Resumo: Trata-se de uma investigação que, à luz da história cultural, busca compreender cinco eventos ocorridos no Brasil nos anos 1920: Conferência Interestadual do Ensino Primário (Brasil, 1922); ...Congresso de Ensino Primário e Normal (Paraná, 1926); Primeiro Congresso de Instrução Primária (Minas Gerais, 1927a); Primeira Conferência Estadual do Ensino Primário (Santa Catarina, 1927); Primeira Conferência Nacional de Educação (1927), promovida por intermédio da Associação Brasileira de Educação. Como hipótese investigativa, apresenta-se a seguinte questão: que representações são possíveis de serem interpretadas acerca do campo educacional brasileiro nos ritos e nas materialidades das conferências e dos congressos ocorridos nos anos 1920? O percurso teórico-metodológico circundou referenciais da história cultural, considerando os conceitos de cultura material e representação.
Egy másik Phyllis és Flora Tuhári, Attila
Antik tanulmányok,
05/2022, Volume:
66, Issue:
1
Journal Article
Peer reviewed
Open access
Without doubt, one of the most outstanding piece of the goliard poetry is the anonymous poem which nowadays become known as Phyllis et Flora (Altercatio Phyllidis et Florae). It was preserved to us ...in many manuscripts, whose each one contains parts of diff erent length of this poem. One of these copies especially diff ers from any of others: it preserves a complete poem that begins with the eight initial stanzas of the original poem, and continues with seven new-composed stanzas until its end. After the discovery of this manuscript, it become part of the tradition of the poem although it was considered just as a very corrupt witness of the poem’s fi rst eight stanzas. However, in the recent past, thanks to a lucky occasion, it was discovered a second copy of this variant poem, transcribed at the same period as the already known one. Th e new discovery fundamentally changes our relation to the variant: the new copy has made it obvious, that this is not a peculiar composition of the fantasy of its scribe, but a self-suffi cient late variant of the original poem, which had been supposedly more widespread, than its traces testify. Not only the radical alteration of its length, but – due to its late construction – that of its content and thought is also remarkable.
The paper discusses the principle of anthropocentrism and nation-centrism in relation to the presentation of the theoretical foundations of Ukrainian linguistic historiography, based on national ...traditions and new approaches to the principles of describing the history of linguistics. It is significant for reconsidering Ukrainian linguistic philosophy and philosophy of science in general. In modern Ukrainian linguistics, traditional genres of historiography are updated (index, biobibliography, textbook, monographs, scientific articles, etc.) on the history of Ukrainian linguistics in general, research centers and schools in particular, descriptions of achievements in certain fields of the Ukrainian linguistic studies, etc.) and new hybrid genres (metabibliographic manuals, bibliography of individual journals, textbooks in some scientific fields, dictionaries of personalities, etc.). In the modern scientific space the formation and development of critical-respecting discourse as well as linguistics of personalities can be observed.
The article reveals the mechanisms allowing the author’s intention to destruct the structural-content organization of speech genres and influence the formation and perception of an artistic ...narrative. The research gives ground to outline a set of devices to make the communicative sense of artistic narratives odd, which is explained by the author’s creation of „unnatural” ontology of the narrated world; to outline various ways of semantic destruction of speech acts, and intentional breaches of the pragmatic conditions of the effective speech-genre structures creation and functioning. The result of these devices use is the
formation of the ontological, perceptional, behavioural, mental and some other types of textual (discursive, narrative) absurd. Mechanisms of creating intentional and/or nonintentional „unnatural” speech acts as constituents of artistic narratives are active sources of forming unusual communicative senses of aesthetic nature.
The paper deals with the peculiarities of literary modeling the image of a genius in the novel „Mozart from Lamberg” by the modern Ukrainian writer B. Kolomiychuk. It is claimed that Franz’s ...motivation for genius was formed in childhood (his mother constantly reminded him of his father and tried to convince his son that he was the same genius composer as his father). He also had innate abilities of reality reflection and unique presentation of its essence (Franz heard music everywhere, different sounds inspired him to create new compositions). It is noted that in the novel the writer did not demonstrate the power of the inherited genotype, as well as the development of intelligence and favorable conditions for its strengthening. Franz was well aware that his father’s genius of composition would never be achieved. However, he still wanted to be worthy of his father’s memory. Such leading traits of Franz’s character as honesty and responsibility contributed to the fact that he established himself as a person who had his own unique abilities.
The article is an attempt to decode a literary text to identify an individual psychological content in it. On the basis of philological and psychological analysis it is proved that Shevchenko’s ...linguistic identity is characterized by two types of accentuation – emotive and affective-exalted. At the level of the text it is seen in the high frequency of emotions: tears, crying, in the repetition of verbal formulas containing motivational and volitional qualities, as well as in a peculiar syntactic and intonational phrase organization.
The Ukrainian-Russian diglossia led to the appearance of mixed speech, called surzhyk, in Ukrainian territories controlled by the Russian Empire. As a speech variant along with the dialects, surzhyk ...developed primarily in the speech of peasants and spread further in the newly built cities of Central, Eastern and Southern Ukraine from the end of the18th century. According to the language contact theory, surzhyk is a subcode for Ukrainian and Russian common language codes. At the same time, a number of political decisions during the Russian Tsardom and the Soviet empire led to the expansion of its functioning, often to a single language code. In the late 20th century, after the publication of researches on surzhyk, the emphasis was mainly on its negative impact on the national extension of the Ukrainian language. Thirty years of studying this phenomenon already shows the appearance of many linguistic studies, with a dominant of studies that use the descriptive analysis method. This research aims to focus on those opinions and approaches in recent research on surzhyk, which caused a certain resonance in linguistics and which have been continued. Also in this text, we present a vision of further perspective of (socio)linguistic analysis of mixed speech, based on the results of our own sociological survey.
The article is devoted to identifying the heuristic potential of visual materials in the study of cultural values and meanings, in the context of the problem of finding optimal ways of socio-cultural ...integration of forced migrants’ families and recipient communities. The study is based on the methodological principles of social culturology, which involves the consideration of artworks as individual realization cases of cultural forms. The article uses materials from the photo exhibition „Hope. Family. Community”. This Ukrainian Polish project is designed to draw attention to the problems and needs of people affected by the military conflict in Eastern Ukraine. The analysis of photos of the peculiarities of the socio-cultural integration of families from Eastern Ukraine and Crimea has been made. The format of the stand-case and its structural elements are described. The basic principles of socio-cultural management of the exhibition project „Hope. Family. Community” are outlined. The importance of visual materials in the study of integration processes in modern Ukrainian communities has been proven.
The article is devoted to the problem of cultural resistance and modernization of Ukrainian national identity in the conditions of intensification of imperial grip in the post-UNR period, after ...national revolution. It deals with the strategies of coexistence with the winners, which were developed in the community of neoclassics in Kyiv, about the preservation of cultural sovereignty while demonstrating political loyalty to the regime. The concept of cultural resistance is interpreted with the additional analytical tools of post-colonial studies and memory studies. Neoclassicists, especially Mykola Zerov, focused on the Europe centered trends in the country’s literature. Kyiv became a place of privilege in the poetry of Zerov and Rylskyi. For this creative community the city was still the cultural capital, and the revanchist divestiture of the city’s capital status was perceived as an act of victors’ revenge. The literary life itself appears to be an invariant of the inner emigration of neoclassics. The addressee of their texts was imagined as a privileged reader, which also meant resistance to dominant concepts of mass, proletarian art.
