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Konstrukcije avtentičnosti v sodobni slovenski popularni glasbi : magistrsko deloPodobnik, Nejc, 1992-V magistrskem delu izpostavljam vprašanje avtentičnosti v kontekstu sodobne popularne glasbe. Skozi zasledovanje pojma popularne glasbe, njene zgodovine in umestitve v določen kulturni prostor se mi ... kot pomembno odkrije vprašanje sodelovanja med človekom in tehnologijo. Tehnologija s svojim razvojem posebno od 20. stoletja dalje glasbenikom odpira različne izrazne možnosti, s pomočjo katerih glasbo posredujejo občinstvu. To spremeni zgodovinski odnos med glasbenikom in poslušalcem ter sproži vprašanja o pristnosti oziroma avtentičnosti izraza. Ta pojem, katerega filozofsko preteklost na kratko predstavim, ima v popularni glasbi danes središčno vlogo, zato me zanima, kaj so pogoji za njegovo prisotnost. Skozi analizo slovenske sodobne popularne glasbe odkrivam konstrukcije avtentičnosti v različnih glasbenih kontekstih. Razkrije se mi kot kompleksen koncept, ki se odvija na stičišču različnih kulturnih, družbeno-ekonomskih silnic in osebnih preferenc.Type of material - master's thesis ; adult, seriousPublication and manufacture - Ljubljana : [N. Podobnik], 2019Language - slovenianCOBISS.SI-ID - 70167650
Author
Podobnik, Nejc, 1992-
Other authors
Pompe, Gregor
Topics
Challe Salle |
Glasbenik |
Magnifico |
Glasbenik |
slovenska glasba |
popularna glasba |
avtentičnost |
21.st. |
BQL |
glasbene analize |
magistrska dela
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Library/institution |
City | Acronym | For loan | Other holdings |
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Faculty of Arts, Central Humanities Library, Lj. | Ljubljana | FFLJ |
reading room 1 cop.
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Year | Impact factor | Edition | Category | Classification | ||||
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JCR | SNIP | JCR | SNIP | JCR | SNIP | JCR | SNIP |
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DRS, in which the journal is indexed
Database name | Field | Year |
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Links to authors' personal bibliographies | Links to information on researchers in the SICRIS system |
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Podobnik, Nejc, 1992- | ![]() |
Pompe, Gregor | 21771 |
Source: Personal bibliographies
and: SICRIS
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