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Poslikava nekdanje kapele v gradu NegovaMenoni Muršič, SimonaImenitna, žal ponekod slabo ohranjena in mestoma močno poškodovana slikarija v nekdanji kapeli gradu Negova razkriva premišljen ikonografski koncept, ki izpričuje protestantsko miselnost naročnika. ... Glede na slogovne karakteristike in ikonografsko zasnovo jo je časovno mogoče umestiti v zadnje desetletje 16. stol., ko je bila po arhivskih virih med leti 1589-1598 lastnica gospoščine Negova Anna Trautmansdorf, poročena z Wolfom Stubenbergom, Stubenbergi pa so v 16. stol. veljali za eno izmed najpomembnejših protestantskih plemiških rodbin na Štajerskem. Celoten ikonografski koncept namreč sledi ideji t. i. postave in milosti, enemu izmed redkih izrazito protestantskih ikonografskih motivov, ki se je s pomočjo grafike, še zlasti nekaterih Lutrovih biblij, zelo hitro razširil po vsej Srednji Evropi ob koncu dvajsetih let 16. stol., koje Lucas Cranach st. izdelal prvi dve sliki s tem naslovom. Gre za preprosto antitetično upodobitev temeljnih poglavij iz stare (obdobje postave) in nove zaveze (obdobje milosti). Preko izbranih starozaveznih in novozaveznih motivov pa je poudarjeno osnovno reformatorsko sporočilo o opravičenju in odrešenju samo po veri. Da je poslikava kapele gradu Negova nedvomno rojena iz luteranskega duhovnega prepričanja, pa priča še v poslikavo- na loku emporine odprtine - umeščena upodobitev Lutrovega heraldičnega znamenja, t. i. Lutrove rože.Source: Reformacija na Slovenskem : (ob 500-letnici Trubarjevega rojstva) (Str. 473-482)Type of material - article, component partPublish date - 2010Language - slovenianCOBISS.SI-ID - 45193826
Author
Menoni Muršič, Simona
Topics
slovensko slikarstvo |
stensko slikarstvo |
protestantizem |
grad Negova |
Negova
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Menoni Muršič, Simona | 91946 |
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