Entre dos mundos Diop, Ndèye Khady
Guaraguao (Barcelona, Spain),
01/2024, Volume:
27, Issue:
75
Journal Article
Si nos remitimos al enfoque psicoanalítico de Freud y Lacan, por ejemplo, advertimos que la representación de un animal permite revelar no solo la naturaleza latente en nuestro yo, sino que también ...contribuye a mostrar las pulsiones de las que surge. En efecto, la representación del animal ayuda, según el punto de vista psicoanalítico, a ver todas las fuerzas que nos gobiernan, empezando por la libido. Para ello, abordaremos las principales características de este animal, sin olvidar, a través de un enfoque sociocrítico y narratológico, por qué se le considera portador de sentido en Au-dessus des dunes. Franz Kafka, por ejemplo, como narrador en Description dun combat. Forschungen eines Hundes) adopta un estatus en su juicio sobre los beneficios sociales que implica pertenecer a la especie canina. En efecto, el escritor de Praga, aunque oculto, se presenta bajo esta apariencia, lo que permite al lector comprender fácilmente que el universo canino representado en su obra no es otra cosa que la sociedad humana y que el narrador mismo es Kafka. La presencia del animal en la literatura africana se explica, además, por la importancia que muchos negros conceden a la naturaleza. La convivencia y las relaciones hombre-animal, sobre las que volveremos, revelan, entre otras cosas, una dimensión ontologica del hombre, su bestialidad. Es cierto que este animal ocupa un lugar especial en la cultura occidental y ha sido estudiado a menudo en Europa, pero esto no sucede en Senegal. Aquí es donde se encuentran mis dominios, en estas hectáreas de arena fina donde reino sin oposición en una banda de perros vagabundos más o menos hambrientos, pero libres y poco serviles, y que se alimentan de las sobras que tiran los habitantes del pueblo cercano, y que beben agua del río, donde a veces se bañan (Camara, 2014, p. 7). Como poseedor de los datos relativos a un pasado de su vida que quiere compartir con nosotros, Néstor, el narrador autodiegético de Au-dessus des dunes, en su deseo de credibilidad, se ve obligado a revelar su verdadera naturaleza de perro mitad-hombremitad-animal, lo que explica su particular capacidad para entender el lenguaje de los humanos.
Lyrical, mysterious, and laden with symbolism, Franz Kafka's novels and stories have been translated into more than forty languages ranging from Icelandic to Japanese. InTransforming Kafka, Patrick ...O'Neill approaches these texts through the method he pioneered inPolyglot JoyceandImpossible Joyce, considering the many translations of each work as a single, multilingual "macrotext."
Examining three novels -The Trial,The Castle, andAmerica- and two short stories - "The Judgment" and "The Metamorphosis" - O'Neill offers comparative readings that consider both intertextual and intratextual themes. His innovative approach shows how comparing translations extends and expands the potential meanings of the text and reveals the subtle differences among the hundreds of translations of Kafka's work. A sophisticated analysis of the ways in which translation shapes, rearranges, and expands our understanding of literary works,Transforming Kafkais a unique approach to reading the works of a literary giant.
In Kafka and Wittgenstein, Rebecca Schuman undertakes the first ever book-length scholarly examination of Ludwig Wittgenstein’s philosophy of language alongside Franz Kafka’s prose fiction. In ...groundbreaking readings, she argues that although many readers of Kafka are searching for what his texts mean, in this search we are sorely mistaken. Instead, the problems and illusions we portend to uncover, the important questions we attempt to answer—Is Josef K. guilty? If so, of what? What does Gregor Samsa’s transformed body mean? Is Land-Surveyor K. a real land surveyor?— themselves presuppose a bigger delusion: that such questions can be asked in the first place. Drawing deeply on the entire range of Wittgenstein’s writings, Schuman cannily sheds new light on the enigmatic Kafka.
La Lettre au père de Franz Kafka est un document clinique tout à fait singulier, voire exceptionnel à plus d’un titre, tant du point de vue de la littérature que de celui de l’orientation subjective ...de son auteur. Cette orientation se dévoile ici et contribue à nous faire entrevoir l’intrication du troumatisme dans une nécessité d’écriture, nécessité mêlant avec férocité les dimensions du comique et du tragique afin de soutenir ce qui apparaît comme l’horizon du pire lorsque le père fait ravage. Cette nécessité d’écrire apparaît comme un traitement singulier de la honte et de la hantise qui marque irrémédiablement la vie de l’auteur. L’analyse de ces écrits dans cette perspective peut permettre au clinicien un repérage différentiel des concepts de trauma et de ravage.
Die Studie geht von der Beobachtung aus, dass Franz Kafka als biographisch Daheimgebliebener seine Geburtsstadt Prag erst gegen Ende seines Lebens verließ, seine Texte jedoch seit jeher den ...literarischen Aufbruch in die Fremde verhandeln. In dieser Hinsicht untersucht sie den „Schloß“-Roman als ‚Contact Zone‘, als von asymmetrischen Machtverhältnissen seiner Partizipanten geprägten Raum inter- bzw. transkultureller Konfrontation.
On the night of September 22, 1912, Franz Kafka wrote his story "The Judgment," which came out of him "like a regular birth." This act of creation struck him as an unmistakable sign of his literary ...destiny. Thereafter, the search of many of his characters for the Law, for a home, for artistic fulfillment can be understood as a figure for Kafka’s own search to reproduce the ecstasy of a single night. In Lambent Traces: Franz Kafka, the preeminent American critic and translator of Franz Kafka traces the implications of Kafka’s literary breakthrough. Kafka’s first concern was not his responsibility to his culture but to his fate as literature, which he pursued by exploring "the limits of the human." At the same time, he kept his transcendental longings sober by noting--with incomparable irony--their virtual impossibility.
In this Very Short Introduction, Ritchie Robertson provides the newcomer with an up-to-date and accessible examination of this fascinating author. Beginning with an examination of Kafka's life, he ...then goes on to discuss some of the major themes that emerge in Kafka's work, using his short story Metamorphosis as a recurring example. - ;'When Gregor Samsa awoke one morning from troubled dreams he found himself transformed in his bed into a monstrous insect ...' So begins Franz Kafka's most famous story Metamorphosis. Franz Kafka (1883-1924) is among the most intriguing and influential writers of the twentieth century. During his lifetime he worked as a civil servant and published only a handful of short stories, the best known being The Transformation. All three of his novels, The Trial, The Castle, and The Man Who Disappeared America, were published after his death and helped to found Kafka's reputation as a uniquely perceptive interpreter of the twentieth. century. Kafka's fiction vividly evokes bizarre situations: a commercial traveller is turned into an insect, a banker is arrested by a mysterious court, a fasting artist starves to death in the name of art, a singing mouse becomes the heroine of her nation. Attending both to Kafka's crisis-ridden life and to the subtleties of his art, Ritchie Robertson shows how his work explores such characteristically modern themes as the place of the body in culture, the power of institutions over people, and the. possibility of religion after Nietzsche had proclaimed 'the death of God'. The result is an up-to-date and accessible portrait of a fascinating author which shows us ways to read and make sense of his perplexing and absorbing work. -.
This book-series, initiated in 1992, has an interdisciplinary orientation; it comprises research monographs, collections of essays and annotated editions from the 18th century to the present. The ...term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that Jewish aspects can be identified in these. However, the image of Jews among non-Jewish authors, often determined by anti-Semitism, is also a factor in the history of German-Jewish relations as reflected in literature. This series provides an appropriate forum for research into the whole problematic area.
