The purpose of the work is to substantiate and describe in a cultural dimension the concept of Ukrainian folk choral art as an integral component of Ukrainian folk artistic culture and to develop ...theoretical dominants regarding the specifics of its functioning as a dynamic socio-cultural phenomenon. The research methodology is based on the principles of cultural, historical, logical, comparative and interdisciplinary approaches, the application of methods of analysis, synthesis, and generalization, which made it possible to conceptualize in the context of cultural knowledge Ukrainian folk choral art as an integral component of the national folk art culture and a dynamic sociocultural phenomenon. The scientific novelty consists in the justification, description and conceptualization in the cultural dimension of the concept of Ukrainian folk choral art as a dynamic socio-cultural phenomenon of Ukrainian folk artistic culture. Conceptualized is the idea that Ukrainian folk choral art, as an integral component of Ukrainian folk artistic culture, actively responds to changes occurring in all spheres of society; involving people in the energetic vital process of creativity and communication, reflects these processes in the cultural and artistic work, thereby representing the national communicative and content-creating cultural component of a dynamic socio-cultural phenomenon. Conclusion. In the modern conditions of socio-cultural reality, conceptualization in the context of cultural knowledge of Ukrainian folk choral art, its procedural and dialogic understanding as a dynamic socio-cultural phenomenon of Ukrainian folk artistic culture is considered relevant. Ukrainian folk choral performance, dynamically responding to changes occurring in all spheres of society, reflecting them in cultural and artistic work, involving people in the active process of creativity and communication, manifests the national communicative and content-creating cultural component of the phenomenon, which preserves the ethno-cultural archetypes of folk traditions in multivariate sociocultural continuum. Ukrainian folk choral art, erasing spatial and temporal boundaries, generates the potential of Ukrainian folk artistic culture, plays an important role in the further development of national culture.
The purpose of the work is to study the choral art of Ukraine in historical retrospect as a multi-level socio-cultural phenomenon and a leading direction of modern artistic culture. The research ...methodology is based on the principles of cultural, historical, logical, comparative and interdisciplinary approaches, the application of methods of analysis, synthesis, and generalization, which made it possible to conduct a study of choral art in historical retrospect as a multilevel socio-cultural phenomenon and a leading direction of modern artistic culture of Ukraine. The historical method, the methodology of structural and functional analysis is applied. Elements of universal logical procedures of cognition are used: induction and deduction, analysis and synthesis. The scientific novelty consists in revealing the main trends in the development of choral art of Ukraine in traditional and modern society as a multi-level socio-cultural phenomenon, defining the essence of choral performance as a phenomenon of the artistic culture of Ukraine. Conclusions. Choral art of Ukraine is a dynamic artistic phenomenon that is successfully developing, occupying an increasingly important place in the national culture. The choral art of Ukraine forms emotional and value bases, ideals, moral principles, and a way of life. Choral art of Ukraine, as an integral part of artistic culture, is able to reflect the dynamics of culture, all socio-political and moral views of society in a specific historical period, at one or another stage of society's existence. The choral art of Ukraine is a dynamic system that is not static, has a tendency towards constant development, is an artistic phenomenon capable of changing both in the direction of academic universalism and in the direction of regional identity. The choral art of Ukraine is successfully developing today, occupying an increasingly important place in the national culture. Choral art of Ukraine always reveals the unity of human and nature, expressing with immediacy and simplicity folk wisdom, which is based on the eternal laws of human existence.
