Ali avdiovizualni medij filma pozna metafore in metonimije? Večina filmskih teoretikov na to vprašanje odgovarja pritrdilno. Odgovor na vprašanje, v čem je razlika med filmsko in jezikovno metaforo ...in metonimijo, pa ni tako enoumen. Metaforični in metonimični procesi v filmu so v središču pričujočega prispevka, pri čemer izhajam iz pregleda različnih pogledov na koncept filmske metafore in metonimije (od Eisensteina do Metza in novejših monografij), na osnovi katerega skušam opredeliti specifičnost filmske metaforike. Izrazna sredstva filmske retorike (filmske metafore in filmske metonimije) sem opazovala in analizirala na podlagi izbranih zgledov iz klasičnih in modernih filmov. Z Metzem (1974/1991: 40) postuliram, da je film »vrsta jezika«, ki ima tudi posebno retoriko, in sicer retoriko podobe/slike in zvoka, ki je primerljiva z retoriko jezika, a kljub vsemu drugačna in svojstvena.
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