The paper focuses on the research of virtual aspects of the narrative in the Velimir Ilišević's painting Povratak II. The transmedial narratological reading of Ilišević's artwork requires the application of analytical tools of cognitive narratology. Framing borders and framing, polychronic narration, and contradictory narratives represent some of the fundamental research tools for interpreting the virtual world. The aim of this research is the interpretation of the virtual narrative in the painting Povratak II, whose morphological concept is presented by the title being the framing border that frames the historiographic and psychological cognitive frame, through discourses on fascism, revisionism and painters - the tamers of their time.