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  • Rod, tehnologija i mediji kao toposi savremene srpske ženske proze
    Gordić-Petković, Vladislava, 1967- = Гордић-Петковић, Владислава, 1967-
    The paper will relate to the perspectives of women's writing in Serbian literary history, and attempt at illustrating the radical changes in the ways gender, media and literature interact. Our ... intention is also to examine the ways media and new digital technologies contribute to representations of gender in the novels written by Jelena Lengold, Ljubica Arsić, Tamara Jecić, Mirjana Đurđević, and Ivančica Đerić Ever since Elaine Showalter coined and disseminated the term gynocritics, thus introducing a fresh perspective of the largely neglected concept of women's literary history, the newly emerged critical practice has explored the creativity of women with the ambition to fight the shortcomings of the literary canon, which was built upon assumptions of the supremacy of men writers. Within a new framework, Showalter proposed a set of strategies and principles to study women's writing in relation to female experience. The new informational technologies have managed to capture the voices lingering at the margins, helping women transcend their real-life grounded identities and explore new narrative practices. The challenges that women have had to face in their attempt to articulate their intimate and public histories are much older than computers and informational highways, but digital technology offered the best existential and fictional frame for the mediation of their testimonies. The process of identification of women's social self as depicted in contemporary Serbian women's writing (such as Ivančica Đerić's Misery and the Actual Needs, Jelena Lengold's novel Baltimore, Tamara Jecić's Stinky Onion and Ljubica Arsić's collection of stories All Inclusive) lavishly uses computer mediated communication. These books introduce different kinds of women's narratives ranging from intimate confession in letters and journals to verbal and structural experimental practices involving different points of view and focalisation, and the aim of the paper is to analyze the ways gender restrictions are transgressed in the newly invented cyberrituals of womanhood.
    Извор: Digitalne medijske tehnologije i društveno-obrazovne promene. 4 (Str. 333-342)
    Врста грађе - излагање на конференцији
    Година - 2015
    Језик - српски
    COBISS.SR-ID - 519707236

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