Članek na podlagi življenjske zgodbe Anne Urbancic, dolgoletne profesorice italijanskih študij na Univerzi Toronto, zrcali identitetne transformacije. Rekonstrukcija njene zgodbe temelji na ...intervjuju, v katerem osvetljuje svojo kompleksno priseljensko dediščino, in na njenih različnih premišljevanjih o svoji kulturni identiteti v Kanadi. Njene pripovedi iz zadnjih dveh desetletij kažejo na istovetenje kot stalno spreminjajoči se proces, ki v veliki meri nastaja iz notranje percepcije zunanjega sveta. Pri tem sta najpomembnejši njena humanistična miselnost in izostrena družbena senzibilnost.
Zanimanje za učenje v vsakdanjem življenju ali učenje in situ se je stopnjevalo v zadnjih 20 letih in postaja pomembno področje andragoških raziskav. To implicira uporabo novih raziskovalnih metod. V ...članku je predstavljen pomen biografskih narativnih pristopov v raziskavah učenja in situ odraslih. Z analizo pripovedi življenjske zgodbe pokažemo uporabnost in heterogenost narativnih pristopov ter pomen poslušanja pri zbiranju gradiva. Poudarjena sta senzibilnost do pripovedovalca in predajanje moči pripovedovalčevemu glasu kot sporočilu (opolnomočenje). Narativna metoda omogoča preiskovanje izkušenj in refleksivno ustvarjanje pomenov in je le navidezno hitra in lahkotna. V sklepnem delu predstavimo nekatere paradokse narativne metode.
The author's point of departure is the observation that both Andrić and Kiš use historical documents in the process of their writing, although they achieve that in different ways. This difference is ...examined in the context of a monumental challenge to which both authors had to respond, i.e., the dominance of information over the story. The poetological reaction to this challenge is different for each author, but a certain position is common to both of them: they both differentiate between the officially accepted history, which they equate with fiction, and non-accepted knowledge about the past. They believe that literature has the power to gather elements of this non-accepted knowledge about the past and confront the official history with them.
Koron’s monograph explores a vast field of theory – occassionally called post-classical narratology – from the historical-developmental and the systematic or theoretical-methodological perspectives. ...The first part of the book treats the theoretical preliminaries, basic concepts, terminological questions, delimitations of the research subject, and the definitions of narrative. The second part outlines the history of narrative theories, divided into several phases, and the formation of its concepts. The third part discusses Slovenian contributions to the field and compares them to the international state of research. The fourth part examines the applicability of contemporary narratological approaches to concrete texts. It treats the concept of omniscient narration, aspects of narratology of drama and the phenomenon of narrativity in the plays of Dušan Jovanović (1939–), the development of gendered narratology, the introduction of narratological concepts in autobiographies and concludes the discussion with entering the interdisciplinary field of historiographical narratology.
Avtorici preučujeta metodo življenjske zgodbe in njeno uporabnost za ugotavljanje izobraževalnih potreb in zanimanj generacij mlajših odraslih in generacij starejših odraslih. Preučujeta njihove ...generacijske značilnosti, ki se lahko kažejo bodisi v podobnosti bodisi v različnosti članov neke generacije do drugih. Ugotovljene potrebe in zanimanja, utemeljene na generacijskih značilnostih, je mogoče, takšno je spoznanje avtoric, uporabiti kot podlago za oblikovanje vsebine medgeneracijskih izobraževalnih programov. Mladost je čas vstopa v odraslost, čas prevzemanja socialnih vlog odraslih, značilnost današnjih mladih generacij pa je, da v odraslost vstopajo drugače; mladi so prepuščeni individualizmu, močno odvisni od svojega referenčnega okvira, nekatere dejavnosti, nekoč značilne za odrasle, so se premaknile v čas mladosti, druge spet daleč v prihodnost. Anja Šajn in Dušana Findeisen obravnavata tudi značilnosti oseb v poznejših letih življenja, njihovo prehojeno življenjsko pot ter dogodke na tej poti. Na podlagi teorije življenjskega kroga avtorici označita življenje kot potovanje od rojstva do smrti. Osebne izkušnje, kultura, pomembni osebni in družbeni dogodki, način, kako smo izkusili te dogodke, vse to nas posameznike in posamezne generacije naredi drugačne od drugih ljudi in drugih generacij. Medgeneracijsko učenje in izobraževanje lahko prispevata (ni pa nujno, da je tako) k medsebojnemu poznavanju in priznavanju generacij in posledično k družbeni trdnosti. Temeljita na potrebah in zanimanjih generacij in lahko krepita vezi med generacijami, kajti družbene vezi se danes rahljajo do takšne mere, da se vse bolj oglaša potreba celo po novi družbeni pogodbi. Primarni cilj medgeneracijskega učenja ni učenje o neki temi, nekem vprašanju, je predvsem učenje o odnosih – sredi odnosov – in je učenje za skupnost, skupnost generacij, ugotavljata avtorici.
