This paper proposes a framework for understanding and analysing online social resistance movements based on Hilde Lindemann's concept of counterstories (Damaged Identities, Narrative Repair,_2003). This framework is based on the premise that we shape our identities in shared social spaces, and that such shared spaces are structured according to so-called 'master narratives'. Master narratives define the 'realm of possible identities' that we can assume, and form the basis for either recognizing or denying recognition to various social groups in specific roles that they might occupy. Social oppression occurs when master narratives preclude or forbid a certain form of self-expression, or alternatively force members of a specific social group into a determinate societal role (say, women who receive recognition only in the roles of mother or housewife). Counterstories serve as a corrective to these aspects of oppression by challenging the oppressive facets of master narratives. Based on this framework, I propose an interpretation of the #MeToo movement as a counterstory that aims to change the oppressive aspects of the patriarchal master narrative that (partially) structures many shared social spaces in the modern Western world. I end this paper by applying the framework to consider potential obstacles #MeToo may encounter as a distinctively online movement. keywords social resistance, counterstory, master narrative, Twitter, #MeToo