To stand up against Nazi ideas of biologized “ethnicity” and antisemitism required a heroic disposition in individuals who did not allow themselves to have their basic humanity destroyed by such ...ideologies, even as the latter were backed by formidable political and religious power and sweepingly popular beliefs. The men and women presented in the first part of the book have already been recognised as Righteous Among Nations for their brave humanitarian acts during WWII, a title bestowed by the Yad Vashem World Center for Holocaust Research, Education, Documentation and Commemoration. Part Two brings the stories about people who were also saving Jews that were not recognised as Righteous yet, but some among them are candidates.
To stand up against Nazi ideas of biologized “ethnicity” and antisemitism required a heroic disposition in individuals who did not allow themselves to have their basic humanity destroyed by such ...ideologies, even as the latter were backed by formidable political and religious power and sweepingly popular beliefs. The men and women presented in the first part of the book have already been recognised as Righteous Among Nations for their brave humanitarian acts during WWII, a title bestowed by the Yad Vashem World Center for Holocaust Research, Education, Documentation and Commemoration. Part Two brings the stories about people who were also saving Jews that were not recognised as Righteous yet, but some among them are candidates.
Dežela senc Luthar, Oto; Pogačar, Martin
2015
eBook
Open access
The Land of Shadows was first conceived as a complementary resource for History classes in Slovenian high schools. It served to complement to the patchy Holocaust teaching resources. It consists of ...two parts: the first part features a historical overview of anti-Semitism and eventually the Holocaust in Europe, which is followed by an account of the situation in Slovenia. The authors relied on the life-story of Mrs Erika Fürst, one of the Holocaust survivors from Prekmurje, Slovenia. In creating a compelling and touching narrative, the authors used visual material from the archives and from various publications depicting the period and the problematic, notably excerpts from two graphic novels: Art Speigelman’s Maus, Jason Lutes’ Berlin.
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