Provider: - Institution: - Data provided by Europeana Collections- Rodin I is a sculpture - story loosely based on the life and fate of four different characters, Rodin, Camille Claudel, Rose and the ...Elephant Man. They are connected through the space of their bodies, the territory of Rodin's art. They are sculptures caught at the various points of a spasm. Their fleeting sensual perceptions feed one into other - with the aim of developing the perfect contour of touch, a fluctuating line of touching.
Iva Jevtić- Rodin I je skulptura-zgodba, ki temelji na življenjskih usodah štirih različnih oseb, Rodina, Camille Claudel, Rose Rodin in Cloveka slona. Ti liki so povezani skozi pokrajino svojih teles, skozi področje Rodinovega ustvarjanja. So skuplture ujete v različnih presekih krča. Njihova minljiva senzualna percepcija se med seboj dopolnjuje - in razvije bežen obris dotika, valujočo linijo dotikanja.
Iva Jevtić- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Rodin I is a sculpture - story loosely based on the life and fate of four different characters, Rodin, Camille Claudel, Rose and the ...Elephant Man. They are connected through the space of their bodies, the territory of Rodin's art. They are sculptures caught at the various points of a spasm. Their fleeting sensual perceptions feed one into other - with the aim of developing the perfect contour of touch, a fluctuating line of touching.
Iva Jevtić- Rodin I je skulptura-zgodba, ki temelji na življenjskih usodah štirih različnih oseb, Rodina, Camille Claudel, Rose Rodin in Cloveka slona. Ti liki so povezani skozi pokrajino svojih teles, skozi področje Rodinovega ustvarjanja. So skuplture ujete v različnih presekih krča. Njihova minljiva senzualna percepcija se med seboj dopolnjuje - in razvije bežen obris dotika, valujočo linijo dotikanja.
Iva Jevtić- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Rodin I is a sculpture - story loosely based on the life and fate of four different characters, Rodin, Camille Claudel, Rose and the ...Elephant Man. They are connected through the space of their bodies, the territory of Rodin's art. They are sculptures caught at the various points of a spasm. Their fleeting sensual perceptions feed one into other - with the aim of developing the perfect contour of touch, a fluctuating line of touching.
Iva Jevtić- Rodin I je skulptura-zgodba, ki temelji na življenjskih usodah štirih različnih oseb, Rodina, Camille Claudel, Rose Rodin in Cloveka slona. Ti liki so povezani skozi pokrajino svojih teles, skozi področje Rodinovega ustvarjanja. So skuplture ujete v različnih presekih krča. Njihova minljiva senzualna percepcija se med seboj dopolnjuje - in razvije bežen obris dotika, valujočo linijo dotikanja.
Iva Jevtić- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Na fotografiji: Ljerka Belak v Zgodbi o tovarišu Titu Zvonka Štaubrinerja in Miloja Popovića v režiji Božota Šprajca.- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Ministrstvo za kulturo, Direktorat za kulturno dediščino, INDOK center - Data provided by Europeana Collections- freske na severni ladijski steni (pred 1389) z upodobitvami ...Poslednje sodbe (zgoraj), Legende sv. Katarine Aleksandrijske, Sv. Ano Samotretjo med sv. Katarino in sv. Barbaro, Legendo sv. barbare (sredina), Suzanina zgodba (spodaj)- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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