This article explores multimediality and diversity in the poetry of Branko Čegec, the film Pulp Fiction by Quentin Tarantino, and the novel Soba za razbijanje by Tomislav Zajec. Their comparison is ...based on intermediality as the main feature of postmodernism, which provides a two-way or multi-way relationship between the analysed works, since each of them is already characterised by intermediality and citability. The main structural components are emphasised according to which the three works or multimedia texts, are intermedially similar, primarily through motifs and topics. The aim is to reveal Čegec’s intense intermedial sensitivity as an open dialogue of intermedial traces on both formal and stylistic, and subjective structures. A similar sensitivity to other media can be found in Tarantino’s film and Zajec’s novel. The article aims to determine the elements common to all three authors, that is, the three aspects of their emphasized intensity of thematic and presentational intermediality. Finally, the conception of their works will be placed in the context of postmodern creativity as a highly communicative intermedial state
U radu se ustvrđuje poetološka usporedivost između raznomedijskih i raznovrsnih predložaka polazeći od poezije Branka Čegeca, a usporedbu vodimo prema filmu Pulp Fiction Quentina Tarantina i romanu ...Soba za razbijanje Tomislava Zajeca. Usporedivost se temelji na intermedijalnosti kao glavnoj značajki postmodernizma, koja se nameće kao dvosmjerna ili višesmjerna u odnosu među analiziranim predlošcima budući da je svaki od njih već sam intermedijalno senzibiliziran i citatno sofisticiran. Ističu se glavne strukturne sastavnice prema kojima su tri predloška ili, tezno raznomedijska teksta, intermedijalno bliska i to prvotno preko motivsko-tematskih aspekata. Cilj je pronaći intenzivnu Čegecovu intermedijalnu osjetljivost kao otvorenu dijalošku situaciju intermedijskih tragova i na formalno-stilskim, kao i na subjektnim strukturama. Takvu sličnu osjetljivost za druge medije pronalazimo i u filmskom predlošku Quentina Tarantina i romanu Tomislava Zajeca. Problemska je teza odrediti gdje su približeni elementi koji povezuju tri autora, točnije tri njihova aspekta naglašenog intenziteta predmetno-prikazivačke intermedijalnosti, a zaključno je koncepcija njihovih radova postavljena u kontekst postmodernog stvaralaštva kao visoko komunikativnog intermedijskog stanja.
This article explores multimediality and diversity in the poetry of Branko Čegec, the film Pulp Fiction by Quentin Tarantino, and the novel Soba za razbijanje by Tomislav Zajec. Their comparison is based on intermediality as the main feature of postmodernism, which provides a two-way or multi-way relationship between the analysed works, since each of them is already characterised by intermediality and citability. The main structural components are emphasised according to which the three works or multimedia texts, are intermedially similar, primarily through motifs and topics. The aim is to reveal Čegec’s intense intermedial sensitivity as an open dialogue of intermedial traces on both formal and stylistic, and subjective structures. A similar sensitivity to other media can be found in Tarantino’s film and Zajec’s novel. The article aims to determine the elements common to all three authors, that is, the three aspects of their emphasized intensity of thematic and presentational intermediality. Finally, the conception of their works will be placed in the context of postmodern creativity as a highly communicative intermedial state.
Slavist Vatroslav Jagić dao je ubrzo nakon smrti supruge Sidonije, rođ. Struppi, podići spomenik nad njezinim posljednjim počivalištem. Naručio ga je 1914. godine. Na sjevernoj strani Pekla, ...najstarijeg dijela varaždinskog gradskog groblja, nad obiteljskom grobnicom stoji jednostavan crni mramorni obelisk. Isklesao ga je i potpisao slovenski kamenoklesar Feliks Toman. Na desnome kutu stoji brončana skulptura žene. Jagić u pismima svojoj obitelji i poznanicima iznosi porijeklo i opisuje tijek narudžbe, izradu i postav spomenika. Temeljem signature i podataka u prepisci razmatraju se dosadašnje dvije atribucije bronce hrvatskom kiparu Ivanu Rendiću i slovenskom kiparu Ivanu Zajcu.
Despite what the polls indicated before 9 April, Lourdes Flores Nano would be the weaker rival for Ollanta Humala in the second round. Not only because the UPP Union for Peru candidate Ollanta Humala ...Tasso could continue hammering with his confrontational discourse pitting the poor against the rich, but because arithmetically the results of the first round show that while the UN National Unity leader Lourdes Flores only has a majority in Lima, Humala has significant support in 18 of Peru's 25 regions. It is clear, says Romeo Grompone, that not all the votes that were cast for Alan Garcia in the first round (who has one of the most extensive pool of votes left) would go to Lourdes Flores. At least the rural votes and those of the most radical APRA American Popular Revolutionary Alliance supporters would likely go to Ollanta Humala in the second round. Something similar might happen with the votes that had been cast for Martha Chavez. The National Unity candidate will attract the pro-Fujimori voter who supports the privatization policy, but not a voter who wants change or a poor agricultural worker in a rural area. The reason for this is that if Garcia brings up the Madre Mia assassinations, Humala could remind the voters of the things that happened in El Fronton former penal colony and political prison. If APRA brings into the light the Fujimori connections of its opponent, Humala could recall the connection that Agustin Mantilla former APRA leader and Garcia confidante had with the Montesinos mafia. There can be no doubt that such reminders of the past would be troublesome for both of these candidates.
In that context, today's match with Charlton - traditionally poor finishers to a season, although the slim prospect of Uefa Cup qualification may enliven them - looks crucial. With David Pleat away ...fulfilling media duties, Alain Perrin will leave team selection to Velimir Zajec and Jordan, and the first game in which he will be in full control will come at Birmingham next week. By then, with Southampton, West Brom and Crystal Palace all facing testing away games - at Blackburn, Aston Villa and Everton respectively - Portsmouth could be seven points clear, and Perrin's job be all but done before he has started. Even were that to happen, though, the longer term remains puzzling. In the light of his comments about Brian Little and Gordon Strachan, Mandaric's insistence that Perrin was always his first choice strikes an odd note but, at least until he reached the UAE club Al- Ain, which sacked him in October after three months as coach, Perrin's record was exemplary.
The Art of the People of Yugoslavia in the XIX. XX and XX. Century & Quot
Umjetnost naroda Jugoslavije u XIX. i XX. stoljeću"
Umjetnost naroda Jugoslavije u XIX. i XX. stoljeću"
