VSE knjižnice (vzajemna bibliografsko-kataložna baza podatkov COBIB.SI)
  • Umetniške prakse v revolucionarnih procesih
    Toplak, Cirila
    The article deals with democratisation processes in Eastern Europe at the end of the 1980s and the beginning of the 1990s. The hypothesis on interdependenceof artistic practices and revolutionary ... processes is founded onan overview of theory of revolutions and theories of history of art, by which democratisation processes in Eastern Europe may be defined as revolutions. By a detailed analyses of presence in society and force of messages of particular artistic media only apparent homogeneity of East-European socialist regimes comes forward as an issue, confirmed by heterogeneity of artistic practices that can be related to specific features of national democratisation processes. A consistency in the field of interdependence of artistic practices and revolutionary processes that strikesin all revolutions of modern history is the linearity of discourse of certain artistic media that substantially improves the information flow, necessary for the legitimisation of the revolution. In the history of relationart/society revolutions enabled art to contemporarily move from the margin to the centre of society.
    Vir: Teorija in praksa : revija za družbena vprašanja. - ISSN 0040-3598 (Letn. 41, št. 3/4, str. 524-534)
    Vrsta gradiva - članek, sestavni del
    Leto - 2004
    Jezik - slovenski
    COBISS.SI-ID - 23345501

    Povezava(-e):

    http://dk.fdv.uni-lj.si/tip/tip20043-4toplak.pdf
    Repozitorij Univerze v Ljubljani – RUL

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