Object types are abstract specifications of object behaviors; object behaviors are abstractly indicated by object component interdependencies; and program verifications are based on object behaviors. ...In conventional object type systems, object component interdependencies are not taken into account. As a result, distinct behaviors of objects are confused, which can lead to fundamental typing/subtyping loopholes and program verification troubles. In this paper, we first identify a program verification problem which is caused by the loose conventional object typing/subtyping which is in turn caused by the overlooking of object component interdependencies. Then, as a new object typing scheme, we introduce object type graphs (OTG) in which object component interdependencies are integrated into object types. Finally, we show how the verification problem can be resolved under OTG.
This paper is a result of an investigation into visual programming methods and their. effective use in substation applications. It particularly concerns with developing a software-based tool for the ...design of composed object types (COT) as applied to substation automation and control systems. A brief discussion illustrating that substation automation and control systems can be developed using COTs is given. A number of existing textual techniques for the development of substation systems are described. This is followed by a summary of some of the shortcomings of the textual technique and how to overcome them. A comparison between textual and visual programming (or graphical) methods is then given. Three interfacing methods are then described in order to examine and determine which of the two discussed methods is most suitable for the development of substation automation and control systems. These interfaces are based on command driven, menu driven and direct manipulation approaches.
Provider: - Institution: - Data provided by Europeana Collections- Continuing our crafted journey into the MoMu depot, a new set of precious items cherry-picked and illustrated by the knowledge of ...curator Frieda Sorber guides us through the evolution of the craft from the 18th Century, its translation from hands to machines, and the spirit of revivalism of the new examples of 20th Century lace-making.
The video, produced by EFHA - European Fashion Heritage Association in collaboration with MoMu - Fashion Museum Antwerp, is part of the Europeana Crafted series.
Video and Editing: Giorgio Bosisio
With the participation of: Frieda Sorber, curator and lace expert
And Wim Mertens, Conservator of Collections at MoMu
Research: Dieter Suls, MoMu
Production and editing: Anna Carniel, Marta Franceschini
Location and date: MoMu Depot, Kallo – Belgium. September 2022- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Can lace-making become a game to teach the value of heritage? Bruges’ long and illustrious tradition of lace-making becomes the key ...to show kids how to embed craft in their future - and therefore the future of the world
In the video, produced by EFHA - European Fashion Heritage Association in collaboration with MoMu – Fashion Museum Antwerp, Rudy De Nolf, manager of the Lace Centre & Museum (Kantcentrum), explains how he managed to turn traditional techniques into an enjoyable and shared learning experience.
The video is part of the Europeana Crafted series.
Video and Editing: Giorgio Bosisio
With the participation of: Rudy De Nolf, manager of the Lace Centre & Museum - Kantcentrum, Bruges
And the pupils of the Youth Workshop
Research: Dieter Suls, MoMu
Production and editing: Anna Carniel, Marta Franceschini
Location and Date: Lace Centre & Museum - Kantcentrum, Bruges - Belgium. September 2022- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Can lace be the stuff the future is made of? The 2021 exhibition ‘P.LACE.S - Looking through Antwerp Lace’ expressed MoMu’s take on ...the topic, suggesting how heritage & craft can indeed be both repositories and sources for the development of new artistic, productive and creative languages. In this video, curator Romy Cockx describes the show and its enchanting objects, focussing on the special project of a 3D-printed handkerchief inspired by the one depicted by Peter Paul Rubens in 1615.
Always at the forefront of fashion exhibition-making, MoMu’s project becomes an incubator of new ideas and experiments, fostering the development of cutting edge collaborations reimagining craft for the future.
The video, produced by EFHA - European Fashion Heritage Association in collaboration with Momu - Fashion Museum Antwerp, is part of the Europeana Crafted series.
Video and Editing: Giorgio Bosisio
With the participation of: Romy Cockx, curator at MoMu
And Wim Mertens, Conservator of Collections at MoMu
Research: Dieter Suls, MoMu
Production and editing: Anna Carniel, Marta Franceschini
Locations and date: MoMu Library, Antwerp; MoMu Depot, Kallo – Belgium. September 2022- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- We all know the depot of MoMu houses many fashionable gems - and we were fortunate enough to discover with Frieda Sorber, curator ...and expert on the history of lace. Through a selection of highlights from the museum’s collection, Frieda takes us through a chronological journey that allows us to marvel at the minutiae of lace, and learn about European history through one of its most precious and prized craft.
