Cet article étudie la mise en œuvre de la Convention pour la sauvegarde du patrimoine culturel immatériel de l’Unesco. Il analyse l’introduction graduelle de cette notion dans le cadre légal croate ...et les efforts incessants des professionnels qui sont impliqués dans sa préservation. La nijemo kolo ronde muette pratiquée dans l’arrière-pays dalmate sert d’exemple pour illustrer à la fois les questions théoriques et pratiques qui conduisent à l’inscription sur la liste de l’Unesco.
ABSTRACT IN FRENCH: Cet article étudie la mise en oeuvre de la Convention pour la sauvegarde du patrimoine culturel immatériel de l'Unesco. Il analyse l'introduction graduelle de cette notion dans le ...cadre légal croate et les efforts incessants des professionnels qui sont impliqués dans sa préservation. La nijemo kolo ronde muette pratiquée dans l'arrière-pays dalmate sert d'exemple pour illustrer à la fois les questions théoriques et pratiques qui conduisent a l'inscription sur la liste de l'Unesco. // ABSTRACT IN ENGLISH: Experiences in implementation of the Unesco's Convention for the Safeguarding of the Intangible Cultural Heritage are in the focus of the text. It discusses the gradual introduction of intangible culture in Croatian legal framework and the on-going efforts of professionals who are involved in its preservation. Theoretical starting points and practical problems are presented on the example of inscription of the nijemo kolo silent circle dance of the Dalmatian hinterland to the Representative List of the Intangible Cultural Heritage of Humanity.
There can be no doubt that fifty years of publication of a journal demonstrates the soundness of reasoning behind its establishment and gives powerful impetus for its continuation. A scholarly ...journal is the identity card of its home institution, reflecting its function, development, as well as the ideas and issues considered crucial for the development of the areas studied by its researchers; or, in the words of the editors of the first issue of Narodna umjetnost: “this annual journal has been conceived of largely to serve as a point of reference for the Institute’s future development in terms of style and its scope of activities; and conversely, the Institute’s activities are expected to have an impact on the journal” (1962: 158).
From ’folk devils’ to ballroom dancers, this volume explores the changing reception of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing intervention in dance ...studies, this book brings together elements of historiography, cultural memory, folklore, and dance across comparatively narrow but markedly heterogeneous localities. Rooted in investigations of often newly discovered primary sources, the essays afford many opportunities to compare sociocultural and political reactions to the arrival and practice of popular rotating couple dances, such as the Waltz and the Polka. Leading contributors provide a transnational and affective lens onto strikingly diverse topics, ranging from the evolution of romantic couple dances in Croatia, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of cultural preservation and expression in twentieth-century Finland. Waltzing Through Europe creates openings forfresh collaborations in dance historiography and cultural history across fields and genres. It is essential reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms. As with all Open Book publications, this entire book is available to read for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com
Kolegica Olgica Tomik nas je napustila nakon kratke bolesti; zatečeni i zbunjeni dočekali smo taj neumitni trenutak tjelesnoga rastanka. Tiha i samozatajna Olgica, diplomirana hispanistica i ...indologinja te vrsna esperantistica, četvrt je stoljeća radila u Institutu za etnologiju i folkloristiku, u Odsjeku izdavaštva. Grafički je pripremila niz brojeva Narodne umjetnosti (čija je bila i dugogodišnja tajnica), brojne knjige i zbornike Instituta, a bila je i izvršna urednica Biblioteke Nova etnografija. Svojom pedantnošću i perfekcionizmom, stalnim nastojanjem da svako novo izdanje bude još bolje, ostvarila je velik dio zajedničkoga institutskog uspjeha. Također, mnogo je godina surađivala u Etnološkoj tribini u grafičkoj pripremi časopisa te drugih izdanja koja je izdavalo Hrvatsko etnološko društvo.
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