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Srednjeveška molitev k Mariji in likovna dimenzijaPeklar, BarbaraPrispevek obravnava slovensko prepesnitev ene najpomembnejših marijanskih antifon, Salve Regina, tj. Češčena bodi iz Stiškega rokopisa (NUK, Ms 141, fol. 247v) iz umetnostnozgodovinske perspektive. ... Kljub za cistercijane značilni askezi oziroma osredotočenosti na besedo in kljub izključevanju slike pri molitvi se je nabožna podoba polagoma uveljavila tudi pri cistercijanih, saj med besedo in sliko ni ločnice, pač pa funkcionalna povezava. Obravnavano besedilo sicer ni opremljeno z ilustracijo, vendar ima vizualno dimenzijo, ker se nanaša na Marijino telo, povezano s problemom podobe nevidnega Boga. Kakor pri utelešenju Beseda postane vidna, da pogled grešnikov preusmeri v nebo, tako je molitev Češčena bodi, katere jezik je figurativen, dopolnjena z upodobitvijo Marije z Jezuščkom, ki vernikom vzbudi pobožno čustvo. Figurativni jezik molitve, ki presega dobesedni pomen oziroma se navezuje na drugo realnost, molivca nato dvigne v duhovno resničnost, pri tem gibanju vase in k Bogu pa je Marijina upodobitev ponotranjena, tj. ne opuščena, temveč premeščena, podobno kakor pri vnebovzetju Marija ostane vidna.Source: Rokopisi slovenskega slovstva od srednjega veka do moderne (Str. 377-384)Type of material - article, component part ; adult, seriousPublish date - 2017Language - slovenianCOBISS.SI-ID - 65706594
Author
Peklar, Barbara
Topics
slovenščina |
rokopisi |
Stiški rokopis |
srednjeveške molitve |
marijanske antifone |
srednjeveški rokopisi |
nabožne podobe |
mariologija |
15. st.
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Peklar, Barbara |
Source: Personal bibliographies
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