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  • Drawing the Archive in Alis...
    Cvetkovich, Ann

    Women's studies quarterly, 04/2008, Letnik: 36, Številka: 1/2
    Journal Article

    Placing Alison Bechdel's Fun Home alongside other graphic narratives, most notably Art Spiegelman's Maus (1993) and Marjane Satrapi's Persepolis (2003), that explore intergenerational trauma and the role of the child as witness, seems both obvious and potentially inappropriate, even presumptuous.