Li Zehou (b. 1930) has been an influential thinker in China since the 1950s. Before moving to the U.S. in the wake of the Tiananmen Square protests of 1989, Li published works on Kant and traditional ...and contemporary Chinese philosophy. The present volume, a translation of hisHuaxia meixue(1989), is considered among Li's most significant works. Apart from its value as an introduction to the philosophy of one of contemporary China's foremost intellectuals,The Chinese Aesthetic Traditionfills an important gap in the literature of Chinese aesthetics in English. It presents Li's synthesis of the entire trajectory of Chinese aesthetic thought, from ancient times to the early modern period, incorporating pre-Confucian and Confucian ideas, Daoism, Chan Buddhism, and the influence of Western philosophy during the late-imperial period. As one of China's As one of China's major contemporary philosophers and preeminent authority on Kant, Li is uniquely positioned to observe this trajectory and make it intelligible to today's readers.
The Chinese Aesthetic Traditiontouches on all areas of artistic activity, including poetry, painting, calligraphy, architecture, and the "art of living." Right government, the ideal human being, and the path to spiritual transcendence all come under the provenance of aesthetic thought. According to Li this was the case from early Confucian explanations of poetry as that which gives expression to intent, through Zhuangzi's artistic depictions of the ideal personality who discerns the natural way of things and lives according to it, to Chan Buddhist-inspired notions that nature and words can come together to yield insight and enlightenment. In this enduring and stimulating work, Li demonstrates conclusively the fundamental role of aesthetics in the development of the cultural and psychological structures in Chinese culture that define "humanity."
Xu Fuguan (1904-1982) is one of the central representatives of the second generation of Taiwanese Modern Confucianism. This book focuses primarily on his fundamental contributions to the philosophy ...of this intellectual current, particularly his reinterpretations and reevaluations of the basic axiological concepts of the original Confucian and Daoist aesthetics. It also addresses issues related to his attempts to preserve, systematize, and modernize traditional Chinese aesthetics. Xu Fuguan's theory of the Chinese ideational tradition is defined by the paradigm of the traditional link between ethics and aesthetics. The book highlights the importance of the complementary interaction between Confucianism and Daoism in Xu's theory. In his interpretation of Chinese aesthetics, Xu also incorporated a comparative perspective and contrasted it with Western aesthetics. However, the book shows that his analysis of Western aesthetics is too generalized and therefore problematic. These difficulties are also manifested in Xu's superficial understanding of modern Western art and culture. Nevertheless, this does not detract from the great relevance of his studies of traditional Chinese aesthetics. Xu Fuguan's central theoretical contributions, such as the concept of concerned consciousness, the concept of qiyun shengdong, and the systematic explanation of the axiological foundations of Chinese aesthetics presented and analyzed in this book, are among the most important philosophical innovations elaborated by Modern Confucian theory. These novel approaches are also interesting from the perspective of global theoretical discourses, as they reveal important, culturally conditioned differences between traditional Western and traditional Chinese philosophy in terms of their respective ways of perceiving and interpreting reality.
Zhu Guangqian's Life and Philosophy. An Introduction is Mario Sabattini's last uncompleted work dedicated to the work of Zhu Guangqian, one of the most representative figures of contemporary Chinese ...aesthetics.
The Real Fake explores how the users of Thames Town--an English-like village built in Songjiang New Town near Shanghai--negotiate the notion of authenticity through their everyday social and spatial ...practices. Piazzoni argues that authenticity underlies the social and physical production of space through both top-down and bottom-up dynamics.
This article probes the sources, manifestations, and significances of the ambivalences and contradictions in London-based Chinese middle-class male professionals’ sense of their own gendered and ...cultural identities in the context of China’s twenty-first century postsocialist modernity. In doing so, it shows how Chinese middle-class men’s sense of themselves connects with wider national debates about China’s orientation in the world. To make sense of the desire of some respondents “to become a Chinese gentleman,” the article introduces the notion of the postsocialist Confucian sublime, a vision of a cultural order of increasing appeal to well-educated, middle-class Chinese men. The article argues that the Confucian sublime offers globally mobile professional Chinese men the opportunity to transcend their ambivalence towards Western modernity by providing a sense of wholeness and attainment both at a personal level and in relating to China’s place in contemporary globality.
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