The purpose of the article is to conduct a cultural reflection on the technology of neurolinguistic interaction between the director and the actor in the process of interpersonal communication when ...working on staging a performance. The methodology of research is in accordance with the culturological discourse and is based on the application of a set of general scientific methods for specific scientific methods. In order to study the problem in historical sequence, the historical method is applied. Illumination and analytical measurement of the constituent components of the problem under study required the use of a system-analytical method. In order to study neurolinguistic technologies as a cultural paradigm in the field of performing arts, a system-structural method for analysing a system of interconnected and interacting elements is applied. The hermeneutic method is used for cultural reflection of the creative interaction between the director and the actor and the interpretation of the theoretical provisions of the problem under study. To draw the general conclusions of the study, the method of generalisation is applied. Scientific novelty lies in the cultural reflection of the creative interaction between the director and the actor and the consideration of neurolinguistic technologies as a cultural paradigm in the field of performing arts. Conclusions. An analysis of the question raised in the article about the cultural reflection of the creative interaction between the director and the actor made it possible to state the importance of using neurolinguistic technologies as a cultural paradigm in the field of performing arts. It was found that neurolinguistic technologies, regardless of the specific purpose or content, are directly aimed at the creative interaction between the director and the actor, constitute a harmonic integrity and can always be used to establish a creative tandem when staging a performance. It is shown that the use of neurolinguistic technologies in the process of communication will contribute to a better mutual understanding between the subjects of the creative process and will favour a clear relationship between the director and the actor when working on the performance. Taking into account the neurolinguistic features of the actor’s priority sensory channel, using the techniques of reflection, adjustment and anchoring of the result obtained in the creative process will contribute to establishing a rapport between the director and the actor, will allow the director to consciously lead the actor throughout the entire creative process of working on staging the performance and will lead to the interaction between the director and the actor. Consequently, the culturological reflection of the creative interaction between the director and the actor made it possible to illuminate the complex of artistic principles that clearly work, are adequate to their purpose, give effective results and fully correspond to the nature and content of the cultural paradigm of modern stage art.
The aim of the work is to conceptualize and actualize in the context of modern musicology the problem of creative dialogue of pop artist-vocalist and sound director / sound designer as a complex ...phenomenon of art culture in the chronotope of the second half of XX – early XXI century. The research methodology consists in the use of comparative and concrete historical methods for conceptualizing the creative dialogue of a pop vocalist and sound designer, determining their cross-interference, using the formal method and the method of hermeneutic interpretation to analyze the concept of «creative dialogue», profiling its functions in the chronotope of the present. The scientific novelty lies in the conceptualization and actualization in the context of modern musicology of the problem of the creative dialogue of the pop artist, vocalist and sound engineer / sound designer as a complex phenomenon of artistic culture in the chronotope of the second half of the XX – early XXI century. The scientific novelty also includes the disclosure of the performing techniques of the pop artist and vocalist and the consideration of the peculiarities of cross-over interaction that can occur during rehearsals, studio recording, at concert performances and other creative interactions. It is important to define and comprehend the functions and internal structure of the creative dialogue of a pop singer with a sound engineer / sound designer in collaboration and to confirm that for vocalists a sound engineer is a full-fledged co-author of artistic projects and a producer of success. Findings. The study showed that the analysis of the creative dialogue of a pop artist-vocalist in joint work with a sound engineer / sound designer and profiling of its functions in the chronotope of the present, consideration of the concept of «creative dialogue», determination of the performing techniques of a pop singer and the peculiarities of cross-interactions that occur during rehearsals, studio recording, at concert performances and in other creative interactions in modern conditions of socio-cultural reality is really relevant.
