective.
Sin embargo, desde el ámbito académico y de investigación científica falta un mayor desarrollo y estudio del área tanto a nivel nacional como internacional (Consejo Asesor Presidencial, 2006) del ...impacto de las políticas de FID en las IES; y es todavía más significativo el déficit de producción científica respecto de FID y diversidad cultural. OCDE 2014 The Governance of Regulators, OECD Best Practice Principles for Regulatory Policy, OECD Publishing, París, http://dx.doi.org/10.1787/9789264209015-en. Recuperado de: https://www. oecd.org/skills/piaac/Skills-Matter-Chile.pdf OCDE 2016b Governance of Regulators' Practices: Accountability, Transparency and Co-ordination. Zapata, P. 2017 "The power of saying the normally 'unsaid' as an act of empowering a woman's voice in the academia and the fictional parallel side behind this power in a global era".
Later, after the paper is accepted and published, the authors are invoiced for the fees, typically US$1,800. Because the scientists are often asked to sign over their copyright to the work as part of ...the submission process (against the spirit of open access) they feel unable to withdraw the paper and send it elsewhere. The research community needs to use scholarly social networks such as Connotea and Mendeley to identify and share information on publishers that deceive, lack transparency or otherwise fail to follow industry standards.
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