VSE knjižnice (vzajemna bibliografsko-kataložna baza podatkov COBIB.SI)
  • Sprechen über Bäume : Emotionsdiskurs als Subversion in der DDR-Lyrik der 60er und 70er Jahre
    Petrič, Tanja, 1981-
    The paper deals with, on the basis on East German poetry from the 1960s and 1970s, the retreat into intimacy of poetic language in the totalitarian political system of the GDR. The analysis of ... critical poetry by Sarah Kirsch, a representative of the informal Saxon school of poetry (Sächsische Dichterschule) that distanced itself from the politically correct and ideologically affirmative collectivism of the first-person plural subject and opted for the singular perspective of the intimate first-person singular or "I," reveals a unique emotional discourse that manifests a highly critical (and occasionally even affected) stance towards reality. The paper examines and puts into a broader perspective three early poetry collections by Kirsch: Landaufenthalt ("Country Sojourn," 1967), Zaubersprüche (Conjurations, 1973), and Rückenwind ("Tailwind," 1976). The various strategies of subversive writing and the defamiliarization processes uses in them represent well-established fundamental elements of literary language; however, in the concrete East German context, when contrasted with the placard-style speech of the political elite, they function as a signal precisely by means of a retreat into individual intimacy that suddenly turns into a "political" signal. In accordance with this retreat into intimacy, East German poetry from the 1960s and 1970s featured renewed and once more topical genres of love and nature poetry that dictated the selection of images and motives as well as of formal elements and procedures ranging from the micro- to macrostructure.
    Vir: Gefühlswelten und Emotionsdiskurse in der deutschsprachigen Literatur (Str. 218-226)
    Vrsta gradiva - članek, sestavni del ; neleposlovje za odrasle
    Leto - 2012
    Jezik - nemški
    COBISS.SI-ID - 50469474

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