Purpose of the article is to implement cultural-conceptualization and structural and functional justification of the concept of Ukrainian folk art culture, to develop its structure, to identify ...social and spiritual significance and ways of functioning. The methodology of the study is to apply the general principles of scientific knowledge, which correspond to contemporary culturological discourse. This led to the use of structural-functional, system-analytical, descriptive and comparative research methods for the analysis of components of the investigated object, the identification and generalization of internal relations, interdependence and relations between them; system-structural – for in-depth study of the essence of Ukrainian folk artistic culture, the identification of its structural elements and the development of the structure, as well as the method of interpretation for the identification of functions and the identification of functional changes of the object under study. Scientific novelty of the work is to uncover the cultural aspects of the conceptualization of the concept of «Ukrainian folk art culture», the implementation of the structural and functional justification of this concept. The author's work on the structure of the Ukrainian folk artistic culture has been submitted, which includes interdependent elements, namely: archaic-authentic folklore and archetypal structures; folklore of subcultures; artistic amateur (amateur art); folklorism; modern elements (neo-folklore, folk-rock, ethnic-rock, freest folk); ethnic choreography; decorative and applied art, applied arts and fine folklore. Conclusions. The article shows that the study of Ukrainian folk art culture, as part of the universal human civilization and the basis of the formation of Ukrainian statehood in the XXI century, is relevant and requires a further holistic sociological, culturological and socio-psychological comprehension and analysis. It is substantiated that Ukrainian folk art culture, as a collection of created and disseminated in the society opuses of folk art, their forms and ways of preserving, studying, spreading artistic values, their translation and retranslation, is a reflection of reality in artistic images with the help of particular expressive means. On the basis of the structural and functional justification of the concept «Ukrainian folk art culture», author's development of the structure of Ukrainian folk artistic culture was introduced, which included interdependent elements, namely: archaic-authentic folklore and archetypal structures; folklore of subcultures; artistic amateur (amateur art); folklorism; modern elements (neo-folklore, folk-rock, ethnic-rock, freest folk); ethnic choreography; decorative and applied art, applied arts and fine folklore. It is shown that structurally, as a subsystem of artistic, folk art culture, significant aesthetic components are concentrated, among them: the creative world; artistic life; artistic reality; artistic creativity; artistic production; artistic activity. The social and spiritual essence of the functioning of the Ukrainian folk artistic culture in the context of scientific knowledge of culture, in general, is revealed.
The purpose of the work is to reveal the internal structure, dynamics, regular development and the discovery of new functions of the Soviet ritual based on the analysis of historical, including ...archival, materials. The methodology of the study is to apply the general principles of scientific knowledge, which correspond to contemporary cultural studies discourse. The above mention factors determine the usage of system-analytical, structural-functional, descriptive and comparative research methods for the analysis of the investigated object components, the identification and generaliza-tion of internal connections, interdependence and relations between them. We used system-structural method for a deep study of the essence of Soviet ritual ceremonies; concrete historical method for researching the basis of archival materi-als of the process of Soviet rituals formation, which provides objective representations and knowledge about the reliabil-ity of their properties, features and content; comparative-historical method to establish similarities and differences be-tween the historical milestones in the development of ceremonies from the traditional to their new formations in the Soviet era, as well as the method of interpretation for the identification of functional changes and the establishment of the emergence of new functions in the chronotope of Soviet culture. The scientific originality of the work is to reveal and comprehend the internal structure, dynamics, patterns of development and the identification of the functions of the Soviet rites. According to the laws of socio-cultural continuity of traditions in the chronotope of Soviet culture, those ritual cere-monies aroused a qualitatively new phenomenon, as well as updating and introducing to the scientific circulation of the latest information from the archival materials of the Soviet period. Conclusions. The analysis of the historical particulari-ty of the Ukrainian folk art culture in the context of the Soviet chronotope helps us to reveal the essence and significance of new customs, holidays and ceremonies as new cultural entities, that dynamically developed on the basis of the pre-served internal structure of the Ukrainian traditional rites, by the help of canonizing the newest functions of Soviet ritual ceremonies. Processes, that took place in the artistic culture of the twentieth century, in particular the achievements and miscalculations of Soviet cultural practices, which nowadays, in the 21st century, are no longer regarded from the stand-point of regressive denial characteristic of the last decade of the last century, allowed theoretically to determine the full extent of its complexity and controversy, as well as to identify the alienation of its forms and entities for the existence of a modern person and the relevance of traditional Ukrainian rites.
Поглиблення ефективності багатогранної діяльності продюсера в культурно-мистецькому про-сторі ХХІ століття, стабільне зростання відповідальності за формування цілісного громадянського сус-пільства, ...створення єдиного смислового поля культури й постійне його відображення у мистецьких концепціях і культурно-мистецьких проектах, визначення стратегії і тактики продюсерського партнерс-тва, етики відносин у сфері продюсування, визначення концептуальних засад та розуміння моделі продюсерської діяльності в Україні та за її межами є суттєво актуальними питаннями сьогодення.
