FSS, J. Goričar Central Social Sciences Library, Ljubljana (ODKLJ)
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Reprezentacija in umetniška normativnostErjavec, Aleš, 1951-Vizualno umetnost našega stoletja lahko razdelimo na dve glavni obliki. Prva je tradicionalna umetnost (katere podaljšek tvori precejšen del modernistične umetnosti), ki priviligira prepoznavanje in ... užitek, ki ga takšno prepoznavanje nudi.Druga oblika se prične z rady-mades in se nadaljuje s konceptualno in neokonceptualno umetnostjo. Čeprav je v tem drugem pomenu teorija veliko večjega pomena, kot v prevem in predhodi samemu delu, lahko takšno delo na kncu koncev igra podobno vlogo, kot tradicionalna umetnost, saj ravno tako lahko nudi posredno obliko prepoznanja. Predpogoj za to je da deluje kot družben fenomen, namesto da svojo umetniško tehtnost gradi izključno na dejanju proizvodnje ali stvaritve.Umetniško vrednotenje, ki zagotavlja mnenje, da umetniška dela niso enakovredno umetnost, zahteva,da ostaja nedotaknjen položaj kartezjanskega subjekta, saj je le na ta način možen distancirajoči pogled, ki ga enačimo z estetskim umetniškim dojemanjem in vrednotenjem.Source: Filozofski vestnik. - ISSN 0353-4510 (Letn. 20, št. 3, 1999, str. 9-23)Type of material - article, component partPublish date - 1999Language - slovenianCOBISS.SI-ID - 13731373
Author
Erjavec, Aleš, 1951-
Topics
Filozofija umetnost |
Estetika |
filozofija |
estetika |
filozofija umetnosti |
reprezentacija |
normativnost |
philosophy |
aesthetics |
philosophy of art |
representation |
normativity
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Erjavec, Aleš, 1951- | 06589 |
Source: Personal bibliographies
and: SICRIS
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