This article sheds new light on Konrad Góra’s Nie (2016) in a sound studies’ perspective. It opposes putting the poetic volume as minorities’ voice of representation under the poetry of political involvement. Instead of allowing this, it proposes an interpretation of this book through the voice par excellence, which does not subordinate to speech and exists in his bodily, phonic shape. The point of departure is, firstly; a recognition that Niesubsists in intermedia realizations, which emphasize the significance of phonetic voice comprehension, secondly; an underline that starting this poetic volume by JiříKolář’s tale, make possible to perceive this one in the oral context. The proposal for interpretation exposes the new understanding of the notion of involvement in poetry. It means that the involvement is not the representation of the Other but his embodiment as the independent voice in the text.