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  • Laurent Van Eynde

    Images re-vues, 12/2022, Letnik: 10
    Journal Article

    This article proposes to study the relationship between the spectral figure and the frame from the recurrent visual motif of the spectrum appearing through a window. Two films are analyzed and compared on this motif: The Innocents (1961) by Jack Clayton and The Tenant (1976) by Roman Polanski.