During the first years of the 20th century, occurred the modernization of poetry in Peru. José María Eguren positioned himself as one of the most representative voices of that establishment. For this ...reason, in this article we will explore some key arguments which explain the Egurenian poetic modernization from the revision of the correspondence between a particular group of his poems and his prose, to identify, in the fictional and essayistic writings of the author, a conception of poetry that we will call multidimensional. It has, among its most important features, the configuration of a creative-intuitive ideal, the figuration of the feminine as a dialectizing agent and the aesthetic principles of movement and chromaticity.
Los primeros años del siglo xx representaron la instauración de la modernización de la poesía en el Perú. José María Eguren se posicionó como una de las voces más representativas de aquella instauración, por ello en este artículo exploraremos algunos argumentos claves que explican la modernización poética egureniana a partir de la revisión de las correspondencias entre un grupo particular de sus poemas y de sus prosas, con el fin de identificar en las escrituras ficcionales y ensayísticas del autor una concepción sobre la poesía que denominaremos multidimensional y que tiene entre sus rasgos más importantes la configuración de un ideal creativo-intuitivo, la figuración de lo femenino como un agente dialectizador y el establecimiento de los principios estéticos del movimiento y de la cromaticidad.
After thousands of years of historical and cultural precipitation, the development of Chinese garden has become a mature and distinctive garden system. One of the characteristics of Chinese classic ...garden is the poetic imagery, it is also one of the treasures of contemporary garden design in Chinese style that absorbs nutrition and inherits culture. Taking landscape design of the Mountain Street Garden in Qinhuangdao city as an example, it summarizes the connotation of the poetic imagery in Chinese garden, and integrates the characteristics of the city and historical culture into the design, sees big landscape through small details, experiences deeply the aesthetic design in the poetic imagery of city garden, then realizes innovating from ancient in city garden, and shows the people the poetic imagery of Chinese garden.
Artykuł dotyczy inspiracji myślą Norwida w twórczości wybranych polskich poetów współczesnych. Najwięcej miejsca poświęcono Różewiczowi, ale pojawia się też Przyboś i Szymborska. W przypadku Norwida ...i Różewicza istotnym elementem wspólnym jest koncepcja języka poetyckiego. Paradoksalnie, mimo że światopoglądowe punkty wyjścia są w większości przypadków odmienne – ostatecznie, najściślej łączy wskazanych poetów z Norwidem pojmowanie poezji jako troski o (różnie rozumiane) ocalenie człowieka.
Moment elegijny” Victora Hugo Siwiec, Magdalena
Poznańskie studia polonistyczne. Seria literacka,
2011, 2011-01-01, Volume:
18, Issue:
18
Journal Article
Peer reviewed
Open access
This article attempts to define the place of elegiac modality in the literary output of Victor Hugo. The starting point for the discussion and at the same time appropriate interpretative tool is the ...definition of elegy derived from the writings of German theoreticians of Romanticism: Friedrich Schiller and Friedrich Schlegel. The thing is question is the elegiac attitude based on exposing of what is ideal and lost at the same time. The above, indeed, constitutes an answer to the questions of the experience of crisis so inherent to Romanticism. Analyses of the early poetical volumes written by the author show a particular evolution of Hugo’s conception of poetry. Politically committed The Odes, being anti-elegiac by assumption, are discussed, as well as purely poetical Eastern poems overtly promoting limitless freedom which characterizes the creative imagination. The interpretation of individual poems from these volumes proves, however, that one can discern a certain elegiac tone in them, though the tone is never dominant. The volume that distinctively enhances the elegy (thus far discredited by Hugo and from then on permanently occurring in his works) turns out to be Autumn Leaves — a collection of poems of contemplative, melancholic, visionary and self-reflective character.
