The question of referential frameworks in Wagnerʼs music dramas
Pompe, Gregor
The paper tries to appropriate the communication model of R. Jakobson, furtherdeveloped from the semiological view point by J.-J. Nattiez and the communication models of reception theory on the ...plurimedial form of an opera. The "ideal" receiver of an opera performance namely communicates with all three levels of staged production: he is at the same time reader of the libretto, spectator of the realized theatrical production and listener of the realized musical score. But beside these three referential levels comes another one which stems from the interaction between these media. Such collisions of different operatic referential frames are investigated on three "situations" from Wagnerʼs music dramas.
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