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"The slow pale chaos drift west" : depth of field and The Crossing into the "pure past" of the American southTemiz, Ayşe D.V analizi fragmentacije narativnega časa v povojni kinematografiji se Deleuze navezuje na koncepta virtualnega časa pri Bergsonu in Leibnizu: "čisto preteklost" in "nesomožne svetove". To ... razmišljanje raziskujem preko navezave na Leibnitzovo perceptivno shemo v monadah, ki ne zajema zunanjih objektov, temveč se v naporu, da bi razločila odnose, ki konstituirajo svet-spomin, osredinja zgolj nase. Zadnji del eseja izvaja zaključke monadske percepcije za post-apokaliptični svet dela Cormaca McCarthyja Border Trilogy, ki sooča tavajoče osirotele posameznike z nezmožnostjo samo-orientacije.Source: Literatura in gibljive slike : tematski sklop = Literature and moving images : thematic section (Str. 73-91)Type of material - article, component part ; adult, seriousPublish date - 2014Language - englishCOBISS.SI-ID - 55120226
Author
Temiz, Ayşe D.
Topics
Deleuze, Gilles, 1925-1995 |
McCarthy, Cormac, 1933- |
literatura in film |
naratologija |
pripovedni čas |
virtualni čas |
preteklost |
nesomožni svetovi |
monada |
ameriška književnost |
literature and film |
narratology |
narrative time |
virtual time |
past |
incompossible worlds |
monad |
American literature
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