The article analyzes the club facilities as an important factor in the formation and development of culture regions of Ukraine, interpreted their roles, functions and activities. Emphasizes that the ...current situation dictate new functional purpose and substance of the club in the spiritual life of modern society. It is noted that special attention from the state, local governments and society needs cultural development in rural areas. It is concluded that, despite the successes, creative achievements and various developments in the club sector, industry leisure space needs change.
This article from the perspective of interaction of oral folklore childhood and dialogue between different cultures, ways of occurrence of genres and modes of transmission, and the impact on the ...poetics of childhood states that Ukrainian children's folk music is a mixed phenomenon, interesting, creative invaluable and requires thorough investigation. It is concluded that in today's socio-cultural reality actualized conceptualization of child folk music in terms of its procedural and dialogical comprehension, as well as a factor in the formation of human unity.
The article is devoted to the actual problem of understanding the contemporary culture and the conservation of the traditional axiosphere of Ukrainian local topos culture in the age of ...globalization.It is about increasing scientific interest for the study of culture-forming processes in different regions of Ukraine, the formation of new views on the culture of the region in the national scientific discourse, possessing peculiar characteristics and features of cultural development and intensification of intensive searching of vivid archetypal traits that are understandable and accessible to perception as cultural peaks of local topos and humanity in general.It is briefly examined the underlying archetypes as symbolic centers of culture, emphasized the unity and focus of each topos. Core archetypes, which serve as the cultural visiting card of Ukrainian nation outlook, were explored. It is shown that the diversity of archetypes cover a whole range of symbolic meanings (semantic field), stepping into its position comes the understanding of axiosphere of traditional Ukrainian folk art and culture, including its local topos, which in the age of globalization needs conservation, because it is an acquired social-historical experience of people and historical basis of Ukrainian national culture.Much attention is paid to the study of Ukrainian culture in the scale of particular regions and cities of Ukraine, description of local cultural heritage. The amount of such reports obtained from the comparison and compilation of data on the development of the art in different regions, provides material for creating a comprehensive evaluation of traditional, and on some territories – well-established, common axiosphere of local topos culture in Ukraine, the interaction of tradition and innovation artistic culture of Ukraine as a whole, finding ways of its conservation in the age of globalization.The study of the interaction of cultural processes and transformation of Ukrainian society offers a wide variety of relationships that, taken together, may occur in the future as a single, coherent process of new level, including the emergence of a new type of artistic culture, which as an important part of spiritual culture may be (and has become) powerful transformative factor of changes in Ukrainian society.View at the culture of the region, identifying traditional axiosphere of local topos culture of Ukraine from the standpoint of basic archetype and mentality help to understand better how the collective psychology of the country works, in particular, which traditions are stored and innovations are easily accepted, and what, so to speak, is removed.Updating the utilitarian values of local topos on the background of traditionalism means creating new axiological and ethical imperatives that set aside traditional regulators of culture. In cultural terms, it can be defined as a phenomenon of culture split vector: one part is still geared to the traditional absolute, transcendent meanings and the other is back to utilitarian, relative, intrinsic contents. As a result, two proper images co-exist at the same time in the culture, giving rise to a double standard of behavior: the scheme of traditionalism and circuit of innovations.The change of axiological ideals leads to reappraisal of values in contemporary culture. The term "value" takes on new meaning and is treated as a benefit, something beneficial for human activity and its existence.All above-mentioned evidence in favor of cultural reception of Ukrainian folk art culture, the importance of which is conditioned by the need to preserve and play its role and place in the new socio-cultural situation in Ukraine. Preservation of traditional axiosphere of Ukrainian local topos culture in the context of globalization is one of the important tasks for the Ukrainian state.In the future, the variety and scope of relations in their entirety may occur as a single, coherent process of new level, including the emergence of a new type of artistic culture, which is an important part of spiritual culture can be (and has become) a potent transforming factor changes in Ukrainian society.