This first part of the interview traces the origin of lace, and starts delving into its technical and commercial evolution up to the 17th Century.
The video, produced by EFHA - European Fashion Heritage Association in collaboration with MoMu - Fashion Museum Antwerp, is part of the Europeana Crafted series.
Video and Editing: Giorgio Bosisio
With the participation of: Frieda Sorber, curator and lace expert
And Wim Mertens, Conservator of Collections at MoMu
Research: Dieter Suls, MoMu
Production and editing: Anna Carniel, Marta Franceschini
Location and date: MoMu Depot, Kallo – Belgium. September 2022- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- What is a Kilim, what it represented and what does it stand for now? Visual artist Loukia Richards retraces the origins of the ...hand-woven kilim, a carpet that she has always seen on the floor of her family home in Leonidio, Greece, and that sparked her interest in the political and social value of craftsmanship.
The video part of a video series produced by the European Fashion Heritage Association in collaboration with the Basil Papantoniou Foundation.
Video and Editing: Giorgio Bosisio
With the participation of: Loukia Richards
Research: Angeliki Roumelioti, Basil Papantoniou Foundation
Production and Editing: Anna Carniel, Marta Franceschini
Locations and Date: Loukia's house, Leonidio; Aggeliki & Thomai Psarologou's workshop,Tyros; Hatzipanayiotis' Mansion, Leonidio - Greece, July 2022- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Ioanna Papantoniou, founder and president of the Basil Papantoniou Foundation in Nafplio, talks about weaving the plafi, a tradition ...whose cultural significance extends to all Greece and beyond. With her words and passion, she demonstrates how preserving objects also means collecting memories: the intangible heritage that forms our collective identity.
The video produced by EFHA - European Fashion Heritage Association in collaboration with Basil Papantoniou Foundation, is part of the Europeana Crafted series.
Video and Editing: Giorgio Bosisio
With the participation of: Ioanna Papantoniou, Founder and President of Basil Papantoniou Foundation
Research: Angeliki Roumelioti, Basil Papantoniou Foundation
Production and Editing: Anna Carniel, Marta Franceschini
Locations and Date: Ioanna's house; Basil Papantoniou Foundation, Nafplio - Greece, July 2022- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Hands, minds, souls and stories: crafts have the ability to form bridges through time and strengthen the ties that form communities.
...Thomai Rodopoulou-Psarologou, Loukia Richards, Metaxia Hanteli, Maria Gonidou and the Tsitalia community: the voices of craft weave the memory of Peloponnese: myths and narratives enlivening our understanding of Greek - and European - culture.
The video produced by EFHA - European Fashion Heritage Association in collaboration with Basil Papantoniou Foundation, is part of the Europeana Crafted series.
Video and Editing: Giorgio Bosisio
With the participation of: Thomai Rodopoulou Psarologou, Loukia Richards, Metaxia Hanteli, Maria Gonidou and the Tsitalia community
Research: Angeliki Roumelioti, Basil Papantoniou Foundation; Loukia Richards
Production and editing: Anna Carniel, Marta Franceschini
Locations: Old Elementary School, Tsitalia; Loukia’s house, Leonidio; Aggeliki & Thomai Psarologou’s workshop, Tyros; Hatzipanayiotis’ Mansion, Leonidio; Basil Papantoniou Foundation, Nafplio; Maria Gonidou’s workshop, Nafplio - Greece.
Date: July 2022- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Crafting new stories by learning the woven meaning of “tradition".
Independent textile specialist and tutor at SEN Heritage Looms ...Sophia Tsourinaki values the archeological recovery of looms and techniques, between reactivating ancient crafts and rewriting myths.
The video, produced by EFHA - European Fashion Heritage Association, in collaboration with Basil Papantoniou Foundation, is part of the Europeana Crafted series.
Video and Editing: Giorgio Bosisio
With the participation of:
• Sophia Tsourinaki – Independent textile specialist, Tutor at SEN Heritage Looms;
• Vassia Adamou-Vanezi, Kyriaki Giannopoulou, Maria Kontozoglou, Eleni Protopapa, Maria Retsa, Christina Satiropoulou–Students at SEN Heritage Looms; Efi Sartzetaki – SEN Board of directors
Research: Angeliki Roumelioti, Basil Papantoniou Foundation; Loukia Richards
Production and editing: Anna Carniel, Marta Franceschini
Location and date: SEN Heritage Looms - Athens, Greece. July 2022- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
